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The year 2000
The first time I photographed skateboarding was in the year 2000, following around a boy I liked with a disposable camera. My equipment and film stocks have gotten better over the last two decades, and my girlhood crush has been replaced by a deep passion for capturing the unique poses of skateboarders and their culture and community.
Dancer suspended in space
I don’t know the names of most of the tricks the skaters I photograph are attempting. I’m half-listening when someone tries to...
Shooting 35mm film Sprockets with Kentmere 400 and a medium format TLR
Including sprockets in scans is nothing new but has increased in popularity recently. While the inclusion of sprockets showing the film name looks great, as the photographic emulsion covers the full 35mm width of the film in your cassette, it is actually possible to expose your image beyond the standard 24x36mm frame and cover the entire sprocket area with your image.
I thought I’d give this a try with my TLR, so read on below to f...
Our 66th In Focus interview is with Danish photographer Lea Elm who is a writer living in England. Find out why analogue and instant camera's became an epiphany within Lea's work.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
World - Museum -Liverpool - 2019 - HP5+
It was hard to pick just one but I decided on this one taken in 2019 on my first, and so far only, trip to Liverpool. Rachel Brewster-Wright (of @LittleVintagePhotography)...
'What are you doing?'
After 25 years it still catches me off guard. Because my work happens in public spaces, the answer comes often and without pause. Men walking by the scene will change direction and make their way to within a meter of my tripod. While to me it is evidently clear, to the viewers it is understandably strange. For my portraits of girls in rural India, this is supremely true. To set the scene, we are using medium format gear mounted on a tripod, speaking with the children being photographe...
Our 69th In Focus interview is with poet, former university instructor and high school teacher Lorraine Healy.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
I took this image in January 2022. We had been having a lot of fog that was lasting longer than the usual early morning ‘til sunrise. I knew where I wanted to go. This place, Indian Slough, is some 70 minutes away from my house. I could tell when I got there that the sun was beginnin...
Introducing our 15th interviewee and one of Film Finishing's newest team members, Paul Cliff.
Who are you? What’s your job title at HARMAN technology and how long have you worked here?
My name is Paul Cliff and I have been with the company since February 2023.
Tell us a little about your day to day role.
I work on our 120 roll film spooling machines. I love everything about it. It’s been like taking control of a classic car, learning all its idiosyncrasies and intricacies; it’s an absolute mar...
Introducing Adam O'Rourke, our 14th Behind the Film interview. Adam joined HARMAN technology a couple of years ago and works as a scientist in the kilo lab.
Who are you? What’s your job title HARMAN technology and how long have you worked here?
My name is Adam O’Rourke and I’ve been with HARMAN technology for a couple of years, in the Scientist II role.
Tell us a little about your day to day role.
I enjoy the challenge of a very practical role in the kilo lab, manufacturing a variety of chemical i...
«If we are always arriving and departing, it is also true that we are eternally anchored. One’s destination is never a place but rather a new way of looking at things. » Henry Miller
Community Of Male Bathers
Lanterna “Beach” is a long-term project (2015-2022) that documents a community of male bathers in a town in Southern Italy, where I was born and raised, before leaving my country. The work explores the relationship between this peculiar community and the nature of the Pier where they sunbathe...
Gosia Janik gives us the lowdown on how she captured this striking portrait.
Image Title
Xu Jing
Technical Info
Film Used
ILFORD HP5+
Format
Medium format 6x5
Camera
Mamiya 645 AFD
Lens
Mamiya 80mm f2.8
Exposure time
1/60
Location
Home/studio in Madrid
Firstly, tell us the story behind this image. What inspired you to shoot it?
I often work with “new faces” - models that are sent to me by agencies to shoot a session for building or renovating their portfolio.
Xu was sent to me by...
'Architecture is the masterly, correct and magnificent play of volumes brought together in light'. Le Corbusier, 1920
Concrete Photography
Brutalism as a style has received bad press. When we first hear the term, we all feel a logical rejection. The handbooks go on to explain that it comes from the French term béton brut, although the inventors of the term undoubtedly played on confusion, leaving an after-taste of je m’en fous, of bloody-mindedness, not giving a damn, in short. As a movement, as an a...