Search results for: 'prints'

This week's #fridayfavourites theme was #croppednegs. When we take our negs into the darkroom or, share them on social media we often crop to show part of the frame, it was exciting to see how you chose to crop your negatives. @ironketti So this weeks #ilfordphoto #fridayfavourites is #croppednegs This is not something I do often but it is not unknown. All of these were originally for @_JasonAvery 's #Camerachallenge and are taken on #120 #XP2super with my yashicamat 124g   @justgipsy #cr...

As a child I fell in love with the magic of the darkroom and of making Gelatin Silver prints. Watching a print develop fascinated me. In high school I had access to a darkroom working with 620 film (2.25 X 3.25 inch roll film.) and, consequently, I studied photography at Rochester Institute of Technology, School of Photography & Syracuse University School of Journalism. Studying with art-photographer Minor White opened my eyes to using photography as an art form. Minor helped me see beyond the objective...

This week's #fridayfavourites theme was #grainlove. We love grain here, so we were extra excited to see everyone's images. Thank you to everyone who submitted. We found it extremely difficult to choose, as we had so many amazing entries. @adiw1202 Replying to @adiw1202 and @ILFORDPhoto More grain on Delta 3200 #ilfordphoto #fridayfavourites #grainlove   barronorthrup Snow is in the forecast, for probably the last time this season. Here’s some film from the last time it snowed #ilfordphoto...

My Approach It was during a group exhibition that I discovered the practice of cyanotype. The Espace Liberté Gallery located in Crest in the south of France is a contemporary art space open to all graphic and plastic disciplines. The theme proposed by Au Jour le Jour was an ephemeris where 31 chosen artists (painters, illustrators, photographers, plastic artists) had to illustrate 12 randomly selected dates with their art. Two constraints were imposed: a maximum size of 20cm on each side and the same sell...

Our 57th In Focus interview is with Simon Smars from Stockholm who is a professional fine art photographer. Simon works exclusively with limited edition handmade black and white silver gelatin fiber prints, using traditional darkroom techniques. He creates a mixture of minimalistic scapes paired with a melancholic somber, with scenes often stripped to its bare essence. SECTION 1 - BACKGROUND Share your favourite image / print shot on ILFORD Film and tell us what it means to you? C I G (1: f.13 · 10-sto...

We chose #madeinthedark as today's #fridayfavourites theme so we could shine a light on all of our talented darkroom printers, and give them a chance to show off their beautiful prints. @Vochoben Some more prints from the darkroom under the stairs on Ilford Multigrade RC Deluxe Pearl #ilfordphoto #fridayfavourites #madeinthedark #filmphotography   @McIntosh141 Inverness castle on infra red film. Printed on @ILFORDPhoto glossy fibre paper #fridayfavo...

My name is Jason Avery and I am an analogue landscape photographer based in East Anglia England. I have been working with film for a few years now, learning my craft as an artist. One of the many reasons why I decided to choose film instead of digital as a medium for my work was the darkroom experience. I have heard the quote “The darkroom is a magical place” over and over again and I can safely say that that is totally true. I have been hooked since the moment I developed my first print in my tiny dark...

Shawn Pridgen is our 59th In Focus interview. A documentary photographer who owns a small business that focuses on the racial equality, Shawn actively contributes his work to local nonprofits, activist organizations and corporate entities whose mission statements align with his own. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I haven't shot it yet.... Just in case anyone doesn’t know who you are or what you do can you give us the over...

My love of black and white photography started back in college processing and printing images. The film of choice being FP4. and printing fibre based prints. In the beginning as a photographer most of my work was B/W. Spending much time in the dark room printing. Unfortunately time was something that was running out. As a professional you have the the funds but you don’t have the time. So I moved away from printing for a while and concentrated on shooting. Another-day-in-the-office One thing I learne...

Six Weeks Ago It started six weeks ago. A Sinar Norma 4x5 Large Format Camera off eBay arrives and my paper negative journey begins. I had spent the previous weeks poring over the in-depth forums and articles on large format photography, now it was time to put it into practice. My first shoot was on ILFORD MGRC paper. I hastily sat a teddy bear on a table, pointed 2 x 400 watt Elinchrom strobes and a 400 watt continuous light and fired. So 1200 watts in total at 1/30 of a second, that should do it. Flas...