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  • HARMAN technology Limited, trading as ILFORD PHOTO, is a global market leader and the only manufacturer in the world to provide a full range of black & white film, darkroom paper, photochemistry and ancillary products. For over 137 years, generations of customers have demanded the very best. And this is why they continue to choose ILFORD. Operating from our manufacturing headquarters in Cheshire, UK. Our products are shipped around the globe and into the discerning hands of beginners, enthusiasts, stud...
  • You have loaded film into your camera, composed your image and pressed the shutter. You have now captured an image on your film. When that film is processed, it reverses the tones of the subject. In simple terms, the image is dark where the subject was light, and light where the subject was dark. That resulting image is known as a negative. What do I do with them? Negatives are normally then used to make prints by reversing the image a second time to restore the light and dark areas to their original tone...
  • Whether you are new to film photography or picking it up again after a number of years, it is very easy to get started and a rewarding activity regardless of your level of expertise. Introduction to film photography To get you started we've created a series of animations that will introduce you to the world of film photography. These short 60 second animated videos cover a range of topics and terminologies to quickly get you up to speed. From f-stop to film types, these videos are the perfect entry point...
  • Hand colouring The idea of adding colour to a monochrome image by hand dates back to the beginning of photography. At this time it was the only way to get a colour photograph. Although colour photography using the three colour process was put forward just short of thirty years after the first photograph by Nicephore Niepce,  it was, in its early years, expensive and difficult to produce a colour image. Hand colouring became a practical way to give the impression of colour and everything from Daguerroty...
  • General FAQS Where can I find technical information about your products? We provide a comprehensive set of technical information to support all our products. Links to the technical information can be found on the product pages on the website. Advice for Airport X-ray scanners: Film & papers We are working with the DFT and Heathrow airport in the UK and will shortly be updating our information relating to the new CT type x-ray scanners being installed at major airports worldwide. Based on our init...
  • Film and single use cameras How long after exposing can I leave my film before processing? For best results, we always advise processing soon after exposure although in practice most films can be left for several months. One exception is ILFORD PANF Plus, we would always advise processing this film as soon as possible and certainly within 3 months of the film being exposed. How do I account for film reciprocity during long exposures? This information can be found in the Film Reciprocity Failure Compensa...
  • Photographic Paper FAQ's Which paper product is best/suitable for photograms.  All of our ILFORD photographic papers will easily produce photograms, so the choice will depend on which surface finish you prefer and whether or not you want fibre or resin coated. Resin coated paper is lower cost, easy to process and dry flat and would be a good choice for starting out. Does reciprocity affect paper? Paper products are designed for much longer exposure times than film and are less sensitive to reciprocity...
  • This guide focuses on the photo chemicals you can use for processing film. We also have a guide to processing film as well as some handy tips on loading a developing spiral. Choosing photo chemicals We have a range of photo chemicals designed to give different results with our films and papers. The choice of stop bath and fixer is limited but we have several film developers you can use. Film developers come in either liquid and powder concentrate form and have a range of attributes. Some developers giv...
  • Processing your own film can speed up your workflow and give you quicker access to your negatives. It is also typically more cost effective and best of all there is nothing like the sense of satisfaction you will gain by taking control over the full end-to-end process of your photography. While trying it for the first time might be a daunting prospect, fear not. Below is our guide on what equipment, chemistry and method would be suitable for anyone new to processing films. For more detail, you can downlo...
  • Why print? When you can get excellent prints from your black & white negatives by sending them off to commercial processing laboratories, why make your own? For many photographers, making a photographic print is as much a part of the process as shooting the image itself. For a start, it is a creative process that is both enjoyable and fulfilling and, much like the role of a post processing tools such as Photoshop or Lightroom in any digital workflow, (although much more fun) a darkroom provides film...
  • Having shot a roll of black and white film it now needs to be processed to create the negatives. At this point your film is still light sensitive so should not be exposed to light. Processing your own film can be highly satisfying and cost effective. It is also easy to learn. The most common method for hand processing film is undertaken by using a Daylight Processing Tank. This piece of kit needs the film to be loaded on to a ‘spiral’ or ‘reel’, in the dark, and then enclosed in a light tight co...
  • Silver halide has been used in photographic film and paper for over 150 years and remains a vital ingredient found in all high-quality products. Silver halide crystals in gelatin form part of an emulsion which is used to coat the paper or film. On exposure to light (i.e. in a camera or darkroom), the crystals react turning into silver and forming the image. Silver halide prints There are many ways to produce black & white prints with options varying in quality. Traditional black & white silver ha...
  • General health and safety advice This section provides advice to our customers on the safe handling, use and storage of our photochemical solutions, best practice for waste disposal and specific advice to women who are pregnant or breastfeeding a child. If you are looking for information on the chemical safety of HARMAN photochemistry solutions, please refer to the Safety Data Sheets (known as SDS or MSDS) 24 HOUR OHES emergency line for advice on chemical incidents Safe working practices It is essen...
  • Mounting your Prints Even the most stunning print can look better when it has been properly mounted. Mounted prints are also better protected as they are kept flat with the image separated from the immediate surroundings by unobtrusive margins. There are no hard and fast rules about mounting prints; the most suitable results will depend on individual preference, the nature of the image, the intended use and other circumstances. It is recommended that only boards and other materials intended for the p...
  • Testing your Safelights Safelights are an essential component in any darkroom set up. We recommend testing them annually, as ageing can change the transmission characteristics of the filters. This can cause visible fogging of the print or, more likely, a subtle but noticeable drop in contrast. When setting up your safelights always read the instructions and don't exceed the recommended bulb wattage. Fitting a brighter bulb or mounting your safelight too close to your developing dishes,  may cause degra...
  • What is the luminogram process? The Luminogram process is light, directed onto photo paper in the darkroom. About as basic as ‘photography’ can get. It has been with us for a long while. László Moholy-Nagy (1895-1946) started using it in 1922, while Gottfried Jäger described it as "the result of pure light design; the rudimentary expression of an interaction of light and photosensitive material… a kind of self-representation of light." And yet it has always seemed to sit on the sideline...
  • 1992 - How I met Masterji Soon after leaving my staff photographer’s position on the local newspaper where I’d been employed for the previous 5 years and with the luxury of in-house film processing no longer a convenient option I began using my local city centre professional colour lab, in Coventry. During the accumulating hours I spent in that lab waiting for my 35mm films to process, watching small colour prints dropping from the conveyor belt from the end of the machine, I very watched a short In...
  • I always loved celluloid pictures. Maybe I was drawn in as a baby, while the 8mm camera whirred (and the handheld light blinded). Maybe it was being so thankful to my big brother for lending me a 35mm rangefinder and showing me how to use it at age 10. Might have been the Minolta-16 he gave me (as a graduation present?). What a sweet little 16 that is, and I’ve still got it. Can you get those cartridges now? I envied his Pentax Spotmatic as I shot 8mm motion pictures on the point and shoot family camera,...
  •  A lifelong hobby One of my lifelong hobbies is photography. I have been taking photographs since I was about 10 years old when I was given an old Kodak folding pocket camera that had belonged to an uncle, Bertrand Perrett, who was a professional photographer and painter in England. I learned to develop and print black-and-white film at school when I was a teenager back in the 1970s. The Slower Pace When digital photography came along I moved to that medium, but recently I’ve come back to film aga...
  • My name is Charles, I do film concert photography since September 2014. I chose analog over digital because I like to do things with my hands instead of using a computer. I mostly use HP5+ film (pushed to 1600 ISO) which I find very powerful in difficult light conditions, it’s a good compromise between precision, grain, and dynamic range. Concert photography is easy and difficult at the same time. It’s easy to take a picture of a charismatic singer on stage, but is this enough to have a great photo...
  • What are paper developers? Paper developers allow the latent exposed image to become visible to the naked eye and form part of a processing workflow along with a stop bath and fixer.  Read our guides, for more information on picking the right paper for you or which chemistry to choose  When shopping for photo chemicals always check the application. We produce a range of photo chemicals including stop baths, fixers, toners, wetting agents as well as paper and film developers. Film developers are speci...
  • ILFORD PHOTO offer an extensive range of black & white photographic paper. A photographer's choice of paper is a subjective decision based on personal tastes and preferences. It can also be impacted by the type of images you shoot and the final look you want to achieve. Papers all have different characteristics and purposes and so this guide will walk you through the terminology and choices available to help you pick the perfect paper for your darkroom printing. Base: Resin coated versus Fibre base...
  • One of the best things about film photography is that the creative process doesn't end in the camera. Processing your images in a darkroom is not only great fun, but it also allows you to exercise complete creative control over the final look of your image. We cover some of the essentials needed to set up a darkroom in our beginner's guide and have also developed a series of short animations which cover essential darkroom equipment, darkroom safety tips as well as how an enlarger works. Below, we cov...
  • All ILFORD Inspires content has a common goal: To inspire people to try traditional analogue black and white photography by showcasing the power and potential of this highly creative medium. New York Silver Stories Working with the talented team at Exploredinary, this series features four short documentaries telling the stories of silver gelatin darkroom printers in New York City. The Bronx Documentary Center - Turning Negatives into Positives Founded by Michael Kamber, the BDC is a non-profit aimed at ...
  • HARMAN TECHNOLOGY LIMITED – PRIVACY NOTICE HARMAN technology Limited is committed to respecting the privacy of our customers and the users of our website ilfordphoto.com (the Website). This notice is to explain how we may use personal information we collect before, during and after your relationship with us. This notice also explains how we comply with the law on data protection and what your rights are. References to you, your and yourself in this privacy notice are to either you as an individual or...
  • The last six years I picked up my first camera about six years ago, and I haven't looked back since. Well, not on my choice of beginning Photography, but I have looked back on my choice of cameras. Over the past six years, I've achieved quite a bit, and I've enjoyed every moment of it - from my first exhibition to running my own photography gallery. However, I'd always felt that there was something that I was missing out on. Photography, for me, is an art form that allows you to be creative and passion...
  • Introduction I’ve been a photographer for 35 years since I was 11 in fact when I first loaded my Zenith 11 with film and set off for a walk into the wilds of South Yorkshire. 20 years later I turned professional and as soon as digital became a viable option I traded in my Nikon F90x and Mamiya 645 pro for a Nikon digital kit. Digital was for me always a triumph of convenience over real quality in those early years and not much else. It wasn’t until Canon brought out the 5D series that I found myself ...
  • My first time in Afghanistan For the last couple of years, I have been travelling and exploring the people and culture of the Middle East and Central Asia. Visiting these countries is always inspiring and fascinating to me. In 2016, I visited Afghanistan for the first time. At this time I switched from photographing both digital and analog to one hundred percent analog. The reason is simple. I love the handling, the manual process of film photography. It feels real and timeless. It is also practical, t...
  • #alternateprocess Happy Friday everyone! Last week we set the theme #alternateprocess for #ilfordfridayfavourites and we've seen such variety of images. Sun prints, tin types, cyanotypes, wet plate, pinhole, palladium, hand coloured, tones in a variety of liquids, we've had them all. Here are our favourites five @mparry1234 - MULTIGRADE paper with leaves and an hour of sunlight. #ilfordfridayfavourites #alternateprocess @corrine_perry 'Melancholia #1' Hand Coloured Darkroom Photograph #al...
  • Jokulsarlon Two For our inaugural 'How I got this picture' post, we're talking to Dave Kirby about Jokulsarlon Two. One of the beautiful images in his Iceland series.   Jokulsarlon Two ©Dave Kirby Film Used – ILFORD FP4+ Format - 120 film in 6x6 format Camera - Bronica SQ-A Lens – 80mm PS Exposure time – 57s Other equipment – The cheapest, naffest tripod money could buy (now broken), 10 stop filter, hat!   Location Jokulsarlon, South Coast, Iceland....
  • Man of science I love alternative photographic techniques like dry plates and brushed on emulsions. I am a darkroom fanatic – always exploring new ways to mash up digital with traditional analog techniques. I love all kinds of print processes – cyanotypes, salts, van dykes to name a few. I shoot all formats right from 35mm half frames up to 8×10 large format. I am also an avid camera collector but prefer to be a user rather than an admirer of my cameras. I currently use a Nikon F3, Leica M-A, Hasse...
  • Chatyn-Tau, Caucasus Peter Schön has shot many beautiful ski, snow and mountain images (among others) on black and white film. Here he shares his story behind 'Chatyn-Tau, Caucasus' in the second post in our 'How I got this picture' series. Chatyn-Tau, Caucasus © Peter Schon   Film Used – ILFORD DELTA 100 Format - 135 35mm Camera - Contax T3 Lens – Carl Zeiss Sonnar T* 35mm F2.8 Other equipment –Heliopan yellow filter (2x) Location - SE couloir (55-60°, 1900m) ...
  • On Reading — stealing from the best Nearly all of my photographs organize themselves into loosely defined, open-ended projects that are never finished but often stop at an interesting place for a portfolio, show, or hand-made book. People often ask; “Where do you get ideas for your projects?” British photographer and educator, David Hurn says; “Our advice to photographers is best expressed by Calvin Trilling: ‘The immature artist borrows; the mature artist steals.’ So steal from the best....
  • Self-portraiture as Catharsis My photography is a form of therapy, a personal, emotional and sometimes turbulent struggle with the complexity of emotions. I feel my life and art have become intertwined and to bury this mental state deep within would only allow it to thrive but through my use of photography, I am offered a sense of catharsis. My self-depictions manifest within the same four walls, my bedroom. The room I believe is the keeper of my trapped and repressed emotions. This often heavily constr...
  • A family of photographers It’s difficult for me to imagine my family members without their cameras. I grew up in a family of photographers. This seemed so natural to me, that, as a child, I thought all my friends at school had photo labs at their grandparents’ house. For years, underneath my bed, sat my great grandfather’s wooden photographic chamber, along with its imposing tripod. Ilford FP4 Plus / Hasselblad 500CM / Sonnar 150mm Fujifilm Acros 100 / Hasselblad 500CM / Distagon 50mm &nbs...
