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Daniel Elbaz generously shares insights into his creative journey and how he conceived the idea of "12 Ways to...", for our 'How I Got This Picture' series.
IMAGE TITLE
12 ways to …
Technical Info
Film Used
ILFORD HP5+
Format
120
Camera
Hasselblad 503cw
Lens
Planar 80mm
Exposure Time
1/125s at f16
Other Equipment
Elinchrom Studio flash
Location
Paris, FRANCE
Firstly, tell us the story behind this image. What inspired you to shoot it?
I have been passionate about black and white phot...
Allow us to introduce Mandyleft, our 73rd featured artist in our "In Focus" series. Mandyleft is a talented film photographer known for her deep passion for connecting with people, a quality that has immersed her in the vibrant film community.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU.
I took this photo in a hotel in London. It was a very exciting weekend. I had just been to the theatre and then I had been shooting around the West End...
This week's theme for #ilfordphoto #fridayfavourites is #allonkentmere. Kentmere, with its exceptional quality, is not only an excellent choice for those venturing into film photography for the first time but also a preferred film for seasoned photographers.
@hannibal.bass. Pentax MX? Kentmere 400...#pentaxmx #shootpentax #kentmere400 #ilfordfilm #kpan400 #allonkentmere #fridayfavourites #35mmfilm
@uk_filmfanatic. Repost for @ilfordphoto #fridayfavorites. Sleepy Jack Russell. Nikon F100 wi...
When I Was A Teenager
Mine is a common story with photography in that my dad gave me his 35mm camera when I was a teenager. I shot his Minolta until I dropped it a few too many times and the light leaks became punitive. Soon after, I stumbled into the darkroom just as casually after I found my dad’s enlarger in the back of a closet and my friend, Joel, taught me the basics of printing in a few hours (I didn’t realize how difficult that would be). I didn’t have or know about filters and had no techniq...
Camera And Us
Once I started shooting film, I decided to start creating some photography projects. My first photographic project was called: 'Camera and Us.' This project documented people on the street and which camera they used. I chose to use a film camera to capture all kinds of people with their cameras on the street. Once I approached them, I told them my photographic intentions. We would have a simple chat to make them feel comfortable and more importantly, for them to consent to be photographed.
...
Let the beauty of #autumnonilford unfold in every frame, showcasing the diverse and stunning perspectives captured by our global community for this week's #ilfordphoto #fridayfavourites.
@peter_durst. For this weeks #ilfordphoto #fridayfavourites theme of #autumnonilford my submission is: The Yukon River. Hasselblad 500CM, Zeiss Sonnar 150mm f4, PAN F. Whitehorse, The Yukon #believeinfilm
@PlantingCabbag1. Munich on HP5! #ilfordphoto #fridayfavourites #autumnonilford. (I'm @midtonegrey on ...
This week's theme for #ilfordphoto #fridayfavourites is #shotwithdelta400. ILFORD DELTA 400 film is a autumn favourite, thanks to its adaptable ISO. It lets you seize every moment, no matter the weather.
@peter_durst. For this weeks #ilfordphoto #fridayfavourites theme of #shotwithdelta400 my submission is: Icelandic Coastline and the Greenland Sea Hasselblad 500CM Zeiss Sonnar 150mm f4 Delta 400 Miklavatn, Iceland ??. #believeinfilm #filmphotography #blackandwhitephoto.
...
The Nod
The rope is thick and heavy, and coated with resin applied to heat it up and make it sticky. The cowboy wraps this bullrope around his right hand and ties himself in. A thin leather glove protects him from burning his hand if the rope slips. He settles himself on the back of the 1500 pound Brahman bucking bull named Spooky Lukey, and Spooky Lukey hasn’t been ridden yet this season, or last year for that matter. When he’s set, he gives The Nod. The Nod starts off one of the greatest sequences in...
The Greatest Gift
In 1984, at age of 10 my foster parents, to whom I was never close, gave me a camera. It is the greatest gift they gave to me. Since then, I have photographed the world to make sense of it and my place in it. Now, forty years later, I respect photography to the extent it should be respected. It has become an integrated part of who I am, it has shaped me into what I am and I have shaped it - we are one and I would arguably feel nothing in life without this powerful mechanism. I come from a...