Search results for: 'film light from'

The idea came to me after searching for companies to have a photobook made. I wanted something of the highest quality. Something that had the physical feel of Photographs: Annie Leibovtiz 1970-1990, or Helmut Newton Portraits. Two beautifully printed books that happened to be sitting in the community darkroom I own. After searching the internet for hours and looking at reviews and products of various companies, I was no further along to making a selection than when I started. My mind wandered as I stared at...

Why Film? Since 2016 I’ve messed around with film casually alongside digital. Early 2020, COVID-19 forced me to return a year early from a mission trip in Colombia and completely restart my life from zero. I couldn’t afford a digital camera like the one I sold to go on the trip but, my good experiences with 35mm SLR cameras in the past led me to pick up an Olympus OM-10 for $40 and I haven’t shot digital since. Where it began As a photographer this was my first venture into making physical art....

In this blog article, Kit Young provides insight into his latest book, Where the Rain Clouds Gather (OD Books) , which was made entirely from scanning hand-made silver gelatin prints. The Concept At times the past year has raced past in a haze. Streets have emptied and we have retreated to our cocoons. Cooped up. Waiting for the storm raging outside to subside. The images in Where the Rain Clouds Gather, my second publication, appear as if from a dream state. Moments in time, brought to life in the dark...

Urban Lives and the Natural World I've been living in some of the giant Asian metropolises for close to a decade now, and it has oriented my recent photography work towards exploring the distance between our urban lives and the natural world. One way I have found to express this has been through film double exposures where I try to blend portraits and plant textures. After 2 years of work on this, it became the Photosynthesis project. There's a little bit of history in this direction with work from grea...

When the streets become unbearable I’m not so good with words, but that’s probably why I love photography. I can let the photos I make speak for themselves. The death of George Floyd, back in May of last year, hit me hard. So much so that I went out a did what I usually do when stress becomes unbearable, I make pictures. I grabbed my Nikon F and Nikon FE, grabbed some HP5 and FP4, and headed out to clear my mind, and see what I could create. While stopping at some familiar spots in downtown Colu...

One of the things that we're enjoying about this series is that it lets us find out more about the photographers that you follow and are interested in. This week's interviewee Chris Garner, was nominated by Joseph Patrick, who in turn was nominated by Laura E Partain. Who's nomination came from Sandy Phimester. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? My favorite image I have made so far would have to be this image. I made it while I ...

We've admired Tom Kirkendall's beautiful pinhole images and darkroom prints for a while and were thrilled when he agreed to take part in this series and allow us to find out a little more about him in this, our 38th In Focus interview. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? My favorite photo??? Now that is a difficult decision. In the words of Ansel Adams “It is the one I have not taken yet” But if I am pressed to make a decisio...

The first roll It is January 31st, 2020. I’ve arrived in London to document the events surrounding the UK leaving the EU. Many groups were converging on Parliament Square for this historic day. My usual workflow was interrupted when fellow documentary photographer Simon King called me aside and handed me a Nikon FG, 55mm f/3.5, and a roll of Kentmere 400. This was the first roll of film I’d exposed in my life. Unaccustomed to the mechanical redundancies and psychological immediacy that film offers, ...

Taking Risks Through a series of what felt like small and inconsequential life choices I have found myself recently in positions where the logical course of action involved putting my health and even my life at risk, in service of making photographs. I, like many others I'm sure, want to be a great photographer. To me this means that I look with a respectful eye over my own body of work, and accept it for what it is: (hopefully) the absolute best I can accomplish. A retrospective This is something I r...

Reflections on the Materiality of Film, with PANF Plus in the Montana Snow Snow is a beautiful subject for ILFORD PANF Plus. Thankfully my quiet mountain town of Bozeman, Montana, USA—has lots of snow, and I have lots of PANF film. As snow can be such an intricate and momentary subject, it makes an appropriate subject for reflecting on the material and time-conscious process of creating an analog image. I recently returned to film photography after a ten-year hiatus. I’ve been delighted to again...