Search results for: 'create and that'

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  • 1969 After too short a visit to Athens’s Parthenon in 1964, I vowed to return soon. By 1969 I was standing on the deck of a wave tossed Yugoslavian freighter with my back to New York City. Watching the grey, stormy, November Atlantic from the quiet of the Navigation Bridge was a peaceful retreat. Our first port-of-call was Casablanca. As a travel companion I had Greek philosopher Nikos Kazantzakis's book, Report to Greco, basically a story of Kazantzakis's search for his identity. It seemed a good read...
  • Our 72nd In Focus interview is with Brazilian lab technician and teacher Samanta Ortega. Samanta focuses on empowering and fueling the resurgence of film photography in Brazil from the inside out. SECTION 1 - BACKGROUND SHARE YOUR FAVORITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU. Invasão | ILFORD Delta 400 | Yashica Zoomate 76 There is so much I could say about this image, but no description I elaborate will ever do it justice. This was one of the frames in the first eve...
  • Fading From View My project “Extinct" aims to highlight our quickly vanishing natural world. Just as photographs can fade over time, so many species on our planet are also permanently fading from view. The delicate chemical process of film photography I have chosen highlights the fragility of the medium as well as the state of existence of the species portrayed. Compositions bare the mark of their making. The edges of the frames are vanishing. Imperfections are left on view. As analogue photography is...
  • Daniel Elbaz generously shares insights into his creative journey and how he conceived the idea of "12 Ways to...", for our 'How I Got This Picture' series. IMAGE TITLE 12 ways to … Technical Info Film Used ILFORD HP5+ Format 120 Camera Hasselblad 503cw Lens Planar 80mm Exposure Time 1/125s at f16 Other Equipment Elinchrom Studio flash Location Paris, FRANCE Firstly, tell us the story behind this image. What inspired you to shoot it? I have been passionate about black and white phot...
  • We find great pleasure in #themefree weeks such as this, during which we refrain from assigning a specific theme for our #ilfordphoto Friday Favourites 6th October 2023. Instead, we invited you to share any image created using our products.   @thatseguy. "White to Move" (2018) Mamiya C330S + ILFORD Delta 400 Chess & Checkers House Central Park, New York City. #ilfordphoto #fridayfavourites #themefree   @nuno_cruz. Brussels, Spring of 2022. Some street fashion observations shot on...
  • Allow us to introduce Mandyleft, our 73rd featured artist in our "In Focus" series. Mandyleft is a talented film photographer known for her deep passion for connecting with people, a quality that has immersed her in the vibrant film community. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU. I took this photo in a hotel in London. It was a very exciting weekend. I had just been to the theatre and then I had been shooting around the West End...
  • Sharing Our Experience One Day At A Time Boys is an arts project that has run for the past 3 years in Damien John Kelly House (DJK), a recovery community for men based in Liverpool 15. Offering a program of support based in the arts, sport and culture. We celebrate our community, explore individuality whilst documenting our personal growth and shared experience. Applying recovery values of willingness, honesty, and open mindedness within a creative setting. Marrying up the transferable benefits and lessons...
  • Concrete Jungle At the crack of dawn, the sleepless vagrant remains glued to the stone of the pavement. A long road with no intersection, apha indlela ayibuzwa kwabaphambili. As the light creeps into the skyline, all a city dweller sees is blood and grime. With so much dog shit in the streets, beggars are still scrapping for bones to chew. A muffled groan & moaning of a trapped miner, buskers are constantly offbeat & in a permanent state of gloom and cynicism. The nostalgic aroma of the communityâ€...
  • The Greatest Gift In 1984, at age of 10 my foster parents, to whom I was never close, gave me a camera. It is the greatest gift they gave to me. Since then, I have photographed the world to make sense of it and my place in it. Now, forty years later, I respect photography to the extent it should be respected. It has become an integrated part of who I am, it has shaped me into what I am and I have shaped it - we are one and I would arguably feel nothing in life without this powerful mechanism. I come from a...
  • Inheritance The thing nobody really tells you about when it comes to inheriting a legacy is the weight of it, and what follows the inevitable acceptance of it. My late grandfather Hendrikus Goris was an avid film photographer in his early 20’s - much like myself. I recently had the privilege of scanning and archiving some incredible images from his earlier years, 30+ rolls of film documenting family life with some rather editorial styled portraits sprinkled in. Most of them were shot on ILFORD film in ...

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