Search results for: 'comes for'

Going digital If we go back to 2002 a close photographic friend convinced me (against my better judgement) that film was a thing of the past, and that to hold my own in the professional photographic world I had to go digital. Eventually I succumbed to his argument and traded in my Leica film cameras (I had 4) and started on the dizzy road to digital photography. In those days some fifteen years ago I thought it would be just like changing film brands: OK it may take a bit of getting used to a different ...

The Grand Canyon at Plateau Point Technical info   Film Used:  ILFORD FP4+ Format: 4x5 Camera: Wista 45DX Lens: Rodenstock: 90mm f/4.5 Exposure time: 1/60th Other equipment: Red filter Location: Plateau Point, Grand Canyon National Park     Firstly, tell us the story behind this image. What inspired you to shoot it? One weekend at the last minute I decided to do a full moon hike to Plateau Point in the Grand Canyon. My plan was to hike down around ...

Images with feeling The most attractive element of analogue is its delicacy. The analogue process has remained so ingrained into my practice, I can't imagine working in any other way. Seeking images which stir a feeling within and seeing that image through each stage of the process to finally create a hand-made darkroom print. The print may not be perfect, I do not tirelessly work on test strips creating a technically perfect image, I never leave the confines of the darkroom to inspect the print once it...

An experiment in chemical possibilities When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy.  If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...

An Interest in Large Format Large format is an immensely rewarding and enjoyable way to make a photograph. It can also feel overwhelming when you’re just starting out, but it doesn’t have to be complicated. This article is for anyone with an interest in large format. I got into 4x5 because I wanted to challenge myself, and to try something new. Over the last two years it has become my favourite way to take a photograph. There’s something special about slowing down and being so deliberate with each...

It's always a tough week when we ask for sports spots as black and white film isn't always the first choice when it comes to sport photography. However we knew we could rely on you all to come up with something special @WellerMonica Football Crazy at Motorway Service Station, Olympus Trip camera, XP2 film #fridayfavourites #ilfordphotos #sport   @eugenbaban #ilfordphoto #fridayfavourites #sport #canoesprint #ilfordfilm #xp2   @AdibMufty If you can’t grow wings... Ride a horse!Â...

HUNTING ISLAND XVI, 2018  Technical info Film Used    Ilford Delta 100   Format    4x5 Camera     Chamonix 045N-2 Lens     Fujinon SW-90 Exposure time   Approx.2 minutes Other equipment    Sand & shells, to taste. Location: Hunting Island, South Carolina, US.   Tell us the story behind this image. What inspired you to shoot it? This March, I was in Charleston, South Carolina, and had a day to burn. I started looking around for somewhere cool to check o...

The Outlaw Project shooting portraits with a large format camera The Outlaw Project, was inspired by Edward Sheriff Curtis, the 19th Century photographer, known for his portraits of native Americans, shot with a large format camera. In 2011, Peter acquired a giant copy camera, made by Sidney R. Littlejohn Co., in the East end of London circa 1926. The camera, though having been used heavily in the newspaper industry for copying documents, was generally in working condition. With its inner mechanical str...

Beginnings I came to analog photography late. I enjoy being able to feel the film and create with my hands, and the suspense of not knowing how the final shots look until you develop the film. Shooting film changes the style of how I work.  I take less pictures and think more. It is more immersive, I have more time to feel their characters, their experiences. I shoot all my projects in medium format film.  I do use digital, but only for commercial photography or for working on reports. Materials ag...

Terrain This project recently exhibited at the Golborne Gallery, London Road Trip All the photographs in this project were taken over a week-long period whilst traveling from Los Angeles to East Arizona, and back again. Something that really struck me when traveling through this part of the American West was how nature had relinquished control of the landscape. The towns were almost post-apocalyptic; half-burnt trash piles and concrete curbs were cracked by the hot sun. Whilst blade...