  •   Earlier this year we agreed to take part in @EMULSIVEfilm community interviews and these are the results. Over to you #EMULSIVE Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE. As with the first, the premise is simple: we collect questions from you, the film photography community, package them up and then work with the interview subject to get them answered and published. Well, we’...
  • Where the Hasselblad love started long, long time ago, I can still remember how— Hang on, let me start again… When I were a lad, mankind did something utterly astonishing: men walked on the moon. For a 13-year-old science geek, staying up till <mumble> o’clock in the morning to watch this historic event was possibly the most exciting thing that’s ever happened to me. For a 13-year-old budding photographer, the cameras that Neil Armstrong and Buzz Aldrin were wielding held a strong...
  • A former life . . . Before my life as a photographer I worked in Social Services for many years advocating and caring for adults with severe intellectual and psychical disabilities. It was an aim of mine after completing my photography studies to somehow incorporate my former work with my new creative profession. A film connection Shortly after going freelance I was contacted by a Diversional Therapist from a Sydney hospital who had a client with a Traumatic Brain Injury who, before a tragic accident som...
  • Drama of the Highlands Natalie Oberg tells us the story behind this beautiful. 'Drama of the Highlands image ©NatalieOberg_Scotland_201604_Glencoe Technical info Film Used: Ilford FP4 Plus Format:           6x6 Camera: Rolleiflex 2.8D Lens: Carl Zeiss Planar 2.8 Exposure time: 1/125 sec at f/8   Location Glen Coe, Scotland             Firstly, tell us the story behind this image. What inspired you to shoot it? ...
  • #ilfordfridayfavourites #Halloween You shared a spooktacular amount of boo-tiful  black and white #spooky #Halloween images for this weeks #ilfordfridayfavourites. We parked our brooms, dug out the trick or treat candy and chose these scarily good shots as our favourites. Special congratulations to Ais Chuahiock who shot our favourite image "Catacombs of Paris"  @aisbaby My most Halloweeny shot.  Catacombs of Paris, with FP4 (+ very steady hand) #ilfordfridayfavourites #Halloween #believeinfil...
  • An appreciation of Ilford FP4 The greatest pleasures can be taken from the simplest of things. An appreciation of something old that gets passed by while everyone tries to keep up with the crowd or the relentless progression of technology.  For me Ilford’s FP4 is one of those little pleasures. The RAF I was a photographer in the Royal Air Force from 1986 -1995.  At my RAF unit we had little choice of film stock.  It was FP4 and HP5 for black and white. Being stationed at a headquarters unit mean...
  • One-year limited warranty, only applicable in U.S.A. ILFORD PHOTO/HARMAN technology will replace our products if they are defective from manufacture, within one year of purchase. Products will only be accepted for return  or replacement if accompanied by a valid Return Merchandise Authorization (RMA), and a copy of the dated purchase receipt from an authorized dealer. To request an RMA please use this contact form and select Technical Support from the dropdown box. Products being returned must be in...
  • Thank you What a fantastic year! We've seen film usage increase again, with more people than ever either picking up a film camera for the first time, or re-discovering their love for shooting film. We're really excited to see what next year brings. A huge thank you to everyone who shares #ilfordfilm images with us on our social media streams. We love seeing what you are shooting with our films and chatting to you on Twitter / Facebook and Instagram. We have lots of exciting plans for 2018, including ...
  • Images with feeling The most attractive element of analogue is its delicacy. The analogue process has remained so ingrained into my practice, I can't imagine working in any other way. Seeking images which stir a feeling within and seeing that image through each stage of the process to finally create a hand-made darkroom print. The print may not be perfect, I do not tirelessly work on test strips creating a technically perfect image, I never leave the confines of the darkroom to inspect the print once it...
  • Double exposures can be really tricky to get right. Lucy Ridges shares the secrets behind her ship / nude image below. Ship Technical information Shot on: FP4 plus medium format film Camera Mamiya RB 67 Exposure time Double exposure, each exposure 1/60 F5.6 Other equipment With bowens studio flash (1 x large soft box) I shot this image at my photographic studio in Manchester, located within Rogue Artist Studios The story behind the image My work for many years has encompassed a love for mul...
  • An experiment in chemical possibilities When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy.  If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...
  • The first time around... I enjoy photography especially black and white.. I've taken a wide variety of subjects and images over the years including sport, travel, documentary and landscape. I learnt with 35mm film cameras before moving to 645 medium format and then digital. For B&W I learnt to develop and print whilst at school and this has continued ever since with a darkroom constructed in my loft. This was decommissioned in 2007 when I started shooting digital and I eventually took a sabbatical from...
  • An Interest in Large Format Large format is an immensely rewarding and enjoyable way to make a photograph. It can also feel overwhelming when you’re just starting out, but it doesn’t have to be complicated. This article is for anyone with an interest in large format. I got into 4x5 because I wanted to challenge myself, and to try something new. Over the last two years it has become my favourite way to take a photograph. There’s something special about slowing down and being so deliberate with each...
  • We love a wedding, especially a Royal one. And we've loved seeing which #love themed images that you've shared with us this week. @TheFeelofFilm BFF on #ilfordphoto #hp5 for #fridayfavourites #loveiillford   @stefiakti Thought I'd share this for @ILFORDPhoto #fridayfavourites , shot at my cousin's wedding last September on HP5+ with my Minolta XD7 #iloveilford #ilfordphoto   @saucony2012 Skipping lane at Chester Zoo #playtime #skipping #chesterzoo #kidsofinstagram  #instagra...
  • I am a wedding and portrait photographer. The following portrait is of Roshni, a jewelry designer. Her designs are handcrafted and have a vintage feel to them. So, when the opportunity came to shoot her I wanted to create something classic and real. One look at her and I was convinced about black and white being the choice of film. Film used:      HP5 PLUS Format :          4X5 sheet film Camera:          Wista Field 4X5 Large Format Lens:                Schneider S...
  • Heading West Last September my family and I headed west. It had been a few years since we’d visited the West Country, we had come to love it when our family was young, and now that they were grown we decided to return to see if it still has a special place in our hearts. While my teenagers packed their essentials - clothes and iPhones, and my other half packed enough books to keep a large reading group going, I set about doing the important task of packing my camera equipment. My focus was on which...
  • HUNTING ISLAND XVI, 2018  Technical info Film Used    Ilford Delta 100   Format    4x5 Camera     Chamonix 045N-2 Lens     Fujinon SW-90 Exposure time   Approx.2 minutes Other equipment    Sand & shells, to taste. Location: Hunting Island, South Carolina, US.   Tell us the story behind this image. What inspired you to shoot it? This March, I was in Charleston, South Carolina, and had a day to burn. I started looking around for somewhere cool to check o...
  • Crumble We always enjoy finding out the stories behind some of the images that you share with us and we couldn't resist asking David Allen about this image. Technical Info Film Used: Ilford HP5 PLUS Format: 120 (6x7) Camera: Mamiya RB 67 Pro-S Lens: 90mm/3.8 Mamiya Sekor Exposure time: 1/100 Other equipment: Changing bag with an extra 120 spool. Location: Top—Philadelphia, PA | Bottom—Bradley Beach, NJ Firstly, tell us the story behind this image. What inspired you to s...
  • Beginnings I came to analog photography late. I enjoy being able to feel the film and create with my hands, and the suspense of not knowing how the final shots look until you develop the film. Shooting film changes the style of how I work.  I take less pictures and think more. It is more immersive, I have more time to feel their characters, their experiences. I shoot all my projects in medium format film.  I do use digital, but only for commercial photography or for working on reports. Materials ag...
  • We've got #travel envy after seeing some of the shots that your shared with us for this week's #ilfordphoto #fridayfavourites. @stevewhiting “Ninety Degrees of Separation” #fridayfavourites #ilfordphoto #travel #fp4   ps_alpine_photo Morning light in the Lyngen Alps, North Norway. Voigtländer Bessa III, Heliopan yellow filter and ILFORD FP4+ (in ID-11). Nikon Coolscan 8000ED scan. adibmufty Baalbeck ?: Leica M6 ?: ILFORD PAN F 50 ⚗️: ILFORD ID-11 1+1 ?: Lebanon ??   ...
  • London Fashion Week Earlier this year I shot my fifth season of London Fashion Week. I’ve been trying to incorporate new and different styles into my fashion photojournalism work, in order to stand out and also to exercise my own creativity. I’ve been shooting at London Fashion Week for about as long as I’ve been photographing professionally. It’s a great environment, fantastic for networking opportunities, building a decent portfolio of industry standard work, and also for experimenting with new t...
  • Violin Technical info Film Used:  ILFORD HP5 plus 400  Format 120 (6*6) Camera Hasselblad 503CW  Lens: Planar 80mm f/2,8 CF lens and Makro Planar T* CF 120mm f/4  Exposure time Double exposure (f/5,6 1/30s) Location: Petrozavodsk (Russia) Tell us the story behind Violin. What inspired you to shoot it? I have been working with the Karelian State Philharmonic for many years. The Philharmonic invites world famous musicians for concerts and festivals, and I shoot portraits of those musicians fo...
  • Terrain This project recently exhibited at the Golborne Gallery, London Road Trip All the photographs in this project were taken over a week-long period whilst traveling from Los Angeles to East Arizona, and back again. Something that really struck me when traveling through this part of the American West was how nature had relinquished control of the landscape. The towns were almost post-apocalyptic; half-burnt trash piles and concrete curbs were cracked by the hot sun. Whilst blade...
  • We must have been a bit early for you all to be in the #festive spirit as we didn't see the usual volume of entries for this week's #ilfordphoto #fridayfavourites Thank you to all of those that shared with us, if we have chosen your image then please drop us a DM with your address, a contact number and your favourite film and we'll send you some goodies. There's also a chance that your shot could feature on one of our banners over the coming weeks. @adiw1202 The #ChristmasTree at the #Fairmont San Fr...
  • Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.  This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine. Si...
  • My love for film is strong, but it wasn’t my first photography love. When I first started out as a landscape photographer my focus was on digital infrared. I was drawn to the unique view that it captures. Last month my two photography loves came together when I was given some SFX200 Extended Red film by ILFORD. When I shoot film I use a different set of skills to when I shoot infrared.  One of the most important elements of shooting infrared digital is the quality of the light - the distribution and o...
  • Mindtraveller Technical info Film Used: ILFORD HP5+ (pushed to 3200) Format: 120, shot as 6x7 Camera : Mamiya RB67 Pro SD Lens: Sekor 50mm f4.5 Exposure time: 20 minutes Other equipment: Tripod Location: Norman Wells, Northwest Territories, Canada Tell us the story behind this image. What inspired you to shoot it? In the Canadian Arctic, we are gifted with the otherwise-evasive Aurora Borealis on almost a nightly basis.  On many nights, the spectacle is nothing more than a faint gre...
  • Love has definitely been in the air this week and we know that you all #lovefilm as much as we do so we felt that this would be the perfect theme for this week's #ilfordphoto #fridayfavourites. @VRSeeker Coach Car Fuji GX617, Hand held ILFORD HP5+ at 800 #fridayfavourites #lovefilm #ilfordphoto #believeinfilm Film is much more rewarding, slowing down to shoot and developing makes the craft. #enjoyfilm #analog     @mattwilkinson81 I #lovefilm especially #ilfordphoto for its versatilit...
  • We've been away from the office for the last couple of week's so didn't set you a theme for #fridayfavourites, we just asked you to share your shots with us and to use #ilfordphoto #fridayfavourites if you wanted to be featured. You shared an amazing range of shots with us from all genres of photography. Find our below which ones we have chosen as our favourites this time. @alxmiguelc2 #ilfordphoto #fridayfavourites #ilfordpanf50   @psmatharu81 #ilfordphoto #fridayfavourites #ilfordddelta100...
  • A beautiful and inspiring place Last year (2018) I was introduced to the Bale Mountains, a part of Ethiopia I had never seen before. Surprisingly, in the 8 years I have been traveling to Ethiopia, I have only recently begun discovering the many treasures this country holds. The Bale Mountains of southeastern Ethiopia is a truly beautiful and inspiring place with rich biodiversity and stunning geography. Bale Mountains National Park (BMNP) sits about 400km from the capital of Addis Ababa. Within the park ar...
  • We kept it simple for this week's #ilfordphoto #fridayfavourites and asked you to share images shot on our films. There were s many great shots to choose from but in the end we chose these as our favourites. @banaobrian #ilfordphoto #fridayfavourites #ilfordDelta3200 #birdbox http://Instagram.com/banaobrian   petrgo #Sibenik #croatia #bw #blackandwhite #filmphotography #film #nikon #fm2 #nikonfm2 #BW #50mm #nikkor #analog #analogcamera #analogue #blackandwhite #monochrome #darkroom #print #s...
  • Sharing the skills and the passion My name is Hank Webber and, together with my wife Marie, we own and operate Webbers Photography Within my family, I’m a third generation photographer. It all started with my Grandfather in the 1920’s who then passed the skills and passion to my Dad and his brother, my Uncle Joe. They, in turn, blessed me with the same passion; skills are ever evolving. Each of them believed that as they triggered their camera shutters, they were capturing a moment in time that woul...
  • Further Film Adventures in the Future History I've been shooting film almost as long as I've been shooting skateboarding - Delta 100 & XP2, mostly. I really got into it around 7 years ago, when I began documenting the skate scene in my hometown of Nottingham. Unknowingly I started a continuous body of work that still has no end in sight. And I was just looking for something to keep me busy when my digital kit had died! Capturing the Community I recently put on a new exhibition,...
  • I don’t know about you, but I have a “box of shame”. It’s where I keep all the photographic odds and ends of kit that I never use, but can’t bring myself to throw away. Well I’ve always felt it would come in handy one day, and it seems that day has come! This story really gets going when I decided I wanted to do something fun with my Konica Pop*, an 80’s classic point and click camera I picked up in a charity shop a few years ago. Odds and Ends By utilising some of these long-neglected items...
