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Man of science
I love alternative photographic techniques like dry plates and brushed on emulsions. I am a darkroom fanatic – always exploring new ways to mash up digital with traditional analog techniques. I love all kinds of print processes – cyanotypes, salts, van dykes to name a few. I shoot all formats right from 35mm half frames up to 8×10 large format.
I am also an avid camera collector but prefer to be a user rather than an admirer of my cameras. I currently use a Nikon F3, Leica M-A, Hasse...
Images with feeling
The most attractive element of analogue is its delicacy. The analogue process has remained so ingrained into my practice, I can't imagine working in any other way. Seeking images which stir a feeling within and seeing that image through each stage of the process to finally create a hand-made darkroom print.
The print may not be perfect, I do not tirelessly work on test strips creating a technically perfect image, I never leave the confines of the darkroom to inspect the print once it...
An experiment in chemical possibilities
When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy. If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...
A beautiful and inspiring place
Last year (2018) I was introduced to the Bale Mountains, a part of Ethiopia I had never seen before. Surprisingly, in the 8 years I have been traveling to Ethiopia, I have only recently begun discovering the many treasures this country holds. The Bale Mountains of southeastern Ethiopia is a truly beautiful and inspiring place with rich biodiversity and stunning geography. Bale Mountains National Park (BMNP) sits about 400km from the capital of Addis Ababa. Within the park ar...
Turning your negatives into positives
Reversal processing enables black and white transparencies to be produced directly from high quality films such as PAN F Plus, FP4 Plus and DELTA 100 PROFESSIONAL
How it works
It starts with the development of the negative image. This leaves the unused silver halide untouched, but it is not fixed, as it will be used later to form the positive image. After the negative image has been developed, it is totally bleached away using an acid bleach. This leaves the remainin...
The Photography Show 14-17 March
There's not long to go until this years Photography Show at the NEC in Birmingham and it's going to be a great one. (If we do say so ourselves)!
There is going to be a far greater analogue / film presence at the show this year as the organisers have agreed to the inclusion of a dedicated ‘Analogue Spotlight’ area which will include some pods for smaller brands and a spotlight speaker area for those brands to do demos.
Come and see us!
We will be there on stand B93 ...
In late 2019, we invited the global analogue film photography community to take part in our latest survey. This time we focused specifically on darkroom printing.
The survey ran for 1 month and had an incredible 5,439 responses from 87 countries around the world. A huge thank you to everyone who took the time to offer your insights and share the survey for us.
Why darkroom printing?
We have seen sustained and continuous growth in film for a number of years. However, darkroom printing has not yet cap...
Selfish process?
It can sometimes feel that many steps in my photography process are selfish. Some of these I can take as positive, for example the way I now truly photograph for myself and not to please others. (Aside from client based assignments), as was the case when I was locked into the social media game at the start of my photography experimentation. Other times however it can feel that I’m not doing enough to use my photography somehow to produce some visceral change in the world, despite my curr...
When we held our first Lockdown Session with Emulsive, we asked him who he'd like to see us interview in future and he suggested the very lovely Aislinn. (AKA The Film Pusher).
SECTION 1 - THE BEGINNING
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
I have tons! But let me share my recent favourite, the one that I had printed and hung on my wall. It’s a pinhole image of the Natural History Museum in London. It means a lot to me, as the NHM is a favourite visit ...
The future of photography
The year 2020, it sounds very futuristic to me. So, what does that future look like for photographers?
Well, no doubt technology will be getting more advanced than ever and we will see huge leaps in digital development this coming decade as the megapixel war continues.
There will likely be be new initiatives and more collaborations with smartphone companies. Will the digital SLR camera start to disappear? Will mirrorless take over? Or will there be a new hybrid on the market...