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A regular contributor to the film and analogue community and always helpful and encouraging to other photographers out there. This week's In Focus interview is with "photographer” Morag Perkins who, "just takes pictures".
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
I’ve chosen this one because it’s represents a process that has been very special to me recently.
Over the last 2 or 3 years I’ve found a way to use photography to ...
For our first #ilfordphoto #fridayfavourites of 2022 we set you the theme of #anewstart and asked you to share images of things that were new to you. Either subjects that you hadn't shot before, a new film or a new technique.
@mattweddis Anzac Memorial, Hyde Park, Sydney (@anzac_memorial ). 4 image, in camera, multiple exposure on @ilfordphoto HP5 in 35mm. I’ve been enjoying the incredible multiple exposures of @frankmachalowski and have been wanting to try to create some interesting multiple exposure...
A regular contributor to conversations on film and analogue photography and always happy to share her knowledge and support other photographers. This week's In Focus interview is with Paula Smith.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
One of my favourite images. This was taken in New Zealand on a crisp sunny winter’s day. The light was beautiful and I loved how it picked up the chicken wire on the jetty. It brings back great memo...
Hi, my name is Daniel. I am a family father, creative director, and amateur photographer, so you might say I make my living by telling stories and I feel fine when things get emotional ;-). I am based in Heroldsbach, Germany. That’s a small village which lies on the edge of the so-called Karpfenland, a natural landscape transformed by man for pond farming.
Until 2013, this cultural landscape was utterly unknown to me. Today it has become my home. Yet one question nags on me:
“Who shapes whom more:...
HOW IT BEGAN
I’m a great believer in serendipity. I was visiting a friend to deliver a print that she’d bought from me. At the time I was taking a lot of photos of graveyards, and she offered to show me a derelict cemetery which had been left hanging in the undergrowth on the banks of a major new road development. As we walked back through the village, I stopped an old man to ask if I could shoot his portrait, and when he very abruptly declined she said, you should meet Faye……
Fourteen month...
We are very excited to launch our new ILFORD Photo Analogue Community Grant.
Each year we receive hundreds of requests for support from members of the film and darkroom printing community looking to create projects using our products.
The scope and scale of these projects vary. From documenting expeditions on large format film to alternative uses of our film and paper. And ,even setting up community darkrooms or running workshops for children. You have some amazing ideas and insatiable passion.
Man...
Our 57th In Focus interview is with Simon Smars from Stockholm who is a professional fine art photographer. Simon works exclusively with limited edition handmade black and white silver gelatin fiber prints, using traditional darkroom techniques. He creates a mixture of minimalistic scapes paired with a melancholic somber, with scenes often stripped to its bare essence.
SECTION 1 - BACKGROUND
Share your favourite image / print shot on ILFORD Film and tell us what it means to you?
C I G (1: f.13 · 10-sto...
My name is Jason Avery and I am an analogue landscape photographer based in East Anglia England. I have been working with film for a few years now, learning my craft as an artist. One of the many reasons why I decided to choose film instead of digital as a medium for my work was the darkroom experience. I have heard the quote “The darkroom is a magical place” over and over again and I can safely say that that is totally true. I have been hooked since the moment I developed my first print in my tiny dark...
Decisions. Some are small. Some are life-changing. We make them subconsciously. We make them intentionally. But either way we choose a path. There’s always an upside and always a downside. Most importantly, we look for promise in the upside, and we try and glean some value from the downside, but we can never escape the moment of decision.
Ilford-FP4-Plus-Leica-M7-90mm-Leitz-Canada-Elmarit
Seize the opportunity
In the fall of 2019, I had to decide whether to say yes to a guy’s trip to Wyoming with ...
This is a story about serendipity, generosity, community, and several rolls of Ilford FP4 film. It begins in April 2020, during our first Covid-19 lockdown when a request from a sibling for an old family photo led me to dig around in my messy 35mm archive. I discovered quite a few forgotten negatives and slides from my life during the 1970’s, when I was young and single. They had been randomly stored and dragged around in house moves whilst I focussed on marriage, motherhood and a career in Social Work. E...