  • ILFORD PHOTO Silver Ticket Paper Competition Will you be the lucky finder of one of our Silver Tickets? Where can you find it? We have placed the tickets in our most popular darkroom papers.   Packs in which a ticket could be found will either have a sticker placed on the lower right hand side or have the sticker integrated into the printed box print. 33 tickets! 1 Grand Prize Your prize will include: 1 x Intrepid Enlarger (when available) 1 x Paterson Film & Print P...
  • Turning your negatives into positives Reversal processing enables black and white transparencies to be produced directly from high quality films such as PAN F Plus, FP4 Plus and DELTA 100 PROFESSIONAL How it works It starts with the development of the negative image. This leaves the unused silver halide untouched, but it is not fixed, as it will be used later to form the positive image. After the negative image has been developed, it is totally bleached away using an acid bleach. This leaves the remainin...
  • Below are some of the common errors that can occur when processing black and white films. Many of these are actually common film processing problems that photographers encounter without being aware of what has caused them. Unfortunately some of these errors can result in the images being lost or partially ruined. By knowing what has caused the errors, you may hopefully prevent any repeat incidents. Film entirely blank - No visible images or edge signing A completely blank film with no images and no sig...
  • In the summer of 2017 my friends, novice climbers, asked me to climb Elbrus with them. This is the highest mountain peak in Russia and Europe. The idea sounded great, especially because I have loved mountains since my childhood. But my campaign plan immediately included a large-format camera, with which I have been travelling for many years (mostly, of course, by car with a camera in the trunk). For a while I wondered if I should take a big camera with me too. Would it be better to take a Hasselblad? But...
  • In the midst of ever more sophisticated technology we live with the illusion of saving time by doing things with more speed, and increasingly relying on computers: programmes work out difficult problems, they plan for us, think for us. Files, servers and systems store information for us, including photographs - hundreds of millions of photographs. A Slow Practice Samburu warriors, Kenya Rob Fraser is drawn to photograph people whose lives are shaped by traditional practices rooted in specific lands...
  • There are patterns everywhere that we look from urban architecture to the natural world. You shared a diverse range of shots with us for this week's #ilfordphoto #fridayfavourites #patterns theme. These are our favourites.  @johnfphotos · Here's one of my faves for the @ILFORDPhoto #fridayfavourites this week #ilfordphoto #patterns It's Titan metro station Bucharest shot handheld on #delta3200 at 1600 patterns are everywhere when you look for them ?   @adiw1202 Sake barrels. #ilford Delta ...
  • We are delighted to announce a number of exciting new products  added to our range. ILFORD MULTIGRADE RC DELUXE ILFORD announced the world’s first variable contrast MULTIGRADE paper in 1940 and in 2019, as we celebrate our 140th anniversary, we are pleased to announce the 5th generation of our best-selling MULTIGRADE RC Papers. MULTIGRADE IV RC papers (4th generation) were launched 25 years ago and have been hugely successful becoming the ‘go to’ black & white RC papers for discerning studen...
  • The Photography Show 14-17 March There's not long to go until this years Photography Show at the NEC in Birmingham and it's going to be a great one. (If we do say so ourselves)! There is going to be a far greater analogue / film presence at the show this year as the organisers have agreed to the inclusion of a dedicated ‘Analogue Spotlight’ area which will include some pods for smaller brands and a spotlight speaker area for those brands to do demos. Come and see us! We will be there on stand B93 ...
  • In late 2019, we invited the global analogue film photography community to take part in our latest survey. This time we focused specifically on darkroom printing. The survey ran for 1 month and had an incredible 5,439 responses from 87 countries around the world.  A huge thank you to everyone who took the time to offer your insights and share the survey for us. Why darkroom printing? We have seen sustained and continuous growth in film for a number of years. However, darkroom printing has not yet cap...
  • A mix of Art and Science As I write this, the UK and many other parts of the world are currently in lockdown thanks to the COVID-19 coronavirus. This pandemic has meant the unprecedented closure of schools and the daunting prospect of home schooling our children – in my case 10-year old twins. Now, I’m not sure about other parents but I’m almost at the point where I can no longer blag my way through their homework. Rather than own up to this humiliating fact, I suggested I get them involved in a l...
  • As the Coronavirus continues to wreak havoc around the world, HARMAN is frequently reviewing its approach to the pandemic, incorporating the latest guidance issued by the UK Government into our actions. We stated last week that our principle concern remains the health and safety of our employees and this is still the case. We are also looking at how we can protect the business through this difficult time. As the situation escalates, we have had to take the difficult decision to temporarily cease produ...
  • Meeting Viktory I fell into dance photography quite by accident. I was a member of a meetup group of photographers in Boston, and one of the people I met at their events invited some of us to shoot in his studio with Viktory, a traveling ballet model. I was shooting landscapes almost exclusively at that time, and I had hardly ever shot with a model before. Luckily for me, Viktory is very experienced and was able to work with our varying skill levels. Little did I know at the time that I would still be shoo...
  • We recently had the pleasure of turning the tables on one of the stalwarts of the film photography community when we asked Em if he'd be the first of our interviews in the 'Lockdown Sessions'.  We're so glad that he agreed. What made you set up Emulsive.org and what were your initial plans for it? My-first-roll...-Of-35mm-film-Fuji-Superia-X-TRA-400-by-EMULSIVE EMULSIVE started as an idea in early 2015. I thought I should put up a blog where I could post a few photos and blog about stuff that I'd lea...
  • For the second of our Lockdown Session interviews we cornered another well known face in the film community, Hamish Gill. (We're just glad he could fit us into his hectic schedule)! Section 1 - The Beginning Share your favourite image / print shot on ILFORD film and tell us what it means to you? Image by Hamish Gill shot on HP5+ That’s a tricky question. The above image is the one that immediately came to mind. I don’t darkroom print myself, but I did print at a workshop at AG Photographic a few ...
  • If you've ever held any interest in skateboarding then we're sure that you'll recognise Joe Brook, our third victim interviewee for the Lockdown Sessions.  Joe also featured in one of our 1st ILFORD Inspires videos. (You can find the link in his bio below). SECTION 1 - THE BEGINNING Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is my favorite photo of 2019. I was on a skate trip with the Spitfire team and we were warming up at a skate park. A local t...
  • When we held our first Lockdown Session with Emulsive, we asked him who he'd like to see us interview in future and he suggested the very lovely Aislinn. (AKA The Film Pusher). SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I have tons! But let me share my recent favourite, the one that I had printed and hung on my wall. It’s a pinhole image of the Natural History Museum in London. It means a lot to me, as the NHM is a favourite visit ...
  • The future of photography The year 2020, it sounds very futuristic to me. So, what does that future look like for photographers? Well, no doubt technology will be getting more advanced than ever and we will see huge leaps in digital development this coming decade as the megapixel war continues. There will likely be be new initiatives and more collaborations with smartphone companies. Will the digital SLR camera start to disappear? Will mirrorless take over? Or will there be a new hybrid on the market...
  • We've been following Dan Rubin's photography for a while now so were really pleased when he agreed to take part in our Lockdown Sessions. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?   Shinagawa Station, Tokyo, 2016. Ilford HP5+ @ 400, Leica M6, Summicron-M 50/2 (Scanned by Canadian Film Lab) This was my first full day in Tokyo, on my first visit to Japan in 2016. The memory of wandering through the station during rush hour...
  • Early Experiements Many, many years ago I experimented with uprating HP5, I was a student and it fitted the look I was after at the time. In those days, information was difficult to find and I relied on advice from friends. As a student, the mysteries of film and processing were fascinating and strange. I tried all sorts of things, but didn’t know what was really going on. I knew that uprating meant setting a higher speed (ASA in those days) on your light meter and then giving it a longer development tim...
  • We first met Ray nearly 2 years ago when he agreed to be part of our 'Legends of Skateboarding' ILFORD Inspires YouTube series. We were blown away by not only his talent as a musician, photographer and artist but also his genuine humility as a person. He was one of the first people that we reached out to, to take part in the Lockdown Sessions and we were so pleased when he agreed. Read on to find out how he has been spending his time. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON...
  • As we're heading towards the end of May, we thought it was the perfect time to ask you to share your #bestshotsofar for this week's #ilfordphoto #fridayfavourites. @Virgil_Roger I guess my #bestshotsofar was indeed taken on #ilfordfilm! #ilfordphoto #fridayfavourites That's kentmere 400 pushed to 1600 :)   @thoobill My favourite FP4 Party photo. Also, my last time in the the city before the lockdown. Sydney. March 2020. FP4 EI500. Developed Ilfosol-3. Mamiya 6 + 75/3.5. #bestshotsofar #ilfor...
  • Guy's Instagram caught our eye, with it's mix of 'camera porn', black and white film shots, and classic cars. We knew he was busy preparing for the launch of his clothing label, Ratino, later this year as well as publishing his quarterly car journal The Road Rat, so we were really pleased when he agreed to take time out of his busy schedule to take part. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I think this shot of Chris playing...
  • Sometimes when you look at a picture it brings a specific song or lyric to mind even if it wasn't intentionally shot with that purpose. These are the images that we asked you to share with us this week for our #lyricsandfilm #ilfordphoto #fridayfavourites. beatrizburnay    Bird on the wire, Leonard Cohen  #lyricsandfilm #fridayfavourites #ilfordphoto #ilfordhp5   @Jebbo101  #ILFORDPhoto  #lyricsandfilm #lyricsandfilm  #fridayfavourites  #darkroomprint From my archives, my favorite tun...
  • Familiar Places It's interesting to look with new eyes those places you're familiar with or have been before, that sidestreet you pass by every day after going outside the metro station can become a source of inspiration and even a breath of fresh air if you just pay attention to its surroundings. I traveled from Panama to the city of Barcelona to stay there for a few days (just before the world went on lockdown), to work on a personal project, catch up with some friends and of course to enjoy the c...
  • This week for our 9th Lockdown Session we spoke to Ashley Carr, who you may remember was nominated by Hamish Gill in week two. Ashley is a well know member of the film community and is always happy to share his thoughts and experience. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? ©-Ashley-Carr-2016,-Nikon-F3,-PC-Nikkor-35mm-shift,-HP5-@-EI-200,-Ilfotec-HC It was very difficult to choose a single favourite image! I think this photo...
  • We all have a favourite place that we head to when we have the chance to escape for a while. For this week's #ilfordphoto #fridayfavourites #escapewithfilm film theme we asked you to share images of yours. @thoobill  This is near Mudgee, central west New South Wales. A wine growing region with clear night skies. Our trip was postponed earlier this year. Can’t wait to go back. FP4 plus. Maxxum 5 + Rokkor MD 35/1.8. #ilfordphoto #fridayfavourites #escapewithfilm #shootfilmbenice #believeinfilm  ...
  • Shooting Infrared film Infrared photography has always been a unique and niche art form, allowing a photographer to capture images seemingly from another dimension. I say niche because capturing that "perfect" image requires a different approach to pre-visualizing your scene, an understanding of the limitations of infrared and the ability to adjust your settings effectively for changing conditions.  For these reasons many photographers are reluctant to give IR film a try. This article will not only demo...
  • Is it really 10 weeks since we started this series? It feels so much shorter than that.  If you have an Instagram account we are sure that you will recognise our 10th interviewee Jahan Saber, if not by his name then by his tag @doyoudevelop.  Jahan was nominated to take part by Dan Rubin in week 6 and we're so glad that was happy to get involved. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? There are so many, so here’s a recent ...
  • As many places around the world are starting to ease the strictest of lockdown restrictions, for this week's #ilfordphoto #fridayfavourites we asked you to share shots that show what #lockdown has meant to you. sacked_a_rail Cycling to work was always a good way to document what happened during the lockdown in my hometown Bolzano / Italy. This scene showed me how much we all suffer from social distancing. #ilfordphoto #fridayfavourites #lockdown #ilforddelta100 #hiddenbeauty #filmporvida #sackedarail ...
  • Balance Like many photographers these days, I balance a busy day job alongside a family life. I try to be good a community member, share my thoughts and experiences and sometimes, perhaps, inspire one or two. In the background I have long held an aspiration to become a successful professional photographer, something i'm still working towards. Like all of us I suspect, finding something to focus on, photographically, can be a challenge when life is so busy. The majority of my casual photography currently...
  • I don't think it will be long before we need to change the title of this series! We really hope that you are enjoying finding out more about some of the members of our community. This week, for our 11th interview, we have Simon King. He is probably best know for is street photography and teaches short course on it at UAL. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I really find it difficult choosing favourites, so I have to give a bi...
  • How I got this picture Fanal, Madeira Technical info Film Used: Ilford HP5+   Format:  120 Camera: Rolleiflex 3,5E Lens: 75mm F3,5 Exposure time:   1/125s Other equipment: none (I could roam around freely and look for compositions) Location: Fanal, Madeira Firstly, tell us the story behind this image. What inspired you to shoot it? Ever since I saw an image of the Laurisilva forest in Fanal on the island of Madeira, I knew that I wanted to explore this place for myself. It is o...
  • In our 14th and possibly final Lockdown Session (before we move to a new format), we are bringing you Kit Young who was nominated by Ashley Carr back in week 9. We've followed Kit for a while on Instagram. He's a fantastic darkroom printer and is always happy to share how get gets to the finished prints from his negatives. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? There are a lot, so I’ll pick this relatively recent print o...
  • Music. bonding and booze Clitheroe is a small market town in Lancashire, famous for its witches, good food and drink. And, (maybe) having the smallest Norman keep in England. Each September, it hosts the Ribble Valley Scooter Rally - a gathering with music, vintage clothing stalls, and a ‘ride-in’ of several hundred scooter enthusiasts. Previously known as the Ribble Valley Mod-Weekender, the event is a melting pot of different sub-cultures; Mods, Skinheads, Scooterboys, and every other conceivable spl...
