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Wilber (@ccs_wilber) wheelies down a hill in Medellin.
BikeLife
The first time I learned about Bikelife was at Parque Nacional, Bogotá’s most emblematic park. It was a Sunday and there must have been at least a hundred of them. They almost all fit the same profile: very young, baggy clothes, no helmet. A disproportionate number sported ‘El 7’, a kind of neo-mullet that’s popularity in Colombia predates the current mullet resurgence in the rest of the world.
12-o’clock wheelies...
This week we interviewed Berlin based, portrait photographer Jakob Stolz for our 'In Focus' series.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
To me this is my most personal photograph I've ever taken. It's my grandfather Kurt who passed away last year at the age of 87. All his life he lived in Duisburg, Germany and worked as a carpenter. I started photographing him 7 years ago and continued so to the very end. These photos are very clo...
The lessons I’ve learnt
I would like to start this blog by stating that I consider myself a relatively inexperienced photographer. I’ve been taking film photos for around eight years and have only ever done so as a hobby. However, something I have spent many of those eight years doing is experimenting with double exposures. In this blog I’d like to share some of the lessons I’ve learnt in that time.
If you have any questions
I could talk about double exposure for hours and go into a huge amount o...
Happy Accidents
For most people in the film community, double exposures are accidents. Happy accidents, sometimes, for sure, but accidents nonetheless. Of course, some people do film swaps, I've done a few and embraced the chaos of the results, but I never got an image out of a film swap that I truly loved. And yet there's something eminently compelling about double exposures.
ILFORD FP4+
Photosynthesis
Five years ago I started a project entitled Photosynthesis that used double exposures as a way to ...
A Revelation
Just south of Sydney sitting on one of Australia’s most pristine coastlines you’ll find the regional city of Wollongong. Nestled within this city of surfers, coal miners and steelworkers you’ll find a group of students creating big things in a small darkroom.
‘Mez, I’ve been thinking a lot… I want to be a fine art black and white film photographer.’
These words from one of my TAFE NSW students, Sara, were delivered with a shakiness in her voice, utter passion in her heart, ...
We're thrilled to launch our brand new 'Community Focus' series! In this series, we shine a spotlight on community darkrooms around the world, celebrating their contributions and exploring the stories behind these spaces. Our first interview in the series features Newport Film Lab from South Wales, a darkroom that began as a passion project and has since grown into something truly special.
Section 1 - Background
Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started...
La Santísima Tragedia
Fanesca: A Celebration of Cultural Syncretism Through Fashion and Photography.
Fanesca: Una celebración del sincretismo cultural a través de la moda y la fotografía.
Latin American Society
Fanesca is an evocative body of work created by London-based photographer Lucho Dávila, exploring cultural syncretism and the evolution of identity in contemporary Latin America. Through this ongoing autoethnographic project, Dávila reflects on his Spanish and Ecuadorian heritage, cap...