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  • There was a lot of interest in this shot when it was shared on our Instagram feed, so we asked Kim Mimnaugh & Jess Martineau to tell us a bit more about it. Image Title Water Goddess:Triple Exposure Technical Info Film Used ILFORD HP5+ Format 120 Camera Hasselblad 501 CM Lens 150mm Exposure time 3 exposures on one piece of film 1/60th at f8 Other equipment Studio stand, sekonic flash meter, black velvet for the background Speedotron location lighting kit, one strobe set at 400 WS with...
  • The Young Family In a small town in Russia, a couple became the parents of a baby girl. The young family embarked on a journey, forced to address the couple's relationship, parenting, a new economic life, difficulty, and the struggle for survival. They decide to begin a new life. They sit in a library, explore an old globe to search for a better place to continue the dream from which they were created, seeking a place close to earth, mountains, water, and sky. ILFORD FP4+ The Dream I join their dream...
  • Bombay Beach In 2011 I was living in San Francisco,CA making my way through a graduate program in Photography. Working on my thesis afforded me the opportunity to venture around the state of California. I traveled a lot. I went to the top of the state, the far corners, all over really. On one trip, I drove down to the Salton Sea, an almost forgotten place south of Palm Springs and the Coachella valley. It was a fascinating adventure. I remember driving through Bombay Beach, one of the small remaining towns...
  • For our 68th In Focus interview, we speak to landscape photographer Bill Brooks. Bill enjoys photographing the landscape. He is particularly interested in how it has been affected by those who have gone before us and how it impacts the lives of those who occupy it today. His work is influenced by painters and writers as well as other photographers. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? A recent favourite is Sullington Yew, from my ...
  • We love it when there are a variety of images to choose from for this week's #ilfordphoto #fridayfavourites theme, which is #favouritefilm. We hope all of you have had a fantastic Easter and have shot many rolls of film in the sunshine.   @filmfarkus Ilford HP5+ #ilfordphoto #fridayfavourites #favouritefilm   @DrMarsRover Simple things. Bronica SQ-A. HP5+ #ilfordphoto #fridayfavourites #favouritefilm. HP5+ is my go to film for shooting with the Bronie.   @n_mementomoriHe ...
  • Join us while we chat with self-taught photographer Khoi Minh Nguyen, who is our 70th In Focus interviewee. Khoi tries to approach his photography as a still image in a movie and uses this medium to document life. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? Hasselblad 503cxi - ILFORD SFX 200 The image of my mother is my most proudest moment I had made last year. It felt like I was making work that I have been trying to make for a lon...
  • «If we are always arriving and departing, it is also true that we are eternally anchored. One’s destination is never a place but rather a new way of looking at things. » Henry Miller Community Of Male Bathers Lanterna “Beach” is a long-term project (2015-2022) that documents a community of male bathers in a town in Southern Italy, where I was born and raised, before leaving my country. The work explores the relationship between this peculiar community and the nature of the Pier where they sunbathe...
  • Introducing our 71st In Focus interviewee, Malik Rainey. Malik specialises in editorial and social documentary photography. However, Malik only became hooked on film when his friend Teo traded him his Pentax P30T for his bike. Section 1 - Background Share your favorite image/print shot on ILFORD film and tell us what it means to you. This image is an all-timer for me! I always find myself returning to this image because it’s perfect, from the little girl smiling directly at me to the boys playing baske...
  • “I’ll just fix it in the darkroom.” is the motto I’ve lived by for decades. I Was Too Deep Into Analog Studying photojournalism in the late 80s, I was taught to print well but never learned advanced printing techniques because we were being prepared for quick turn-around journalism assignments. Commercially available digital photography was in its infancy, so it wasn’t on my radar, and even when it became standard, I was too deep into analog to have any interest. I shot for a local paper for se...
  • Fading From View My project “Extinct" aims to highlight our quickly vanishing natural world. Just as photographs can fade over time, so many species on our planet are also permanently fading from view. The delicate chemical process of film photography I have chosen highlights the fragility of the medium as well as the state of existence of the species portrayed. Compositions bare the mark of their making. The edges of the frames are vanishing. Imperfections are left on view. As analogue photography is...

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