  • Summer of Photograms My end goal with my photography, at least for as long as I can remember, was to make darkroom prints. I love the thought processes in darkroom printing, the excitement when I manage to find the combination of burning, dodging and other printing techniques that turns my imagined image into a print that I can share. Preferring the tactile nature of darkroom craft, I never cottoned on to digital photo processing or printing. Then in the spring of 2019 I developed a long term illness th...
  • When we saw that Kit Young had chosen Tyler as his nomination it definitely made us smile. We've shared several of Tyler's IG images in the past and enjoy browsing his feed when we get the chance. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? Picking only one is an impossible choice! A favourite of mine is a contact print made from an 8x10 negative using FP4+, Ilford MGFB Glossy paper and selenium toned. I used my Chamonix 810V field camera and the ex...
  • An empowering project Sirkhane Darkroom is a mobile analog photography workshop for refugee, local and vulnerable children on the Turkish, Syrian and Iraqi border in Mardin City. It’s an empowering project that brings together children from different backgrounds through photography. It’s also a project that shows the world photos taken by non-adult photographers, photographs from the eyes of children. The Workshops The Sirkhane Darkroom program consists of several workshops. In the first works...
  • There has been a great response and lots of fantastic images shared with us for this week's #ilfordphoto #fridayfavourites #shotonsheet theme. d_atk "Signs" shot on ILFORD HP5+ sheet film with a Polaroid 110A camera. The mean sign is not far from my home in Tonawanda, NY. The cool signs were taken in Alexandria, VA.#shotonsheet #ilfordphoto #fridayfavourites #shootfilmbenice #allthroughalens #sunny16podcast9h @satotheshooter Handmade 4x5 camera / Super-Angulon 65mm f8 / Ilford HP5 Plus #ilfordpho...
  • Lina Bessonova is a passionate film photographer and darkroom printer. She shares her love of photography and printing on her popular YouTube channel as well as through workshops and lectures. One of her recent videos shows how easy setting up a darkroom can be in a small space. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This image is from my very first roll of 120 film (Delta 100). The other 11 frames are average beginner pictures which make one h...
  • We love Sandy's beautiful large format shots, they always seem to have hidden depths. We are excited that he agreed to take part in the In Focus / Lockdown Sessions series and become our 20th interviewee. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? There’s a few I could post that I feel encapsulate the sort of feeling or thought process I have when I’m working on photos, but for me, so far? It’s this image. Photography means a lot of di...
  • Image title : Tombstone Technical info Film Used         FP4+ @ 125                 Format 4x5 Camera            Chamonix 45F-2           Lens Rodenstock Sironar-N 150mm f5.6 Exposure time   ⅛ sec Other equipment Feisol CT3442 Tripod legs, Acratech Ultimate ball head, Pentax digital spot meter Location Big Elbow Pass in Kananaskis Country in Southern Alberta, Canada Firstly, tell us the story behind this image. What inspired you to shoot ...
  • Better know by his Instagram handle @bostonemulsion and nominated by Tyley Bervy back in July. We've been looking forward to sharing the 21st interview in our In Focus (previously Lockdown Sessions) series.featuring Phil W. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is image was shot on HP5+. It’s an earlier image in my film journey but this day in particular was a turning point when things really started to click as I was developing a metho...
  • Interview 23 is with Michael Weitzman. A film photographer, darkroom teacher and alternate and experimental process enthusiast. Michael was nominated back in June by Brett Hillyard. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? Northern Line. This photograph shouldn’t have happened, but I wanted to shoot in extreme conditions. It was 5 or 10 below zero with 15 - 20 MPH wind off the Missouri River in Great Falls Montana dead of winter. I came up to ...
  • When you hold a hand printed FB darkroom print there is something special about it. It has been so amazing to see how many of you are making FB prints in your darkooms today. It was hard to choose just 5 images for this week's #ilfordphoto #fridayfavourites #fbprint theme but we got there in the end. (Nearly)! @Virgil_Roger @ILFORDPhoto makes the nicest paper, it was my go-to choice for my first ever hand printed solo show a while back. Let's throwback for the #fridayfavourites! Collages, a composite ...
  • John Whitmore is a 'sometimes' event and  black and white documentary photographer, a Darkshed owner, darkroom printer, YouTuber and Sunny16 podcaster.  We're really pleased that he took some time out of his busy schedule to become the 24th 'In Focus'  interviewee. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? In some respects photography could be explained as one massive scientific research project, capturing data to show the state of atoms and ho...
  • It's week 25 in our In Focus interview series and this time we set our questions to Arkadiy Shlein who was nominated by Lina Bessonova back in August. Arkadiy is a Russian large format photographer and analog printer with a classical style. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I’ve got so many favourite photographs that I don’t have a single one hanging at home (yes, couldn’t decide :). This is one of them. I photographed this beech gla...
  • The passion My passion for cycling has fuelled this project, Riding the Boards surveys cycle velodromes across the United Kingdom, these spaces are a hallowed ground for cyclists. Memories Competitively the race depends on a good start, it can be won or lost at the first corner. However the curves on the circuit; the corners, the banking, the lines, are the vital parts in the making of a velodrome track. The projects main interest became the view of the first corner, from the start line. Framing the ...
  • It's been over 6 months since we launched our first Lockdown Session and in that time we've spoken to many fantastic photographers and darkroom printers. Continuing in that vein, we're thrilled to share this week's In Focus interview with Nashville based, music and portrait photographer Laura E Partain. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you. This photograph is now about 5 years old and I’ve shot many, many images on Ilford films since. Howeve...
  • As well as being a photographer and darkroom printer, our 27th 'In Focus' interviewee Max Bedov also custom makes darkroom equipment based on his years of experience. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This frame was taken in Provence on Ilford film Delta400 exposed as 640. Generally I am not keen on an astrophotography but this particular shot is very memorable to me for a several  reasons. 2016 -Alpa SWA 6x9 -DELTA 400 -Provence - MG...
  • It’s weird, if not taboo to tell someone that I learnt to shoot digital before learning how to shoot film. I guess this may be the case for many of us in the digital era of photography. My journey into photography is what I like to call a beautiful accident or a series of fortunate events. When a photographer cancelled last minute for a charity event organised by a close friend of mine in 2017 I found myself stepping in to fill the spot. I knew absolutely nothing about photography, how to use a DSLR or ev...
  • We have known Keith for a long while and admire not just his photography, but his enthusiasm for all things film and darkroom and his willingness to share his knowledge and inspire others.  We're glad he agreed to take part in this series and become our 28th In Focus interview. We hope you enjoy finding out more about him. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I shot this image in La Boqueria Barcelona with a fuji 645 camera. What makes it sp...
  • Toby Van de Velde takes centre stage this week as the 29th interview in our In Focus series. He was nominated by John Whitmore back in September who described him as 'Constantly producing wonderful analogue images.' Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is a tricky one to answer. Narrowing it down is nigh on impossible. This is a recent favourite from a couple of months ago, shot on Kentmere Pan 400, shot in my Billora Bell...
  • A chronic case of GAS To cut a long story short. In a previous life, i.e. before kids, I suffered a chronic case of GAS (Gear Acquisition Syndrome) and ended up as the proud owner of a Richard Ritter 7x17” Ultra Large Format View Camera. As every GAS sufferer believes, buying your way out of limited talent is the only path to follow. The plan was to produce stunning panoramic negatives for Platinum/Palladium contact printing. The combination of huge negatives, old school contact printing and expensive em...
  • A bit of history I am now 51 years old and have been faithfully using ILFORD film since first being handed an ILFORD Sport 120 roll film camera from my father. He had used it during National Service in the army in the 1950s and I used it from age 8 onwards and which is what I learnt with. Throughout my professional photography career over the last 18 years, I have regularly used ILFORD film - HP5 Plus, FP4, Delta 100, 400 and 3200 and XP2 Super. Subsequent cameras have ranged from the ILFORD Sport to 35 mm...
  • Nominated originally by Keith Moss back in November of last year. David Collyer is the 31st interview in this series.  A documentary photographer who chooses to shoot around themes or projects. David's is probably best known for one of his recent projects All in a Day's Work which received international recognition. Section 1 - Background SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? Blimey! That’s like being asked to choose your favourite child and then expl...
  • A slice of London Isle of Dogs is the name of my second self published zine under Ducksale Press, a zine publishing project my friend James Moreton and I started a couple years ago. Isle of Dogs is also a slice of London: overdeveloped, underfunded, home to locals who were born on the island (“islanders”) and immigrants alike. But because the Thames makes a distinctive U shape around it, the Island stands out on a map or when viewed from a plane. I've recently learnt that German bombers, despite a Lond...
  • HARMAN is pleased to announce a dedicated* ULF campaign for our ILFORD ORTHO PLUS film in Spring 2021. This represents a short but exciting window of opportunity to source non-stock sizes of a unique and wonderful film with a variety of applications.  ILFORD ORTHO PLUS is an extremely fine grain, sharp, orthochromatic film that is used in both technical and photographic applications. This including medical and scientific use, the copy of negatives and the creation of stunning images. As a well-establish...
  • Jupiter and Saturn Conjunction There was a lot of interest in this shot when it was shared, so we asked Andrew Orr to tell us a bit more about it. Technical info Film Used - Ilford HP5+   Format - 4x5 Camera - Chamonix F-2 Lens -  Rodenstock 210mm f5.6 at f/8 Exposure time - 2 hours Other equipment - Sirui Tripod, shutter release cable Location -  Arizona Firstly, tell us the story behind this image. What inspired you to shoot it? I was inspired to take this photo after...
  • My kids are a bit in awe of the week's In Focus interviewee and it takes a lot to impress them! Ryan Loco is perhaps best know for shooting fights, be that bare knuckle MMA  or WWE. More recently he has focused more on portrait photography and his images speak for themselves. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This is difficult for me, as I have a hard time liking any photo I take. But, since I have to choose, I'll use recency ...
  • Even when you have a love of film and traditional darkroom practices, there’s always room for alternative photo process experimentation as ecological photo-artist Josie Purcell knows well. OVERVIEW I am a photographer, but trying to explain that I specialise in photographic processes that may not include a camera has led me to describing myself a photographic artist. My passion for photography began in secondary school. There was a darkroom in the art class, but it was never used; it acted like a bea...
  • Growing pains The downtown skyline of Oakland, CA sky looks different now. Everyday new cranes tower over the city, stacking up floors of new condominiums and office buildings in the blink of an eye. The constant construction sounds echo the town’s growing pains, all the while a movement of artists from the soil work to maintain and preserve the heart, soul, and true voice of this beautiful city. As you travel downtown on 18th st towards Telegraph Ave, you will catch a stunning new photo mural on the sid...
  • My default Choice Colour photography has been my default choice for a long time. It is how my eyes see the world, it’s what catches my attention, and it’s what brought my back to film photography. My first roll in 2018 was a roll of Lomography 400 shot on a week long holiday in Madrid, Spain. The scans that came back from my local lab had me transfixed. I couldn’t tear my eyes away from the vibrancy of the reds and yellows. They popped so brightly against the grey and brown of the city in winter. I w...
  • An Unexpected Love My love for Iceland was born unexpectedly, I absolutely didn’t see it coming and it washed over me like a tidal wave in a monsoon.  We were planning a holiday of a lifetime. Somewhere with beautiful scenery to photograph, that was the only stipulation. It was more of an exploring holiday rather than the usual beach holiday we were used to. Countries were thrown in the ring, I really wanted to go to Sweden and my husband threw in Iceland. It’s like I didn’t even know it existed ...
  • Number 37 in this series, which started a year ago as the Lockdown Sessions, sees us finding out more about Michael Watson. Nominated by Ryan Loco, Michael is a photographer based out of Des Moines who primarily shoots musicians and pro wrestlers. Share your favourite image / print shot on ILFORD film and tell us what it means to you? Favorite is tough, I’ve shot most of the important moments or biggest opportunities of my life on HP5 for over 10 years. There are portraits of my parents that are really ...
  • The idea came to me after searching for companies to have a photobook made. I wanted something of the highest quality. Something that had the physical feel of Photographs: Annie Leibovtiz 1970-1990, or Helmut Newton Portraits. Two beautifully printed books that happened to be sitting in the community darkroom I own. After searching the internet for hours and looking at reviews and products of various companies, I was no further along to making a selection than when I started. My mind wandered as I stared at...
  • In this blog article, Kit Young provides insight into his latest book, Where the Rain Clouds Gather (OD Books) , which was made entirely from scanning hand-made silver gelatin prints. The Concept At times the past year has raced past in a haze. Streets have emptied and we have retreated to our cocoons. Cooped up. Waiting for the storm raging outside to subside. The images in Where the Rain Clouds Gather, my second publication, appear as if from a dream state. Moments in time, brought to life in the dark...
  • One of the things that we're regularly told by the film and darkroom community is how you love hearing about the human side of our business. In this series of 'Behind the Film' interviews we're going to help you to find out a little more about the faces behind the film. Introduction Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is James Cooper, and I am employed as a Scientist Grade 2 in the TQM/R&D department at HARMAN Technology. I Joined in Nove...
  • After a 25 year hiatus of shooting stills, I returned to pushing on with my personal photography in 2016 and more recently using film once again. Part of that process has involved a scanner which led me to revisit some of my 1980s images which had never before been published. 1987 In 1987 as a nineteen year old, I volunteered for an occupational therapy department in a Psychiatric Hospital, leading weekly ‘photo therapy’ workshops for a small group of patients. The aim was to encourage the group to ex...
  • One of the things that we're enjoying about this series is that it lets us find out more about the photographers that you follow and are interested in. This week's interviewee Chris Garner, was nominated by Joseph Patrick, who in turn was nominated by Laura E Partain. Who's nomination came from Sandy Phimester. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? My favorite image I have made so far would have to be this image. I made it while I ...
