Search results for: 'no labs'

This competition is now closed for entries. You can view all of the International winners here and see all of the finalists in our competition gallery   Welcome to our 2017 black and white film student photography competition 'Lyrically Speaking'. Please click on the relevant link below to download the entry pack for your country. This includes posters, the brief, entry labels and the terms and conditions.   Argentina Hong Kong Kong Kong (English) Italy Philippines Por...

ILFORD monochrome equipment manuals From time to time, customers ask us for copies of manuals for ILFORD Monochrome equipment. Whilst we are no longer able to directly offer service and maintenance support for discontinued equipment, we are still happy to supply (in pdf format) the manuals listed below. *Please get in touch for manuals marked with an asterisk FP40 Film Processor Full operations manual - English Leader Card specification Full operations manual - German Full Service Manual -...

Please refer to the American MSDS page for those not yet available here 2000RT Machine Paper Developer 2000RT Fixer-Replenisher 2150XL Film Developer  2150XL Fixer Bromophen Developer Part A Bromophen Developer Part B HARMAN Selenium Toner HARMAN Warmtone Paper Developer Hypam Rapid Fixer ID11 Developer Part A ID11 Developer Part B Ilfosol 3 Film Developer Ilfostop Ilfotec DD Film Developer Ilfotec DD-X Film Developer Ilfotec DD Starter Ilfotec HC Develope...

  Earlier this year we agreed to take part in @EMULSIVEfilm community interviews and these are the results. Over to you #EMULSIVE Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE. As with the first, the premise is simple: we collect questions from you, the film photography community, package them up and then work with the interview subject to get them answered and published. Well, we’...

A black and white film community Since film is no longer the primary domain of professionals, it’s been adopted again in earnest by passionate individuals that produce legitimate work. In this age of instant gratification, infinite dynamic range, and auto-everything, it’s nice to rely on a predictable and high-quality medium. I shoot HP5+ almost exclusively. It’s everything I want in a black and white film. It’s flexible, widely available and fits right into my workflow. I’ve played both...

A little background I was born and raised in Caracas, Venezuela.  My chosen field of study was production engineering, but was I taking photography classes in the evenings and began working for a super cool magazine called Urbe, which is a bit like what Vice is in the UK now. I quickly became the chief photographer shooting all kinds of amazing and interesting people, and it was then that I knew that this is what I wanted to do with my life. Looking back it was quite an interesting time - I’d be learnin...

Potential Disruption To Product Supply In The US On Friday August 25th the US distributor of HARMAN technology products (WYNIT) suddenly and unexpectedly halted its distribution activities. This affected our products (branded ILFORD Photo, Kentmere and HARMAN, as well as for Paterson and Agfa color film products).  On September 8th, WYNIT subsequently entered Chapter 11 proceedings. Throughout September we have implemented a direct supply arrangement for retailers in the USA, as an interim measure, to...

Drama of the Highlands Natalie Oberg tells us the story behind this beautiful. 'Drama of the Highlands image ©NatalieOberg_Scotland_201604_Glencoe Technical info Film Used: Ilford FP4 Plus Format:           6x6 Camera: Rolleiflex 2.8D Lens: Carl Zeiss Planar 2.8 Exposure time: 1/125 sec at f/8   Location Glen Coe, Scotland             Firstly, tell us the story behind this image. What inspired you to shoot it? ...

I’m Anil Mistry and I’m a photographer. I shoot a whole variety of work,  including headshots, documentary, portraits and personally initiated projects. Whatever interests me and helps me to improve my body of work. I’ve been asked to talk about an area of my photographic work that I have a real passion for. In my case, that's the capturing of street portraits. Why do I take street portraits? There’s two main reasons I do it, and I’ll try to go through them succinctly: It’s not easy ...

Sharing my skills I’ve recently started working as a lecturer on BTEC and HND photography courses at Swindon College. A job which I’m enjoying immensely.  Teaching was something I’d never considered before, until I started helping friends who were studying on the same BA Photography course as me.  I enjoyed helping them but most of all I enjoyed seeing them understand and use the skills that I’d shown them. I now teach mainly 16 – 20-year-olds, which is enormously satisfying. Watching thei...