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My love of black and white photography started back in college processing and printing images. The film of choice being FP4. and printing fibre based prints. In the beginning as a photographer most of my work was B/W. Spending much time in the dark room printing. Unfortunately time was something that was running out. As a professional you have the the funds but you don’t have the time. So I moved away from printing for a while and concentrated on shooting. Another-day-in-the-office One thing I learne...

Distractions To A Minimum Whether I’m taking pictures of friends, my dogs, travel, a model, or a movie star, my goal is to make the process as simple as possible, and to keep my distractions to a minimum. While on set of a campaign shoot a few weeks ago, I was having a conversation with the talent, and he asked me how I got into photography. A question I’ve been asked before but never really gave serious thought to. Andrew Garfield. Vanity Fair - Oscars - Beverly Hills. First Meaningful Interacti...

These Dark Mountains I grew up in a small valley town surrounded by the Alps in North Italy. I have always wondered what it feels like to live and work up there in the mountains, in such a stunning but also dangerous and rough natural environment. Especially after moving to Berlin in 2015, my fascination for a life still tied to nature’s rhythm started to grow. The natural landscape which I left behind, and which used to be what I would call “home”, turned into something distant. I began to question ...

My Relationship With Streetball I love street basketball. The competition, the intense arguments and the handshakes at the end where all signs of aggression dissipate. I love the environment in which these scenes take place. From the frayed nets, the cracked asphalt, to the uneven rims, there's something compelling about basketball courts that haven’t seen repair since the day they were laid. But the true beauty of streetball happens on the sidelines between games. Here, in the waiting, is the vibrance: ...

'Something Special' There is a unique rendering to photographs made with Multigrade enlarging papers. It's difficult to define, maybe it's the timeless mood or perhaps it's the mystical feeling, or even a haunting aura... it's certainly there for me I like this very much! Add to this, it's super economical and can be visually handled via darkroom safe-lights. No more fussing around in total darkness which often requires the use strong language! Humour aside, I find the physical involvement of handling the...

Community Grant Shortlist We received hundreds of applicants for the grant and choosing just 5 for you to vote on is always difficult. Please ensure that you read all of the submissions before casting your vote for your favourite. FLATS Teen Summer Camp - Jessi Bowman We are looking to launch a free summer camp for teens, using our community darkroom to introduce young students to the magic of analog photography. Our goal is to remove financial barriers and create an accessible space where they can le...

Part 1: We’re Going to Be Friends My story with Ilford SFX began as many stories do: an impulsive act. I saw it while standing in line at my favorite camera store. Small boxes stacked neatly in a bin. Pattern and repetition. White, black, and purple. Great marketing at work. In hyper-cut scenes that would make Edgar Wright jealous, ten boxes of 120 film were in two rows in front of the clerk. He peered across the counter at me. He looked at the two rows of film and raised his eyebrows as if he was get...

Introducing our 61st In Focus interview with Torz Dallison. Torz started shooting when she was a teenager, but it wasn't until she started developing and printing that she became hooked. Through her work, Torz explores life's traditions and connections which reflects on her own personal stories and events. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? The Robin - 2019 This is the central image to my project The Robin. I began the proje...

We speak to Jim Mortram, who is this week's In Focus interview. Jim is an award-winning Social Documentary Photographer and the creator of these photo stories: Small Town Inertia. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This portrait with Carl, as always for me, was made with HP5 Plus pushed to 800. When I first met Carl & began collaborating with him on sharing his story he was in a bad place. We would talk often but it was mayb...

For many years I have been disillusioned with what direction my photography career was moving in. The overwhelming abundance of images from digital capture. The demise in a true art (in my mind anyway) of images being overcooked and very unnatural at times. However thankfully I got back my Mojo by selling every bit of digital kit I owned. It felt like a total weight of my shoulder. I needed this new direction and to learn a totally new discipline. Taking my work that extra step further I decided to go to ...