  • The first roll It is January 31st, 2020. I’ve arrived in London to document the events surrounding the UK leaving the EU. Many groups were converging on Parliament Square for this historic day. My usual workflow was interrupted when fellow documentary photographer Simon King called me aside and handed me a Nikon FG, 55mm f/3.5, and a roll of Kentmere 400. This was the first roll of film I’d exposed in my life. Unaccustomed to the mechanical redundancies and psychological immediacy that film offers, ...
  • Taking Risks Through a series of what felt like small and inconsequential life choices I have found myself recently in positions where the logical course of action involved putting my health and even my life at risk, in service of making photographs. I, like many others I'm sure, want to be a great photographer. To me this means that I look with a respectful eye over my own body of work, and accept it for what it is: (hopefully) the absolute best I can accomplish. A retrospective This is something I r...
  • Earlier this year in our interview with Walter Rothwell, he nominated Kris to take part in this series. We're so glad that he did. Enjoy! Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? One of my recent favourite images is this portrait of 3 young men taken on the streets of Birmingham UK. It was one of the first outings in the city post-lockdown and I wanted to really get back into a stride with my personal photography on the streets. With ...
  • Light in the Dark Most fine art photography starts with the photographer and finishes in the darkroom. For me it’s the other way round. My story began with seeking out the light in the dark and becoming one of Britain’s most respected black and white printers. Today, I look for the dark in the light, as a photographer in my own right. I have put together a show to mark 50 years in my Fitzrovia darkroom which opens (and closes) at the Fitzrovia Chapel on Wednesday, June 30. Then again on Monday 26th-...
  • I like to press the shutter and I take a lot of black and white photos simply because I like it. These black and whites I take on Ilford materials. My favorite negative is xp2 super, I also use Delta 100 and 3200, but rarely. Why ILFORD XP2 Super? I am a hydro engineer by profession - I traveled a lot, spent a lot of time away from home, so carrying a tank, chemicals, thermometer, bottles, containers, etc. with me was a bit troublesome. Never I needed to organize my home dark-room. But actually, now I sta...
  • You had plenty of time to share images for this week's #ilfordphoto #fridayfavourites #sunseasand theme. We have to admit that we were hoping for more sun but as usual the British weather didn't comply. poloczanski_mikolaj On the beach #hasselbladxpan #xpan #monovisions #monovisionsawards #ilfordfilm #ilfordphoto #ilfordpanf50 #ilfordpanf #bnw #bnwphotography #bnw_captures #analog #analogfilm #analogcamera #panorama #panoramiccamera #alienfilm #24x65 #filmnotdead #enjoyfilm #shootfilm #myfavouritefilm ...
  • We've really enjoyed the mix of images that you shared with us for today's #ilfordphoto #fridayfavourites #35mmfp4 theme. There was a mix of everything from street and lifestyle to portraits, landscapes. It was really enjoyable to look through them all to find our favourites. @tangible_tones the fam… Reposted for #ilfordphoto #fridayfavourites theme of #35mmfp4 #BelieveInFilm   @billthoo Still one of my favourites Sydney May 2018 M4 + 50/2 #FP4 #ilfordphoto #fridayfavourites #35mmfp4 ...
  • It's strange how sometimes the simplest of themes can produce the most amazing images. We have seen so many great shots for this week's #ilfordphoto #fridayfavourites #concretefilm theme. Thank you so much for taking the time to share them. faz.io allied pinnacle  #pentax67ii #ilforddelta400 #fridayfavourites #concretefilm #bnwphoto #bnwphotographer #ilforddelta #mediumformat   poloczanski_mikolaj M93 #hasselbladxpan #xpan #monovisions #a1 #ilford #ilfordfilm #ilfordphoto #ilfordxp2 #ilford...
  • SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I have many beautiful prints from an Ilford negative. One Ilford film that always interests me is the Ortho 80. Being less sensitive in the reds it renders reds as dark or sometimes black giving interesting results. This is a print of a light switch in my home. The light was casting an interesting shadow across the wall. The black area is a shadow from a picture frame. It’s so simple but I jus...
  • The star of this week's #ilfordphoto #fridayfavourites #35mmpanf theme is the slowest film in our collection. Rated at ISO 50, PANF+ is a high contrast, super sharp black & white film with exceptionally fine grain. vaughnmphoto #35mmpanf @ilfordphoto #fridayfavourites canon iii, voigtlander 25mm/ pan f 50#ilfordphoto #longexposure #staybrokeshootfilm #grainisgood #bnw_captures #blackandwhite #35mm   @EJRFoto In Pieces Emily 2021 #FilmFriday #35mmPanF #1v #BelieveInFilm #fotografia #photo...
  • Light and Details Black and white photography is a huge component of my process. The timeless quality that is perceived through its tones is something that has drawn me to photography since I was a young kid. Photographing in monochrome not only simplifies the image but, I think helps draw the viewers eye around the images to things more important, like light and details often missed in the distraction of colour photographs. When I started out photographing, I was mostly documenting my close friends and...
  • This week's interviewee, Wesley Verhoeve has been on our radar for a while so we were thrilled when he was nominated to take part in this series making him our 44th interview. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It’s so hard to pick a favorite image but I will let recency prevail and select a recent top favourite image that made it into my photo book “Notice”. I photographed a giant leaf in a suburban backyard in beautifu...
  • A birthday request When my teenage daughter asked visit Eastern State Penitentiary on her birthday in January 2020 for the third time I knew I had to take something different with me to capture the historic prison. Built in the early 1800's and operational until 1971, Eastern State takes up a whole city block in Philadelphia, PA. After over two decades of neglect, the prison opened as a museum in the 90's.  Eastern State Penitentiary's Gothic castle style architecture instills feelings of awe, power,...
  • Crombie McNeill has been shooting film for longer than some of us have been around, and his story is fascinating which makes him the perfect interviewee for our 45th In Focus interview. Share your favourite image / print shot on ILFORD film and tell us what it means to you? Shot way back in the early 70's. By happen chance I discovered this fishing dory beached on Newfoundland's Eastern coast. I very much like this shot, and even more so because I was on my very first major assignment. Twenty thre...
  • Some subjects seem to go hand in hand with black and white film photography and boats in one of them. Which is why we chose #boatsonfilm for this week's #ilfordphoto #fridayfavourites theme. poloczanski_mikolaj Kąty Rybackie.Stary Port #hasselbladxpan #xpan #ilfordphoto #ilforddelta100 #bnw  #fridayfavourites #birdsinport #ilfordphotopl #friendsinbnw #wschódsłońca #kątyrybackie #boatsonfilm #foggyday   @JevonCarey Took this one one at Southwold Harbour, Ilford Delta Pro100 135 and pr...
  • When an image that we share or re-gram gets a lot of interest, we like to get in touch with the photographer and find out a little more about the process that went into creating it. Le Lac du Brévent Technical info Film Used Ilford XP2 Format 135 35mm Camera       Olympus OM-10 Lens Zuikon 35mm f2.8 Exposure time I don’t really remember, I think it was something like f8 at 1/250 or 1/500 Location Lac du Brévent, Chamonix-Mon-Blanc, Savoie, Alpes, FRANCE   Firstly, tell us...
  • Rule breaker The chemigram process allows any photographer to be experimental, free and a little bit of a rule breaker. As a photographer who is passionate about the traditional printing process, I was always taught that my prints should be clean and crisp. So, coming across a process that allows you to be messy, hands on and experimental makes me feel like a child again. My wonderful friend introduced me to this technique and I have been completely blown away by the atmosphere you can create. Also, thi...
  • Melanie King was first introduced to us by Lucy Ridges, and since then we have heard her name mentioned from several different people. It was fantastic to be able to learn a little more about her when she agreed to take part in this series. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? My favourite image is Ancient Light, Emiliano Cardone Observatory, Casalattico, 2018. This photograph was produced when my collective, Lumen Studios, ran an...
  • There are so many of Ari's images that we have admired over the past 12 months so asking him to take part in this series was an easy decision. We're just glad that he said yes! Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? As we age, time becomes more and more valuable. Every new second is a bigger portion of our future life than the one before. Time is the only thing we cannot buy more of, but we can freeze it with photography. A photog...
  • And suddenly, something that looked like a dandelion head floated into view, and I stood mesmerized as it hovered before me. When I peered inside, I realized that I could see a tiny winged creature within. I turned to my mother and said, “Look at that!” But all she could see was a dandelion head. Inhabitants Thirteen years ago I lost my father to Lung cancer, three years ago I lost my best friend to breast cancer. Besides cancer they both shared the same belief, that when we die, it’s lights out, th...
  • We had no idea when we originally started this series in April 2020 with Em from Emulsive that it would still be going strong 50 interviews later. This week's interviewee Debra Wilson was already on our radar before being nominated by Margaret Fitzgerald last month. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I chose this image of Another Place on Crosby beach.  I don’t often get to the sea so although the setting is not typical for m...
  • A regular contributor to the film and analogue community and always helpful and encouraging to other photographers out there. This week's In Focus interview is with "photographer” Morag Perkins who, "just takes pictures". Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I’ve chosen this one because it’s represents a process that has been very special to me recently. Over the last 2 or 3 years I’ve found a way to use photography to ...
  • We first met Lucy Ridges a few years ago virtually via social media and then in person at The Photography Show and have always admired her work. Her #MyFilmStory video gave us a bit more of a view into who she is and why she shoots film and this In Focus interview builds on that. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is one of my favourite shots from my most recent project, Water’s Edge, released earlier this year. It’s an...
  • Wow! You shared so many images for this week's #ilfordphoto #fridayfavourites #2021favourite theme! It's obvious to see why they are you favourites too. Thank you for taking the time to share with us and making it such a hard job this morning to choose our favourites. You can join  in with #ilfordphoto #fridayfavourites by sharing your images on Twitter or Instagram and using the #'s along with telling us which of our films or papers you used e.g. #ilfordhp5 #ilfordMGRC @sdotpelt #hp5 #ilfordphoto ...
  • A regular contributor to conversations on film and analogue photography and always happy to share her knowledge and support other photographers. This week's In Focus interview is with Paula Smith. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? One of my favourite images. This was taken in New Zealand on a crisp sunny winter’s day. The light was beautiful and I loved how it picked up the chicken wire on the jetty. It brings back great memo...
  • Hi, my name is Daniel. I am a family father, creative director, and amateur photographer, so you might say I make my living by telling stories and I feel fine when things get emotional ;-). I am based in Heroldsbach, Germany. That’s a small village which lies on the edge of the so-called Karpfenland, a natural landscape transformed by man for pond farming. Until 2013, this cultural landscape was utterly unknown to me. Today it has become my home. Yet one question nags on me: “Who shapes whom more:...
  • We have been privileged to be able to follow Rita's journey as she started out shooting film and moved through the formats from 35mm to medium format and found her own unique style. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you This image is entitled “SANCTUARY”. I came across this couple while double dutching with a friend at Grant Park in Atlanta, GA. I was frozen by their apparent love for each other. It was pure and could be fel...
  • 3700 ANALOGUE STILL IMAGES TO MAKE A 3 MINUTE VIDEO Much before the concept for Better Man music-video took shape, its inception had started with the purchase of a Nikon F5 camera body. Arguably the fastest SLR ever made. One of the main features of this immaculate beast is an automatic film advancement system that can fire at an astonishing speed of 8 frames per second. - Accurately and continuously. That means it is nearly as fast as an early 20th Century “motion picture” camera (silent-era movies we...
  • In March 2020 we issued a statement in relation to instances of spots / mottle affecting a small percentage of 120 roll film negatives. The quality of our products and the satisfaction of our customers is paramount and something the ILFORD name has been built on for over 140 years. Our R&D team were tasked with resolving this issue and so we would like to update you as to what they have been up to. With your help we have been able to more accurately track and identify instances of spots / mottle o...
  • My Approach It was during a group exhibition that I discovered the practice of cyanotype. The Espace Liberté Gallery located in Crest in the south of France is a contemporary art space open to all graphic and plastic disciplines. The theme proposed by Au Jour le Jour was an ephemeris where 31 chosen artists (painters, illustrators, photographers, plastic artists) had to illustrate 12 randomly selected dates with their art. Two constraints were imposed: a maximum size of 20cm on each side and the same sell...
  • Our 57th In Focus interview is with Simon Smars from Stockholm who is a professional fine art photographer. Simon works exclusively with limited edition handmade black and white silver gelatin fiber prints, using traditional darkroom techniques. He creates a mixture of minimalistic scapes paired with a melancholic somber, with scenes often stripped to its bare essence. SECTION 1 - BACKGROUND Share your favourite image / print shot on ILFORD Film and tell us what it means to you? C I G (1: f.13 · 10-sto...
  • Allysse Riordan is our 58th In Focus interview. An image maker, writer, sound artist, and microadventurer (not necessarily in that order). Allysse's work takes us on a journey in a particular space and time, noticing the small details of life, meeting strangers, exploring new landscapes, and delving into their inner world Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It is difficult to choose one favourite image. They shift and change as ...
  • Decisions. Some are small. Some are life-changing. We make them subconsciously. We make them intentionally. But either way we choose a path. There’s always an upside and always a downside. Most importantly, we look for promise in the upside, and we try and glean some value from the downside, but we can never escape the moment of decision. Ilford-FP4-Plus-Leica-M7-90mm-Leitz-Canada-Elmarit Seize the opportunity In the fall of 2019, I had to decide whether to say yes to a guy’s trip to Wyoming with ...
  • “Were it not for the shadows, there would be no beauty.”- In Praise of Shadows- Junichiro Tanizaki. Blackbird A universe at our feet If there is anything the pandemic has taught us, it is perhaps, that everything we need, can be found right where we are. There is something to be said for focusing down on the small things, the seasonal changes, the birds calling, the nature all around us and the people within our local communities. When we take the time to focus down, we can find a whole universe c...
  • My love of black and white photography started back in college processing and printing images. The film of choice being FP4. and printing fibre based prints. In the beginning as a photographer most of my work was B/W. Spending much time in the dark room printing. Unfortunately time was something that was running out. As a professional you have the the funds but you don’t have the time. So I moved away from printing for a while and concentrated on shooting. Another-day-in-the-office One thing I learne...
