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19th November 2013
Buy fabulous real silver gelatin black and white framed wall art photographs from the new House of ILFORD on-line store
House of ILFORD is a new and exciting addition to the services available from the well-established ILFORD LAB DIRECT photographic process and print service based at the HARMAN factory in Mobberley, England.
HARMAN technology Limited is the company behind the famous and iconic ILFORD brand of black and white photographic products.
The House of ILFORD is the pl...
Photographic Paper FAQ's
Which paper product is best/suitable for photograms.
All of our ILFORD photographic papers will easily produce photograms, so the choice will depend on which surface finish you prefer and whether or not you want fibre or resin coated. Resin coated paper is lower cost, easy to process and dry flat and would be a good choice for starting out.
Does reciprocity affect paper?
Paper products are designed for much longer exposure times than film and are less sensitive to reciprocity...
Processing your own film can speed up your workflow and give you quicker access to your negatives. It is also typically more cost effective and best of all there is nothing like the sense of satisfaction you will gain by taking control over the full end-to-end process of your photography.
While trying it for the first time might be a daunting prospect, fear not. Below is our guide on what equipment, chemistry and method would be suitable for anyone new to processing films. For more detail, you can downlo...
Why print?
When you can get excellent prints from your black & white negatives by sending them off to commercial processing laboratories, why make your own?
For many photographers, making a photographic print is as much a part of the process as shooting the image itself. For a start, it is a creative process that is both enjoyable and fulfilling and, much like the role of a post processing tools such as Photoshop or Lightroom in any digital workflow, (although much more fun) a darkroom provides film...
Contact sheets are a great way to review and record your images. They allow you to view all the negatives on a roll of film before deciding which ones you want to print and how you may want to crop them. They also provide a permanent record of those negatives for filing purposes.
How to make a contact sheet
To make a contact sheet we recommend using ILFORD MULTIGRADE RC DELUXE
Set the enlarger head to a height that gives a 40cm (16in) wide rectangle of light on the baseboard
Put a MULTIGRADE fil...
Silver halide has been used in photographic film and paper for over 150 years and remains a vital ingredient found in all high-quality products. Silver halide crystals in gelatin form part of an emulsion which is used to coat the paper or film. On exposure to light (i.e. in a camera or darkroom), the crystals react turning into silver and forming the image.
Silver halide prints
There are many ways to produce black & white prints with options varying in quality. Traditional black & white silver ha...
General health and safety advice
This section provides advice to our customers on the safe handling, use and storage of our photochemical solutions, best practice for waste disposal and specific advice to women who are pregnant or breastfeeding a child.
If you are looking for information on the chemical safety of HARMAN photochemistry solutions, please refer to the Safety Data Sheets (known as SDS or MSDS)
24 HOUR OHES emergency line for advice on chemical incidents
Safe working practices
It is essen...
Photographic prints are intended to be viewed and when looked after can remain in excellent condition for over a century. However, as they are paper-based they are prone to damage if mishandled.
Caring for a print
A print intended to have a long life should be processed by methods recommended for long-term stability. If necessary it can be retouched to eliminate blemishes. Prints that are going to be displayed should be mounted, framed and glazed to complement the image and protect it from deteriorat...
Retouching is normally done to remove blemishes from the negative or the final print. It can also be used to change the tone or remove unwanted detail. As retouching can be difficult, care is required.
Advice for retouching
The most risky retouching techniques involve removing parts of the image, by bleaching, cutting, or scraping with the edge of a sharp knife. The addition of density is generally less risky, and can be done using dye, paint etc, or a suitable soft pencil. When retouching prints from o...
Mounting your Prints
Even the most stunning print can look better when it has been properly mounted. Mounted prints are also better protected as they are kept flat with the image separated from the immediate surroundings by unobtrusive margins.
There are no hard and fast rules about mounting prints; the most suitable results will depend on individual preference, the nature of the image, the intended use and other circumstances.
It is recommended that only boards and other materials intended for the p...