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How I work
I believe in self-learning, and I’m always up for something new to explore.
I adhere to a strict code of conduct and don’t believe in photoshop, or do much if any post processing. It has to be an exceptional day for me to crop an image.
I use Ilford’s Delta 400 for most of my work and use XP2 Super when I need my results fast.
Changing times
I was born in 1988, which meant that I got a first class ticket to experience the world converting from analogue to digital during m...
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Lifelong love of black and white
Growing up in the late fifties and sixties, one of my favourite movies was The Day the Earth Stood Still, a lot of which was shot at night in black and white. That early exposure to film noir inspired a lifelong love of black and white photography, especially at night.
When I first started shooting pictures in 1967, though, the only option for night photography without a tripod was “pushing” 400 ASA film and using specialized developers. While what was essentially un...
Starting Out
As a relative newbie there is a lot I still don’t know or understand the history of photographic film types and the various process do’s & don’ts. I’m OK with this and let me tell you why. There are countless books, articles and resources to help me learn as well as a very supportive film community. It is important that I do my homework but it is also important I don’t let all this information overwhelm me.
Learning
For me the main and only way to learn is time behind t...
My first time in Afghanistan
For the last couple of years, I have been travelling and exploring the people and culture of the Middle East and Central Asia. Visiting these countries is always inspiring and fascinating to me. In 2016, I visited Afghanistan for the first time.
At this time I switched from photographing both digital and analog to one hundred percent analog. The reason is simple. I love the handling, the manual process of film photography. It feels real and timeless. It is also practical, t...
Zone focusing is arguably one of the quickest and most effective methods of focusing your camera. With a little forethought, practice and pre-visualisation of your shot, it's a method that can reduce problems like shutter lag. Ensure your images are sharp every time. And help you take photos more surreptitiously.
It doesn't rely on automation and, in most cases can be put into practice before you've brought the camera to your eye. I believe it's a core skill and a method that everyone who takes photograp...
Never too young to learn about film photography
At home, one evening last week, I realised that I’d actually finished a full cup of coffee without any interruptions, a feat that happens rarely enough to lead to that moment of horror, (which can only be understood by parents of small children), when I wondered what our youngest (4) was up to.
He’d gone upstairs twenty minutes earlier. At first, I’d heard the usual sounds of teddy bear wrestling and superheroes flying through the air. Now ...