  • My Graflex RB series B is an inspiring and challenging camera. It promises great results but doesn't give them easily. Graflex RB Series B A lesser-known Graflex Graflex is an American camera manufacturer well known for its 4x5” press cameras, such as the Graflex Speed Graphic. Those are large-format range-finder cameras that were popular in the 40s and 50s. This Graflex, on the other hand, is an earlier single-lens reflex camera and one from which Victor Hasselblad drew his inspiration. My Graflex ...
  • Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is Hannah Gross and I am one of the newest members of the team at HARMAN Technology. I started working here two months ago, and my job title is ‘Digital Marketing Assistant’. HP5 + Tell us a little about your day to day role. As I have been here for such a small amount of time, I am still learning and getting used to my day to day role. I work within a small team, mainly helping and assisting where n...
  • Six Weeks Ago It started six weeks ago. A Sinar Norma 4x5 Large Format Camera off eBay arrives and my paper negative journey begins. I had spent the previous weeks poring over the in-depth forums and articles on large format photography, now it was time to put it into practice. My first shoot was on ILFORD MGRC paper. I hastily sat a teddy bear on a table, pointed 2 x 400 watt Elinchrom strobes and a 400 watt continuous light and fired. So 1200 watts in total at 1/30 of a second, that should do it. Flas...
  • Distractions To A Minimum Whether I’m taking pictures of friends, my dogs, travel, a model, or a movie star, my goal is to make the process as simple as possible, and to keep my distractions to a minimum. While on set of a campaign shoot a few weeks ago, I was having a conversation with the talent, and he asked me how I got into photography. A question I’ve been asked before but never really gave serious thought to. Andrew Garfield. Vanity Fair - Oscars - Beverly Hills. First Meaningful Interacti...
  • For this week's #ilfordphoto #fridayfavourites we asked you to share shots taken with a #fixedfocus camera or lens. @satotheshooter Handmade 4x5 Ultra-Wide Handy Camera / Schneider-Kreuznach Super-Angulon 65mm f8 / Ilford HP5 Plus 400 @ILFORDPhoto #ilfordphoto #fridayfavourites #fixedfocus   @tarnography @ILFORDPhoto I’m early for this week's #ilfordphoto #fridayfavourites #fixedfocus Ilford HP5 film with Lomo Action Sampler camera #sheshootsilford #believeinfilm   @panchrom...
  • My Relationship With Streetball I love street basketball. The competition, the intense arguments and the handshakes at the end where all signs of aggression dissipate. I love the environment in which these scenes take place. From the frayed nets, the cracked asphalt, to the uneven rims, there's something compelling about basketball courts that haven’t seen repair since the day they were laid. But the true beauty of streetball happens on the sidelines between games. Here, in the waiting, is the vibrance: ...
  • Monika Danos is our 60th In Focus interview. When not taking care of daily life, her love for trees and gardens means that she can be found chasing shadows with her pinhole camera, or printing in the darkroom. Patterns and lines that are created by light and shadow influence her style of work. Photography and the cyanotype prints gives Monika the opportunity to share what she see's in nature and in her daily life. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us wh...
  • 'Something Special' There is a unique rendering to photographs made with Multigrade enlarging papers. It's difficult to define, maybe it's the timeless mood or perhaps it's the mystical feeling, or even a haunting aura... it's certainly there for me I like this very much! Add to this, it's super economical and can be visually handled via darkroom safe-lights. No more fussing around in total darkness which often requires the use strong language! Humour aside, I find the physical involvement of handling the...
  • It was a sunny Sunday afternoon so I decided to take a walk to Alexandra Park, south of Manchester city centre.  A cricket match was under way when I wandered through the park gates and I settled down near the boundary with an ice cream to watch.  The batsmen were well on top and quite a few sixes and fours whizzed by.  All the players looked Pakistani and as I lay there I listened to the waiting batsmen chatting in Urdu. At four o’ clock forty overs were up, and six wickets were down for 256 runs....
  • We shared Craig Fleming's photograph 'Ursula' on our Instagram and the response was fantastic. We like to get in touch with the photographer and find out a little more about the process that went into creating it.   Technical information Image title Ursula Film used ILFORD FP4+ Camera Mamiya RZ67 Proll Exposure time 1/125th @ f5.6 Format 120 Lens 110mm f2.8 Other equipment Profoto B1/4ft x 6ft Softbox Location - Northern Quarter Manchester   Firstly, tell us the stor...
  • We speak to Jim Mortram, who is this week's In Focus interview. Jim is an award-winning Social Documentary Photographer and the creator of these photo stories: Small Town Inertia. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This portrait with Carl, as always for me, was made with HP5 Plus pushed to 800. When I first met Carl & began collaborating with him on sharing his story he was in a bad place. We would talk often but it was mayb...
  • 4th of July weekend It all started with a single roll of 120 ILFORD HP5+ film and a Rolleiflex 3.5F over the Independence Day weekend which fell on a Monday this year. It was the Friday of that long holiday weekend and I loaded the roll of film in the Rolleiflex and took the camera for a ride to McIntosh Lake in Longmont Colorado (USA) in the hopes of finding worthwhile photo subjects. My goal was to find street portraits and storytelling photographs. What it became over the next ten weeks is the Longmo...
  • Perhaps best known for his role in the Netflix show The last Kingdom, we talked to James Northcote about his film photography for our 64th In Focus interview this week. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is a shot I took during the final season of the Last Kingdom. After Season 2 I started tying a point and shoot on the inside of my costume so that I’d always have a camera with me wherever I was. It didn’t matter if I w...
  • Abstract Concepts Often times, I come up with ethereal and abstract concepts for my artwork. However, I noticed that my techniques and skills in the darkroom did not match up to my artistic output. Which is such a shame. I wanted to do something about it. It is like having the urge to do a back flip but not having the progressed workouts to help you get there. My name is Zain Al Khalifa, I use film photography as a base for my artwork. I like darkroom printing and I wanted to share an experience with yo...
  • How It Began Queering Rural Spaces began as I was personally starting to think about where my wife and I would settle down to start our family. A part of me missed living on a farm. However, I wasn’t sure I would feel safe being in an openly gay relationship in a rural area. So I began to look for and talk to people who were already living those experiences. For the past two years I have been meeting and photographing LGBTQIA+ farmers who live or work on a farm in rural areas of the United States. S...
  • Our 66th In Focus interview is with Danish photographer Lea Elm who is a writer living in England. Find out why analogue and instant camera's became an epiphany within Lea's work. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? World - Museum -Liverpool - 2019 - HP5+ It was hard to pick just one but I decided on this one taken in 2019 on my first, and so far only, trip to Liverpool. Rachel Brewster-Wright (of @LittleVintagePhotography)...
  • We thought it would be a great chance to chat with Ben Hawkins & Liza Kanaeva-Hunsicker about their book 'Shooting Film'. This book is a beginner-friendly book which introduces curious individuals to the world of analogue photography. A little bit about yourself Liza: My name is Liza Kanaeva-Hunsicker, I was born and raised in Moscow, got my Bachelor’s degree in California and have been living and working in NYC for the past 11 years. I’m a multidisciplinary artist working primarily in photography...
  • There was a lot of interest in this shot when it was shared on our Instagram feed, so we asked Kim Mimnaugh & Jess Martineau to tell us a bit more about it. Image Title Water Goddess:Triple Exposure Technical Info Film Used ILFORD HP5+ Format 120 Camera Hasselblad 501 CM Lens 150mm Exposure time 3 exposures on one piece of film 1/60th at f8 Other equipment Studio stand, sekonic flash meter, black velvet for the background Speedotron location lighting kit, one strobe set at 400 WS with...
  • Wednesday Afternoon I remember the message on Instagram from Clare one wet Wednesday afternoon whilst I was halfway through my maternity leave… “Julie & I are getting married on Sunday, any chance you’re free?!” I was absolutely thrilled to get to shoot Clare & Julie’s wedding day and knew they’d make it absolutely their own. They had just 4 guests (their two best friends and their two sisters) and it was such a special and beautifully intimate day. The Most Loving Ceremonies Alth...
  • 'What are you doing?' After 25 years it still catches me off guard. Because my work happens in public spaces, the answer comes often and without pause. Men walking by the scene will change direction and make their way to within a meter of my tripod. While to me it is evidently clear, to the viewers it is understandably strange. For my portraits of girls in rural India, this is supremely true. To set the scene, we are using medium format gear mounted on a tripod, speaking with the children being photographe...
  • For our 68th In Focus interview, we speak to landscape photographer Bill Brooks. Bill enjoys photographing the landscape. He is particularly interested in how it has been affected by those who have gone before us and how it impacts the lives of those who occupy it today. His work is influenced by painters and writers as well as other photographers. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? A recent favourite is Sullington Yew, from my ...
  • 'The Uphill Battle', by photographer Joe Shapiro received a lot of attention when we shared his image over on our Instagram. So we decided to contact him to learn more about his process. Image Title The Uphill Battle Technical info Film Used ILFORD Delta 400 Format Medium Camera Pentax 67ii Lens SMC Pentax 67 1:2.8 90mm Exposure time 1/500 f5.6 (if I remember correctly) Other equipment My hands and eyes Firstly, tell us the story behind this image. What inspired you to shoot it? To the ...
  • Join us while we chat with self-taught photographer Khoi Minh Nguyen, who is our 70th In Focus interviewee. Khoi tries to approach his photography as a still image in a movie and uses this medium to document life. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? Hasselblad 503cxi - ILFORD SFX 200 The image of my mother is my most proudest moment I had made last year. It felt like I was making work that I have been trying to make for a lon...
  • Our 69th In Focus interview is with poet, former university instructor and high school teacher Lorraine Healy. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I took this image in January 2022. We had been having a lot of fog that was lasting longer than the usual early morning ‘til sunrise. I knew where I wanted to go. This place, Indian Slough, is some 70 minutes away from my house. I could tell when I got there that the sun was beginnin...
  • By Early Afternoon In 1997, while on assignment in Thailand, someone told me that one of the Thai borders with Cambodia was open and letting some people pass by. As a freelance journalist, I realized the opportunity and as soon as I finished my assignment, investigated the possibility of going to Cambodia. I knew that the UN Peace-Keeping Forces were in Cambodia and the Pol Pot army had mostly surrendered. But that was about it. It took me about two days to decide and prepare myself to go to Cambodia. W...
  • It makes us so happy that you enjoy shooting ILFORD FP4+ as much as we, as you demonstrated for this week's #ilfordphoto #fridayfavourites theme being #madewithfp4. @JeremyCalow. One of my favourite shots with FP4+ “The Crew” #ilfordphoto #fridayfavourites #madewithfp4   @kostamuksendee. #ilfordphoto #fridayfavourites #madewithfp4. I feel nostalgic sharing these FP4+ photos of Helsinki summer. This is when we would enjoy bathing in the sun (but in shades of course), before diving into...
  • 'Architecture is the masterly, correct and magnificent play of volumes brought together in light'. Le Corbusier, 1920 Concrete Photography Brutalism as a style has received bad press. When we first hear the term, we all feel a logical rejection. The handbooks go on to explain that it comes from the French term béton brut, although the inventors of the term undoubtedly played on confusion, leaving an after-taste of je m’en fous, of bloody-mindedness, not giving a damn, in short. As a movement, as an a...
  • You have all shared some fantastic images for this week's #ilfordphoto #fridayfavourites, with the theme being #themefree. From double exposure to street photography, take a look at some of my favourite shots this week. @davejsherwood. A classic shot for this week's #themefree #fridayfavourites, looking out from the tunnel under Westminster Bridge, towards the Houses of Parliament. Shot on #Delta100 via a Nikon FM2.   @serolfitnas. Double exposure portrait ✨? Hasselblad 500 CM?️FP4 Plus ...
  • Laura Cogan grants us an exclusive glimpse into her creative process and the techniques that brought forth this beautiful masterpiece. Image Title Isolated Church Technical Info Film Used ILFORD DELTA 100 Format Medium Camera Hasselblad 500cm Lens Hasselblad 180mm Exposure time f4 at 1/500 Other equipment Manfrotto 190CXPRO4 tripod and Sekonic flashmate L-308S lightmeter Location Snæfellsnes, West Iceland - the church is called Breiðabólsstaðarkirkja Firstly, tell us the story behi...
  • Brutal & Beautiful In June of 2022, I set out on a 3500 mile motorcycle trip with my close friend David Wright. We left from Los Angeles, CA with our end destination being Glacier National Park, searching for the space in-between life’s brutal & beautiful exploration of our short time upon this world. I personally have gone through life altering changes these past few years; death, a divorce, more death, the on going pandemic and having to confront life, loss and the overwhelming notion that time...
  • “I’ll just fix it in the darkroom.” is the motto I’ve lived by for decades. I Was Too Deep Into Analog Studying photojournalism in the late 80s, I was taught to print well but never learned advanced printing techniques because we were being prepared for quick turn-around journalism assignments. Commercially available digital photography was in its infancy, so it wasn’t on my radar, and even when it became standard, I was too deep into analog to have any interest. I shot for a local paper for se...
  • We asked you to share you having #funonfilm for this week's #ilfordphoto #fridayfavourites. These images were our favourite picks from those who submitted them on Twitter and on Instagram. @PhlStrchn. Taken while setting up to take a photograph in Perth a few months ago, someone wanted to have #funonfilm ?. I'm sharing the shot for this week's #ilfordphoto #fridayfavourites . Film: #IlfordHP5. Camera: Mamiya C220 #ilfordphoto #believeinfilm #filmphotography   @MattAngleyPhoto. Shooting Th...
  • 1969 After too short a visit to Athens’s Parthenon in 1964, I vowed to return soon. By 1969 I was standing on the deck of a wave tossed Yugoslavian freighter with my back to New York City. Watching the grey, stormy, November Atlantic from the quiet of the Navigation Bridge was a peaceful retreat. Our first port-of-call was Casablanca. As a travel companion I had Greek philosopher Nikos Kazantzakis's book, Report to Greco, basically a story of Kazantzakis's search for his identity. It seemed a good read...
