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Film Photographers survey 2024 At the end of 2024 we asked you to complete and share our film photographers survey. We wanted to understand what's important to you, the film community, irrespective of which film brands you shoot. We hoped that the results would provide us with an invaluable insight into the behaviours, expectations, and preferences of film photographers around the world. The results Over 14000 of you from more than 110 different countries completed the survey. We saw film shooters of ...

This week’s #ilfordphoto #fridayfavourites product focus was all about #aprilondp3200. We’ve picked out some of our favourite Delta 3200 captures, take a look!   @simon_diamond. April on Delta 3200 for #fridayfavourites Leica M6 TTL Summicron 35mm F2 V4 ("King of Bokeh") Delta 3200 #believeinfilm #photography #ilfordphoto #aprilondp3200.   @timdobbsphoto "Ollie" .. Nikon EM, 50mm f1.8 on ilford Delta 3200@1600, dev in LC29 for #fridayfavourites #aprilondp3200.   @matt...

Connected Shooting film is an act of patience, a commitment to slowing down in a world that moves too fast. With digital photography, you can take hundreds, thousands, of images in a matter of minutes. There’s no real cost to over-shooting, no pressure to be deliberate. But film demands something different. Each frame is finite, precious. You select before you shoot, considering light, composition, and emotion in a way that feels more meditative, more connected. The Beauty of Imperfection There’s an...

Up next in our Community Focus series: we're in London with Rapid Eye, founded out of love for printing in 1996! Find out more below. SECTION 1 - BACKGROUND LET’S START EASY. TELL US A LITTLE ABOUT THE DARKROOM, WHAT IT’S CALLED AND HOW IT STARTED. Rapid Eye started in 1996 by Lee Williams, born out of a love for printing. I was printing myself with a small team for a few clients but I also loved hosting other printers and photographers. Eventually a small community started to form and we let out som...

Push it to the limits A brand new film is a wonderful prospect in the current analogue photography marketplace, and I am always eager to discover what a modern emulsion, concocted in this decade, can bring to my documentary photography workflow. When Kentmere 200 was announced, I knew I had to time my first efforts carefully in order to have something more than street snaps and mundanity to show for it, to really push it to the limits of what I demand from the film stocks I have become used to. Versatil...

A Timeless Story This editorial came from a desire to tell a timeless story. Through mood and atmosphere, using the expressive tools of analog photography, I wanted to create a visual world that felt both intimate and slightly surreal.  One where the character and setting merged to suggest a narrative without spelling it out. Working with ILFORD FP4 Plus allowed me to craft this vision with precision and texture, embracing the constraints and beauty of natural light and medium format film. Each Frame M...