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Why pinhole photography?
This is a question I’m often asked, by fellow photographers and complete strangers alike. Using a beautiful wooden Ondu camera, I began exploring the world of slow photography about five years ago. The moment I saw my first developed negatives I knew I’d found a glimpse of photographic heaven. This started my obsession with this ancient form of imaging. As you’ll see, my love of this medium has many facets – the creative possibilities, the look and even the image making pro...
“I’ll just fix it in the darkroom.” is the motto I’ve lived by for decades.
I Was Too Deep Into Analog
Studying photojournalism in the late 80s, I was taught to print well but never learned advanced printing techniques because we were being prepared for quick turn-around journalism assignments. Commercially available digital photography was in its infancy, so it wasn’t on my radar, and even when it became standard, I was too deep into analog to have any interest. I shot for a local paper for se...
We really enjoy theme free weeks like this one where we don't set you a theme for our #ilfordphoto #fridayfavourites and instead ask you to share any image made with our products.
@davejsherwood A shot of The Shard and London Bridge for this week's #ilfordphoto #fridayfavourites #themefree. Shot on #delta3200, which I'll be using to document Castlerigg Stone Circle this coming week.
filmphotokkg Ryota #darkroom #silvergelatin #analogmagazine #ilfordphoto #ilfordfp4 #leicafilmfriday #leicafilmfrien...
#framedfilm was this week's theme for #ilfordphoto #fridayfavourites. A huge thank you for your incredible contributions, your creativity knows no bounds!
@filmphotokkg. Misty morning road in Okayama, Japan. #ilfordphoto #ilfordhp5 #leica #leicam4 #shootitwithfilm #theanalogclub #noirfilm #photojournalinternational #blackandwhitephotography #35mmfilm #analogphotography #analogforever #photofilmy #ifyouleave #ishootfilms #reponsesphoto #spicollective #streetshots_globally #streetphotography #do...
We love grain and after seeing the images that you shared with us for this week's #ilfordphoto #fridayfavourites #ilikegrain theme, we can see that you do too.
@n3gabeatsThat time when I didn’t want the grain in the photo, but when I saw it I really liked it. The photo was taken on HP5 #ilfordphoto #fridayfavourites #ilikegrain
@thewhitedarkroom Repost as a contribution for @ilfordphoto's #fridayfavourites #ilikegrain. And well, I do! And who does not? ? Printed on 13x18 #ilfordphoto Multigrade...
#printedinthedark was the perfect theme for all our darkroom enthusiasts for this week's #ilfordphoto #fridayfavourites. You are all extremely talented and, we can see the passion in your prints. Take a look at a few of our favourites this week:
@PlymouthDarkro1. Taken with a Ihagee Duplex on FP4+, then onto you FB Classic. #Fridayfavourites #printedinthedark
@sbills15. Prints from last Sunday's Darkroom session. Printed on ILFORD's MGFB Classic 11x14 paper and toned i...
Daniel Elbaz generously shares insights into his creative journey and how he conceived the idea of "12 Ways to...", for our 'How I Got This Picture' series.
IMAGE TITLE
12 ways to …
Technical Info
Film Used
ILFORD HP5+
Format
120
Camera
Hasselblad 503cw
Lens
Planar 80mm
Exposure Time
1/125s at f16
Other Equipment
Elinchrom Studio flash
Location
Paris, FRANCE
Firstly, tell us the story behind this image. What inspired you to shoot it?
I have been passionate about black and white phot...
One Specific Speed Rating
Us film photographers are used to the limitations of our medium. In fact, we often regard them as strengths, and not weaknesses. But even we can’t really take issue with the suggestion that as soon as we begin to expose a roll of film we are limited to one specific speed rating, making it more difficult to adapt to quickly changing light conditions. On digital: no problem. Just whack the ISO up to some implausibly high number, and keep shooting. Sadly we just can’t do that mid...
When I Was A Teenager
Mine is a common story with photography in that my dad gave me his 35mm camera when I was a teenager. I shot his Minolta until I dropped it a few too many times and the light leaks became punitive. Soon after, I stumbled into the darkroom just as casually after I found my dad’s enlarger in the back of a closet and my friend, Joel, taught me the basics of printing in a few hours (I didn’t realize how difficult that would be). I didn’t have or know about filters and had no techniq...
The Nod
The rope is thick and heavy, and coated with resin applied to heat it up and make it sticky. The cowboy wraps this bullrope around his right hand and ties himself in. A thin leather glove protects him from burning his hand if the rope slips. He settles himself on the back of the 1500 pound Brahman bucking bull named Spooky Lukey, and Spooky Lukey hasn’t been ridden yet this season, or last year for that matter. When he’s set, he gives The Nod. The Nod starts off one of the greatest sequences in...