  • Our 72nd In Focus interview is with Brazilian lab technician and teacher Samanta Ortega. Samanta focuses on empowering and fueling the resurgence of film photography in Brazil from the inside out. SECTION 1 - BACKGROUND SHARE YOUR FAVORITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU. Invasão | ILFORD Delta 400 | Yashica Zoomate 76 There is so much I could say about this image, but no description I elaborate will ever do it justice. This was one of the frames in the first eve...
  • One Specific Speed Rating Us film photographers are used to the limitations of our medium. In fact, we often regard them as strengths, and not weaknesses. But even we can’t really take issue with the suggestion that as soon as we begin to expose a roll of film we are limited to one specific speed rating, making it more difficult to adapt to quickly changing light conditions. On digital: no problem. Just whack the ISO up to some implausibly high number, and keep shooting. Sadly we just can’t do that mid...
  • We are grateful for the amount of incredible #hp5notat400 images you've shared with us for this week's edition of #ilfordphoto #fridayfavourites. The task of selecting our favourites was nothing short of a delightful challenge, and we invite you to join us in celebrating the talented individuals whose work has made it this week.   @mattoriousphoto. For awhile there I was always pushing HP5 a stop. :) #hp5notat400 #ilfordphoto #fridayfavourites.   @BalkonFrom. My ...
  • Allow us to introduce Mandyleft, our 73rd featured artist in our "In Focus" series. Mandyleft is a talented film photographer known for her deep passion for connecting with people, a quality that has immersed her in the vibrant film community. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU. I took this photo in a hotel in London. It was a very exciting weekend. I had just been to the theatre and then I had been shooting around the West End...
  • Portraits Of Strangers I’ve always been fascinated with people on the street and how they carry themselves. Their faces, body language, the clothes they wear - everyone’s walking around with their own unique story, and I can’t help but be curious. I've spent a lot of time working with non-actors in commercials and documentaries, which has been a crash course in connecting with people quickly. It’s not your typical "stand here, do this" directing. It's about getting real people to open up in front o...
  • My First Child I got pregnant with my first child in early 2020. Our 12 week scan took place three days before the announcement of the first lockdown in the UK. I spent the majority of that pregnancy in isolation, with no face to face appointments with any health professionals and barely any contact with friends and family beyond WhatsApp or the occasional video call. This New Chapter To make matters worse, I fell at home at around 30 weeks pregnant and broke my left wrist. I spent the best part of 1...
  • We are now heading to HARMAN Lab to speak to Charlie Hill , our 16th Behind the Film interview. Charlie works as a Photo Lab Technician here at HARMAN Technology. Find out more about what his role entails. WHO ARE YOU? WHAT’S YOUR JOB TITLE AT HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE? My name is Charlie Hill, I have worked as a Photo Lab Technician since April 2023. TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE. My day-to-day role revolves around Harman Lab where we offer B&W and colou...
  • Concrete Jungle At the crack of dawn, the sleepless vagrant remains glued to the stone of the pavement. A long road with no intersection, apha indlela ayibuzwa kwabaphambili. As the light creeps into the skyline, all a city dweller sees is blood and grime. With so much dog shit in the streets, beggars are still scrapping for bones to chew. A muffled groan & moaning of a trapped miner, buskers are constantly offbeat & in a permanent state of gloom and cynicism. The nostalgic aroma of the community...
  • The Nod The rope is thick and heavy, and coated with resin applied to heat it up and make it sticky. The cowboy wraps this bullrope around his right hand and ties himself in. A thin leather glove protects him from burning his hand if the rope slips. He settles himself on the back of the 1500 pound Brahman bucking bull named Spooky Lukey, and Spooky Lukey hasn’t been ridden yet this season, or last year for that matter. When he’s set, he gives The Nod. The Nod starts off one of the greatest sequences in...
  • Pain or Peace There are some moments in a man's life that are truly capable of changing him in the depths of his being. Whether through pain or peace, sadness or joy. For a photographer like me, the feelings that arose in my heart over the years also became part of my photographic language. 13 Years Old On February 9, 2020, my younger brother, Pedro Henrique, passed away while battling cancer. He was only 13 years old. At first I felt that I had lost all my motivation as a photographer and as an individu...
  • The Love Affair I didn’t even really like racing when we planned our trip to the Monaco Grand Prix. Not racing, not Formula 1, not any of it. But I did have a very long ongoing love affair with the south of France and any opportunity to spend time along the Mediterranean was a go for me. Something Was Unlocked As my husband Mark and I were planning this trip to celebrate a milestone birthday, something happened to me in the lead-up; something was unlocked. It’s Mark who has the life-long love of ...
  • Asphalt Kingdom When I was 15 I picked up my mum’s old and now scarcely used Soligor TM (a cheap 35mm SLR). Having seen a few friends shoot colour film on disposables, I remember thinking “I like how it looks but do they even make film anymore?”. I spoke to my step-dad about where I might find some of this film and he quickly pointed me in the direction of ILFORD, a film manufacturer who’s film he’d stood by for many-a-year (something I’m intent on standing by too). A google search and three cl...
  • The Greatest Gift In 1984, at age of 10 my foster parents, to whom I was never close, gave me a camera. It is the greatest gift they gave to me. Since then, I have photographed the world to make sense of it and my place in it. Now, forty years later, I respect photography to the extent it should be respected. It has become an integrated part of who I am, it has shaped me into what I am and I have shaped it - we are one and I would arguably feel nothing in life without this powerful mechanism. I come from a...
  • Inheritance The thing nobody really tells you about when it comes to inheriting a legacy is the weight of it, and what follows the inevitable acceptance of it. My late grandfather Hendrikus Goris was an avid film photographer in his early 20’s - much like myself. I recently had the privilege of scanning and archiving some incredible images from his earlier years, 30+ rolls of film documenting family life with some rather editorial styled portraits sprinkled in. Most of them were shot on ILFORD film in ...
  • How I Shoot Early in my photography career I gravitated towards film images and medium format cameras. My go-to cameras are the Mamiya RZ67 and Hasselblad 500CM. I love the slow, more hands-on experience of shooting medium format and film. I trust my instincts and set up the shot with more thought and intent when shooting with film over digital. Each Image Is Important Working with models, the feedback I get is that they feel more connected and find it to be a wonderful collaborative experience. This...
  • A 10 Day Journey After getting home from Scotland in April of 2023, I was left with a good problem – I had way too many images that I loved. A month before, I had taken my Fuji TX1 panoramic camera, and a bag full of ILFORD Delta 400 and 3200, and walked from Milngavie to Loch Ness, a roughly 156 mile route using the West Highland Way and the Great Glen Way. Nights were spent in tents, days were long and energizing, and photographic scenes seemed to be in no short supply at every bend in the trail. Disti...
  • Introducing our 75th In Focus interview and our analogue community grant winner, Federico Pestilli. Pestilli was born in Rome and became interested in documentary-style of photography, focusing on irony that unites people, places and symbols with each other. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? Heritage - Arianna - Cocullo, Italy - Pentax 67, 135mm lens - HP5+ This is an image of Arianna, a snake handler from the town of Cocul...
  • Environmental Portraits I started my analogue black and white portraits of artists in spring 2021, the second year of the pandemic. I wanted to photograph actors in Berlin over a longer period of time. This was the right moment because theaters were closed and filming of movies had largely been stopped. I decided to shoot some kind of “environmental portraits” in public spaces. I wanted the location to be part of the portrait. In addition, local health restrictions back then allowed gatherings of exact...
  • Oh, crap! What have I done? Let’s see.  I committed to do a solo photography show, with twenty-seven images.  All twenty-seven are 4x5 black and white negatives, so they need to be darkroom printed.  And those will be 20x24 prints.  Yeah, and I need to have them matted and framed.  The icing on the cake?  I have just under three months to do this. Yep, this is going to be an interesting project.  But let’s back up to the beginning. The Event It was April 2023, three years after the pand...
  • The Truth Is It is always with regret when I say that I never had a formal arts education. The truth is, growing up, I devalued the ability of taking a ‘decent’ picture along with whether I could kick a ball with my left foot (I can) or produce a winning back hand on the tennis court (I can’t). Photography was for holidays and special occasions and not much in between. In the days before social media and personal websites, a work colleague once asked me for printed copies of my photos after a trip to...
  • Join us while we chat with freelance photographer Dominik Friess, who is our 76th In Focus interviewee. Dominik's main focus in photography is portraiture, as it is the form of photography that resonates with him the most because of the uniqueness and depth that each person carries within themselves. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I don't believe I have an 'all-time favorite' as such. I've taken many photos on ILFORD fil...
  • Is a Photograph a Photograph if it Was Not Made with a Camera, Lens, or Negative? The ethereal color palette and expressionistic qualities of the work I have been making with ILFORD's photographic paper seemingly resemble the representations of light and color as seen in many landscape paintings (think J.M.W. Turner, Albert Bierstadt, Thomas Cole); however, the work in my on-going project, I Thought You Left / I Wish You Were Here, are lumen prints—a form of camera-less photography where objects or a neg...
  • What would happen if I dedicated myself entirely to film photography? More then a year ago I had this idea in my head. What would happen if I dedicated myself entirely to film photography? After 10 years of being a sidekick to my creative output, I felt the need to give more attention to my analogue passion and the desire to change my creative habits. To challenge myself. To no longer rely on the vague promise of the digital safety net of mass storage and a camera screen that promises instant judgement of ...
  • FILM AND DOCUMENTARY FAMILY PHOTOGRAPHY Only in 2022, I bought my first film camera - a Minolta X700. Right from the first film I was absolutely in love with shooting analog. Working as a documentary family photographer I am drawn to the honest and unfiltered truth of family life. For me, analog photography and documentary family photography converge, weaving elements of rawness and unadulterated truth. There are no hundreds of images, meticulously sifted through for the best; no embellishment through hour...
  • “You learned the Mr. Miyagi way” Hi, Carlos here, my story with film photography started in the mid 90’s. I learned from one of my neighbours, a former engineer that dropped his career to become a professional fashion photographer He had a nice studio, he was very technical and made me learn all the technicalities before I could even take photos. It was not much fun at first as I was a teenager eager to get out and just shoot photos. Well, my first assignment was to read The Zen in the Art of Archery...
  • I Instantly Fell In Love My photography journey began while I was studying graphic design. My course tutor handed me a camera & a roll of ILFORD HP5+, and sent me out, with no real brief, to ‘take some pictures’. Armed with a macro lens I roamed around the cities’ botanical gardens and became lost in a close-up world of symmetrical patterns, found in the plant life. When I returned, with my roll of film, to the photography department darkroom, I instantly fell in love with the process and the res...
  • Winning The Competition I was in Oracabessa, Jamaica when I won this competition. My rollerskating community back in London was spreading the word far and wide about this vote at skate rinks and events, and amongst their family members and colleagues. I virtually reached out to nearly every person I’d ever met, asking them to help me win ILFORD'S Community Grant of £500 worth of film and equipment. That experience really showed me the power of community. Ever since then, I’ve been making this project ...
  • This week's #ilfordphoto #fridayfavourites theme was #reflectionsinbw. Whether you're experimenting in the darkroom or capturing reflections on the go,  we wanted you to share your best reflection shots with us. @krzyphotography. The Shard, London, UK Captured on medium format Ilford FP4 Plus film. Have a great weekend everyone! #reflectionsinbw #ilfordphoto #fridayfavourites #photography #blackandwhitephotography #bnw #bnwphotography #monochrome #filmphotography #believeinfilm #mediu...
  • My K1000 I began taking photographs in the late 1980s as a teenager when my dad bought me a Pentax K1000. Both my dad and grandpa enjoyed photography, were big influences on me, and my dad wanted to share the excitement of photography. We enjoyed taking photographs, mainly of landscapes and of places that we visited, me with my K1000 and my dad with his Canon AE-1. When digital cameras became the standard in the early 2000s, we drifted away from film and instead became enamored with this quick and comparat...
  • The struggle for life Black-and-white photography captures so much emotion, and nothing is more emotive than the struggle for life.  This insight led to the project GRAPPLERS ON FILM, where I use a number of vintage film cameras to capture the struggles of ordinary people training in the grappling arts of Judo, Wrestling and Jiu Jitsu. Zenza Bronica - ILFORD XP2 Submission For those not involved in the grappling forms of martial arts, the goal is to get a hold of your opponent and then force them to...
  • What is Reality? “Moon in the water, Flower in the mirror.” What is Reality? Whether what we are living now is the reflection of the reality or the reality itself? The age-old question has puzzled philosophers, scholars, and seekers of truth throughout the annals of time. Are we truly perceiving the world as it is, or are we merely encountering a reflection, a distortion of reality? To delve into the depths of this inquiry, we must embark on a journey through the corridors of history, traversing epochs...
  • Slowing things back down Although it’s been 28 years since I first stepped into a darkroom, there’s been a significant gap in time since the last time I stepped into one. I grew up at a particular transition time, like the horse to automobile, typewriter to computer, I started my journey into photography just before the digital camera started making its way into the market and pushing film aside. Even though instant gratification has its place, I still kept that romantic notion of one day getting back ...
  • It was the perfect film to learn with I’ve always loved shooting portraits, and the first medium format film I used was ILFORD HP5+, shooting portraits in high school with the Rolleiflex TLR that I still use today. It was the perfect film to learn with — forgiving and rewarding. When I started directing music videos in my 20s, I brought that Rollei to set to take press photos between set ups. Around the same time, I was working as Ava DuVernay’s director’s assistant on the Netflix series When They ...
