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Step into Simon Auger's world as he unveils an intimate view of his creative process and the intricate techniques that birthed this stunning architectural masterpiece in this 'How I Got This Picture' interview.
IMAGE TITLE
Downtown Toronto #2 2023
TECHNICAL INFO
Film Used
ILFORD HP5+ shot at 1600 ISO.
FORMAT
35mm.
Camera
Nikon F3.
Lens
17mm Tokina Prime Lens.
Exposure time
Can't Remember.
Location
This shot was taken looking up into the mist-covered buildings at the intersection of King s...
Concrete Jungle
At the crack of dawn, the sleepless vagrant remains glued to the stone of the pavement. A long road with no intersection, apha indlela ayibuzwa kwabaphambili. As the light creeps into the skyline, all a city dweller sees is blood and grime. With so much dog shit in the streets, beggars are still scrapping for bones to chew. A muffled groan & moaning of a trapped miner, buskers are constantly offbeat & in a permanent state of gloom and cynicism. The nostalgic aroma of the communityâ...
Pain or Peace
There are some moments in a man's life that are truly capable of changing him in the depths of his being. Whether through pain or peace, sadness or joy. For a photographer like me, the feelings that arose in my heart over the years also became part of my photographic language.
13 Years Old
On February 9, 2020, my younger brother, Pedro Henrique, passed away while battling cancer. He was only 13 years old. At first I felt that I had lost all my motivation as a photographer and as an individu...
Asphalt Kingdom
When I was 15 I picked up my mumâs old and now scarcely used Soligor TM (a cheap 35mm SLR). Having seen a few friends shoot colour film on disposables, I remember thinking âI like how it looks but do they even make film anymore?â. I spoke to my step-dad about where I might find some of this film and he quickly pointed me in the direction of ILFORD, a film manufacturer whoâs film heâd stood by for many-a-year (something Iâm intent on standing by too). A google search and three cl...
The Greatest Gift
In 1984, at age of 10 my foster parents, to whom I was never close, gave me a camera. It is the greatest gift they gave to me. Since then, I have photographed the world to make sense of it and my place in it. Now, forty years later, I respect photography to the extent it should be respected. It has become an integrated part of who I am, it has shaped me into what I am and I have shaped it - we are one and I would arguably feel nothing in life without this powerful mechanism. I come from a...
Oh, crap! What have I done?
Letâs see. I committed to do a solo photography show, with twenty-seven images. All twenty-seven are 4x5 black and white negatives, so they need to be darkroom printed. And those will be 20x24 prints. Yeah, and I need to have them matted and framed. The icing on the cake? I have just under three months to do this.
Yep, this is going to be an interesting project. But letâs back up to the beginning.
The Event
It was April 2023, three years after the pand...
Same as ours
The reportage tells of a journey in the regions of Northern India, starting from the borders with Pakistan to the banks of the Ganges river, in Varanasi. The story traveled on trains, buses, planes and tuc tuc. The roads were all dusty and bumpy but the people met were all clear and sunny. The glances reveal details of everyday life: people working, eating, sleeping, children going to school. Their daily life is the same as ours, but at the same time very different. If you step off the well-tr...
FILM AND DOCUMENTARY FAMILY PHOTOGRAPHY
Only in 2022, I bought my first film camera - a Minolta X700. Right from the first film I was absolutely in love with shooting analog. Working as a documentary family photographer I am drawn to the honest and unfiltered truth of family life. For me, analog photography and documentary family photography converge, weaving elements of rawness and unadulterated truth. There are no hundreds of images, meticulously sifted through for the best; no embellishment through hour...
I Instantly Fell In Love
My photography journey began while I was studying graphic design. My course tutor handed me a camera & a roll of ILFORD HP5+, and sent me out, with no real brief, to âtake some picturesâ. Armed with a macro lens I roamed around the citiesâ botanical gardens and became lost in a close-up world of symmetrical patterns, found in the plant life. When I returned, with my roll of film, to the photography department darkroom, I instantly fell in love with the process and the res...