Search results for: 'box is for'

A family of photographers It’s difficult for me to imagine my family members without their cameras. I grew up in a family of photographers. This seemed so natural to me, that, as a child, I thought all my friends at school had photo labs at their grandparents’ house. For years, underneath my bed, sat my great grandfather’s wooden photographic chamber, along with its imposing tripod. Ilford FP4 Plus / Hasselblad 500CM / Sonnar 150mm Fujifilm Acros 100 / Hasselblad 500CM / Distagon 50mm &nbs...

  Earlier this year we agreed to take part in @EMULSIVEfilm community interviews and these are the results. Over to you #EMULSIVE Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE. As with the first, the premise is simple: we collect questions from you, the film photography community, package them up and then work with the interview subject to get them answered and published. Well, we’...

A former life . . . Before my life as a photographer I worked in Social Services for many years advocating and caring for adults with severe intellectual and psychical disabilities. It was an aim of mine after completing my photography studies to somehow incorporate my former work with my new creative profession. A film connection Shortly after going freelance I was contacted by a Diversional Therapist from a Sydney hospital who had a client with a Traumatic Brain Injury who, before a tragic accident som...

An appreciation of Ilford FP4 The greatest pleasures can be taken from the simplest of things. An appreciation of something old that gets passed by while everyone tries to keep up with the crowd or the relentless progression of technology.  For me Ilford’s FP4 is one of those little pleasures. The RAF I was a photographer in the Royal Air Force from 1986 -1995.  At my RAF unit we had little choice of film stock.  It was FP4 and HP5 for black and white. Being stationed at a headquarters unit mean...

Taking the plunge I'd had this roll of Ilford HP4 for a good few months and was hesitant to put it through a camera. The fact that it was so pristine in it's condition made me feel that whatever I used it for had to be significant. I had to wait for the right opportunity. As the weeks passed,  I began putting unnecessary pressure on myself to plan a shoot around this one film. It was sitting on a shelf, judging me. At this point I decided to stop procrastinating and just shoot the roll, regardless of w...

One-year limited warranty, only applicable in U.S.A. ILFORD PHOTO/HARMAN technology will replace our products if they are defective from manufacture, within one year of purchase. Products will only be accepted for return  or replacement if accompanied by a valid Return Merchandise Authorization (RMA), and a copy of the dated purchase receipt from an authorized dealer. To request an RMA please use this contact form and select Technical Support from the dropdown box. Products being returned must be in...

It is my opinion that some photographers mistakenly regard ILFORD HP5 PLUS and its predecessors to be a somewhat cheaper, lower quality response to Kodak’s Tri-X. I hope to demonstrate in this review that this assumption simply isn’t the case. There’s much more to HP5 PLUS than meets the eye – something that regular shooters of this film will be more than aware of (you folks can leave now, nothing new here). For those of you who haven’t shot this film before, this review will give you my tak...

Images with feeling The most attractive element of analogue is its delicacy. The analogue process has remained so ingrained into my practice, I can't imagine working in any other way. Seeking images which stir a feeling within and seeing that image through each stage of the process to finally create a hand-made darkroom print. The print may not be perfect, I do not tirelessly work on test strips creating a technically perfect image, I never leave the confines of the darkroom to inspect the print once it...

Double exposures can be really tricky to get right. Lucy Ridges shares the secrets behind her ship / nude image below. Ship Technical information Shot on: FP4 plus medium format film Camera Mamiya RB 67 Exposure time Double exposure, each exposure 1/60 F5.6 Other equipment With bowens studio flash (1 x large soft box) I shot this image at my photographic studio in Manchester, located within Rogue Artist Studios The story behind the image My work for many years has encompassed a love for mul...

Every now and then it's nice to freshen things up a bit. The eagle-eyed amongst you may soon notice that our 135 and 120 ILFORD film cartons have been updated. The changes are relatively subtle ILFORD branded films are still in white boxes with the product logo.  And don't worry, the films themselves are not changing. So, what has changed? We have added an information panel on the side of the box, showing the ISO and exposures for easy reference. We've also moved the HARMAN technology name...