  • My camera is a passport to a world of amazing discoveries My adventures began as a five year old. I started spending wondrous times with my dad in the quiet glow of his darkroom. I took great pride with my responsibility to gently rock the prints in the hypo tray. Ah, the sound of gurgling water and the warm orange glow from the safe lights. I was totally enthralled by seeing an image come alive in the developing tray...pure alchemy! It comes as no surprise when I say I frequently retreat to this magical z...
  • So, from the official ILFORD Photo website: It’s wide exposure latitude makes it a great choice for beginners, those returning to film as well as the more experienced professional users. With wide exposure latitude, ILFORD says that you can meter HP5+ from 400 to 3200 ISO1. Great, it's like you have it all in one roll, which is exactly why I love this thing so much. It can handle sunny days and midnight shots, of course, depending on which ISO you tell your camera (or hand-held light meter) you have th...
  • Sergio Felipe García tells us how he captured this brilliant shot for a commissioned clothing brand in this 'How I Got This Picture interview'. Image Title Cenizas de un verano” (“Ashes of a Summer” in english) TECHNICAL INFO FILM USED ILFORD HP5+ FORMAT 35mm CAMERA Hanimex Amphibian LENS 35mm f2.8 EXPOSURE TIME 1/125s at f11 LOCATION El Médano, Tenerife FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? The photo series “Ashes of a Summer” emerged ...
  •   Wilber (@ccs_wilber) wheelies down a hill in Medellin. BikeLife The first time I learned about Bikelife was at Parque Nacional, Bogotá’s most emblematic park. It was a Sunday and there must have been at least a hundred of them. They almost all fit the same profile: very young, baggy clothes, no helmet. A disproportionate number sported ‘El 7’, a kind of neo-mullet that’s popularity in Colombia predates the current mullet resurgence in the rest of the world. 12-o’clock wheelies...
  • The lessons I’ve learnt I would like to start this blog by stating that I consider myself a relatively inexperienced photographer. I’ve been taking film photos for around eight years and have only ever done so as a hobby. However, something I have spent many of those eight years doing is experimenting with double exposures. In this blog I’d like to share some of the lessons I’ve learnt in that time. If you have any questions I could talk about double exposure for hours and go into a huge amount o...
  • Say Hello Few people feel comfortable striking up a conversation with a person they haven’t previously met. I refrain from using the word “stranger” because the way I see it, we’re all fellow humans, potential acquaintances, possible friends. And who says they’re any stranger than I am? After all, I’m the one going up to people I meet in public asking to make their portrait. A camera in hand really is a magical device that allows us to meet almost anyone, anywhere. To approach them. Say hello. ...
  • A Revelation Just south of Sydney sitting on one of Australia’s most pristine coastlines you’ll find the regional city of Wollongong. Nestled within this city of surfers, coal miners and steelworkers you’ll find a group of students creating big things in a small darkroom. ‘Mez, I’ve been thinking a lot… I want to be a fine art black and white film photographer.’ These words from one of my TAFE NSW students, Sara, were delivered with a shakiness in her voice, utter passion in her heart, ...
  • We're thrilled to launch our brand new 'Community Focus' series! In this series, we shine a spotlight on community darkrooms around the world, celebrating their contributions and exploring the stories behind these spaces. Our first interview in the series features Newport Film Lab from South Wales, a darkroom that began as a passion project and has since grown into something truly special. Section 1 - Background Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started...
  • Our second Community Focus highlights Lakeside Darkroom, a London-based community interest company with a strong feminist ethos. Keep reading to explore their facilities and what they have to offer! Section 1 - Background Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started. Lakeside Darkroom (LKSD) is a Community Interest Company (CIC) with a strong feminist ethos. Established in August 2022, its primary aim is to provide a safe, welcoming, and empowering space ...
  • Our next Community Focus interview takes us to Berlin, where we had the opportunity to chat with Queer Analog Darkroom. They've created an inclusive space for individuals who face barriers to accessing knowledge about analog photography due to discrimination and marginalization, ensuring everyone has the opportunity to learn and create. SECTION 1 - BACKGROUND LET’S START EASY. TELL US A LITTLE ABOUT THE DARKROOM, WHAT IT’S CALLED AND HOW IT STARTED. Queer Analog Darkroom (QAD) - is a self-organized, ...
  • Next up, for our 85th In Focus interview, we spoke with freelance event and project manager, Ali Monk. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This has probably been my favourite image I have taken since it was shot back in 2021. I had been spending the day with one of my favourite people in Brighton. Lockdown was over and we could spend time with loved ones again doing all the things we hadn’t been able to do for a while. My frien...
  • Our latest ‘How I Got This Picture’ interview features Anders Elmshøj. When we shared his contact sheet on Instagram, it racked up over 9,000 likes! Curious how he created it? Find out more in the full interview. IMAGE TITLE Louise “Contact Sheet" TECHNICAL INFO FILM USED ILFORD DELTA 3200 PROFESSIONAL FORMAT 35mm CAMERA Leica M7 LENS Voigtlander 35mm Ultron II F2 EXPOSURE TIME F4.5 1/250 LOCATION Copenhagen FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT ...
  • Dialogues With Nostalgia My work in photography is deeply connected to light and emotion. Black and white analog photography allows me to explore these elements with a unique sensitivity, where each image results from a constant search to capture the ephemeral and the timeless. I shoot with ILFORD Delta 400 and ILFORD HP5+ films, using cameras such as the Mamiya RZ67 Pro II, Nikon F100, and Nikon F6, because their grain and tonal range offer a texture that dialogues with nostalgia, memory, and melancholy, ...
  • HARMAN technology is excited to announce the winners of our USA ILFORD Photo Student Film Photo Contest for 2025. This film photography contest for US students was the first of its kind and produced a large selection of entries making their tough work for the judges to choose the winners. The contest included a category for B&W darkroom prints, that were physically mailed in, alongside a category for scanned B&W negatives with prizes for both High School and College students. One member of the j...
  • Connected Shooting film is an act of patience, a commitment to slowing down in a world that moves too fast. With digital photography, you can take hundreds, thousands, of images in a matter of minutes. There’s no real cost to over-shooting, no pressure to be deliberate. But film demands something different. Each frame is finite, precious. You select before you shoot, considering light, composition, and emotion in a way that feels more meditative, more connected. The Beauty of Imperfection There’s an...
  • Chasing Light There’s something raw about walking the streets with a camera in hand, chasing light and shadows. No filters, no gimmicks: just the world as it is, stripped down to its bones. That’s what black and white does. It pulls the noise away, leaving behind the soul of the moment. It Vanishes In Your Hand I’ve been hooked on that feeling for years. The kind you get when the sun hits the pavement just right, or when someone’s face tells a whole story in a single glance. For this work, I gr...
  • Our next In Focus interview features Justin Lockey. As well as being  the lead guitarist of the indie rock band Editors, Justin is also a photographer, writer, director and producer. When he’s not doing any one of those things he’s asleep, or messing around with cameras, or reading about lenses and optical formulas. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I took this in Venice last year, I was playing around with a rolleiflex ...
  • The excitement is electric It's a typical Wednesday morning in the tattoo shop I work at. I am trying to stay out of the way but with all three tattoo artists at The Black Veil in Salem, Massachusetts needing the printer behind the desk at the same time, and with me being (also) behind the desk, it's hard to all fit. "I'll just wait over here until you guys are done" I say, and I scoot out of the way to a bigger spot where the floor of the shop opens up into the sitting area. We do the same dance every mor...
  • Push it to the limits A brand new film is a wonderful prospect in the current analogue photography marketplace, and I am always eager to discover what a modern emulsion, concocted in this decade, can bring to my documentary photography workflow. When Kentmere 200 was announced, I knew I had to time my first efforts carefully in order to have something more than street snaps and mundanity to show for it, to really push it to the limits of what I demand from the film stocks I have become used to. Versatil...
  • A Timeless Story This editorial came from a desire to tell a timeless story. Through mood and atmosphere, using the expressive tools of analog photography, I wanted to create a visual world that felt both intimate and slightly surreal.  One where the character and setting merged to suggest a narrative without spelling it out. Working with ILFORD FP4 Plus allowed me to craft this vision with precision and texture, embracing the constraints and beauty of natural light and medium format film. Each Frame M...
  • For the 7th interview in our Community Focus series we're heading to Oslo to chat to  Cyan Darkroom. Let’s start easy. Tell us a little about the darkroom, what it’s called and how it started. Cyan darkroom is part of Cyan studio that is a co-op community photostudio and workspace. The studio was opened in 1998 and has always had a darkroom attached.  In 2020 we got hold of a separate space where we built a much larger darkroom, hoping that the timing was right to attract enough new users. After a...
  • For our 88th In Focus interview we're chatting to Peggy Marsh. A photographer and camera lover, Peggy founded CameraGoCamera back in 2015, initially to keep a track of her own expanding camera collection... Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is hard for me as I never think anything I do is good enough. I am in a constant state of self-deprecation and can be overly critical of my images and projects. I chose the image belo...
  • Interview number 9 in our Community Focus series takes us to Amsterdam in the Netherlands where we chatted with Analog Club Amsterdam. Tell us A little about the darkroom, what it’s called and how it started. Well as we are situated in Amsterdam the darkroom is known as Analog Club Amsterdam open doka. Doka is a dutch abbreviation for Darkroom. And ACA Doka is a collaboration with MK24 which is an art institute in Amsterdam. MK24 has different analog courses and analog printing is one of the courses. ...
  • We're now 10 interviews into this series and its been fantastic to hear about so many community darkrooms and the work that they do. This time we're heading to Turkey to speak to Fotohane Darkroom. Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started. The project is called Fotohane Darkroom. It’s a mobile and analog photography workshop based in Mardin, in southeastern Turkey, near the Syrian border. We work mainly with Syrian, Iraqi, and Turkish Kurdish child...
  • A black and white journey into the depths When I leave home for a day of diving, I always feel a mix of excitement and detachment. A moment alone at dawn, when everyone is still asleep, becomes a kind of quiet ritual: methodically packing my gear, performing last checks, loading film and setting off towards a world apart. My photography was born from a simple desire: to share those moments — their quiet magic, and the subtle mix of lightness and oppression that comes with the depths. Swallowed by ...
  • We're staying in R&D for our latest 'Behind the Film' interview with Josie Cowap. Josie joined us in 2023 as a Laboratory Technician Apprentice and has recently passed her end point assessment, so is now fully qualified. Congratulations Josie! Tell us a little about your day to day role. I work in the research and development department, and my day to day my responsibilities include formulating all the components that go into film and paper into a package that I can then coat on our pilot coating ma...
  • How it all began “So what’s your next project?”, my friend David asked me over lunch one day in the spring of 2024. Unprepared for the question, my focus still on my second book, Fragments, which had just been published, my answer was quick and nochalant. “I think I’m going to dig out my 4x5 and shoot some street portraits of total strangers”. I surprised even myself with the answer. It was as if I was sitting in his chair and hearing that response for the first time. I can remember the conv...
  • On a busy day, whilst trying to find somewhere more peaceful away from crowds, Jerzy Jarczewski took a short break and was drawn to capture this beautiful image looking towards Becco di Mezzodi. Technical info Film Used: ILFORD FP4 PLUS 125 Format: 35mm Camera: Nikon FM2n Lens: Voigtlander Ultron 40mm/2 Exposure time:   1/125 Other equipment: Irix Edge GND8  filter Location Near Rifugio Croda da Lago on southern side of  Lago Federa in Dolomites Firstly, tell us the story behind this ima...
  • A big Inspiration A big inspiration for me is Jill Furmanovsky. I’d been at ILFORD for maybe 3 months when I went to a music photography exhibition at Manchester central library. It featured some of her work. Seeing her contact sheet of Joy Division shot on ILFORD HP5 PLUS was what made me start shooting gigs. It was a band I loved on a product I was now helping to make. Capturing emotion and atmosphere I started taking the odd picture on a little point and shoot at gigs I was going to. Then I finall...
  • One year ago I was chosen as a winner of the Ilford Community Grant for my project “ePhemeral”. As a dance photographer this was a gift for me, because it gave me the chance of contacting great dancers of different styles and movement dynamics to work with. For me it also meant a vot of confidence in the value of photographing movement, life, and fleeting moments through the analogue medium. And last but not least, it gave me the chance of exploring a new technique, Film Swap. Keep on reading and disc...
  • Today's #handsonfilm must have been a tough #ilfordphoto #fridayfavourites theme as we saw far fewer images than we usually do. However the ones that you shared with us were great. z.allaire Ilford XP-2 Hasselblad 500 C/M  #ilfordphoto #fridayfavourites #handsonfilm #ilfordxp2 #120film #hasselblad #hasselblad500cm #analogueportraits #blackandwhite   @timdobbsphoto "Hand print" .. Minolta X700 on ilford FP4+ for #handsonfilm #ilfordphoto #fridayfavourites #believeinfilm   @steve_...
  • Queer Representation I made the first photograph for The Queering of Photography in 2015. I had recently begun my doctoral studies and there I was, in the Royal College of Art studios, trying to make a start with an academic project on queer representation. My friend Ruth had agreed to sit for me and together we set up the studio. Once I placed a piece of masking tape on the floor, Ruth positioned themselves just behind, ready for the first frame. I had brought with me a handful of printouts from photobook...
  • Dancing in the rhythm of the waves The dark, silky, smooth waters of the canals are silent now, only a few late boats are disturbing the lights that are dancing in the rhythm of the waves. Where there were armies of city guests, only a few hours ago, clucking happily excited about everything and nothing, now only the locals and the (not so few though) night crawlers of touristic persuasion are to be seen, slowly parading the centuries old worn narrow streets, stairs and bridges. La Serenissima is tired, bu...
  • Hey, my name is David, better known as @Twostopsover, and ILFORD asked me to share a bit about my 3D printed dual format camera. Who am I? A quick intro about myself: I’m a cinematographer working in the commercial space, and in 2017 I rediscovered analog photography and fell head over heels in love with it. I think what excites me so much about shooting film is the process, and even more so, how much room there is to experiment. I mean, with which digital camera can you swap out the entire sensor wit...

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