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La Santísima Tragedia
Fanesca: A Celebration of Cultural Syncretism Through Fashion and Photography.
Fanesca: Una celebración del sincretismo cultural a través de la moda y la fotografía.
Latin American Society
Fanesca is an evocative body of work created by London-based photographer Lucho Dávila, exploring cultural syncretism and the evolution of identity in contemporary Latin America. Through this ongoing autoethnographic project, Dávila reflects on his Spanish and Ecuadorian heritage, cap...
Our next Community Focus interview takes us to Berlin, where we had the opportunity to chat with Queer Analog Darkroom. They've created an inclusive space for individuals who face barriers to accessing knowledge about analog photography due to discrimination and marginalization, ensuring everyone has the opportunity to learn and create.
SECTION 1 - BACKGROUND
LET’S START EASY. TELL US A LITTLE ABOUT THE DARKROOM, WHAT IT’S CALLED AND HOW IT STARTED.
Queer Analog Darkroom (QAD) - is a self-organized, ...
A Room in Barcelona by Tiffany Roubert: Capturing Intimacy on ILFORD Delta 3200
There’s something about film photography that forces you to be present. The tangible process, the limitations, the patience required, each frame becomes deliberate, considered. A little while ago, I shot a project called A Room in Barcelona, entirely on film. More precisely, entirely on ILFORD Delta 3200. The premise was simple: create intimacy with a total stranger in a confined space. No grand backdrops, no elaborate set de...
2025 ULTRA LARGE FORMAT (ULF) AND CUSTOM FILM CAMPAIGN IS NOW OPEN
It's that time of year where we once again give photographers with the many vintage, collectible, and home-made cameras out there the opportunity to order selected custom sizes of ILFORD ultra large format sheet film and other specialist products without the constraints of the usual minimum order quantities.
You have until Monday 30th June 2025 to place orders with participating resellers.
WHEN WILL I RECEIVE MY ORDER?
We will ...
Everything Shifted
I first came to photography as a teenager, experimenting casually with digital cameras. But it wasn’t until after my PhD in cinema studies focused on representations of family in American television, that I returned to it with real intent. Living in Bordeaux at the time, I had occasionally photographed concerts, mostly as a hobby. Then, during the first COVID lockdown, everything shifted. With time slowing down, I picked up my partner’s analog camera and began shooting in the garden,...
Chasing Light
There’s something raw about walking the streets with a camera in hand, chasing light and shadows. No filters, no gimmicks: just the world as it is, stripped down to its bones. That’s what black and white does. It pulls the noise away, leaving behind the soul of the moment.
It Vanishes In Your Hand
I’ve been hooked on that feeling for years. The kind you get when the sun hits the pavement just right, or when someone’s face tells a whole story in a single glance. For this work, I gr...
Catching Up
Pinotepa Nacional, Oaxaca, is a run of the mill small Mexican city—which is to say that it’s pretty cool. There’s a cathedral, a vibrant market, lots of great street food, and a strong sense of community. I lived in Pinotepa for six months a few years ago while I was working on a project and absolutely fell in love with the place. I returned this past December to catch up with old friends and make content for my analog photography YouTube channel.
My First Weekend Back
I didn’t have a...
Up next in our Community Focus series: we're in London with Rapid Eye, founded out of love for printing in 1996! Find out more below.
SECTION 1 - BACKGROUND
LET’S START EASY. TELL US A LITTLE ABOUT THE DARKROOM, WHAT IT’S CALLED AND HOW IT STARTED.
Rapid Eye started in 1996 by Lee Williams, born out of a love for printing. I was printing myself with a small team for a few clients but I also loved hosting other printers and photographers. Eventually a small community started to form and we let out som...
A Timeless Story
This editorial came from a desire to tell a timeless story. Through mood and atmosphere, using the expressive tools of analog photography, I wanted to create a visual world that felt both intimate and slightly surreal. One where the character and setting merged to suggest a narrative without spelling it out. Working with ILFORD FP4 Plus allowed me to craft this vision with precision and texture, embracing the constraints and beauty of natural light and medium format film.
Each Frame M...
For the 7th interview in our Community Focus series we're heading to Oslo to chat to Cyan Darkroom.
Let’s start easy. Tell us a little about the darkroom, what it’s called and how it started.
Cyan darkroom is part of Cyan studio that is a co-op community photostudio and workspace. The studio was opened in 1998 and has always had a darkroom attached. In 2020 we got hold of a separate space where we built a much larger darkroom, hoping that the timing was right to attract enough new users. After a...