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Introducing our 75th In Focus interview and our analogue community grant winner, Federico Pestilli. Pestilli was born in Rome and became interested in documentary-style of photography, focusing on irony that unites people, places and symbols with each other.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Heritage - Arianna - Cocullo, Italy - Pentax 67, 135mm lens - HP5+
This is an image of Arianna, a snake handler from the town of Cocul...
Environmental Portraits
I started my analogue black and white portraits of artists in spring 2021, the second year of the pandemic. I wanted to photograph actors in Berlin over a longer period of time. This was the right moment because theaters were closed and filming of movies had largely been stopped. I decided to shoot some kind of “environmental portraits” in public spaces. I wanted the location to be part of the portrait. In addition, local health restrictions back then allowed gatherings of exact...
2024 ULTRA LARGE FORMAT (ULF) AND CUSTOM FILM CAMPAIGN IS NOW OPEN
It's that time of year where we once again give any photographers with the many vintage, collectible, and home-made cameras out there the opportunity to order selected custom sizes of ILFORD ultra large format sheet film and other specialist products without the constraints of the usual minimum order quantities.
You have until Saturday 1st June 2024 to place orders with participating resellers.
WHEN WILL I RECEIVE MY ORDER?
We ...
We caught up with the incredible Jane Meling to unveil the secrets behind her breathtaking panoramic landscape masterpiece! Join us as we unravel the secrets in our exclusive 'How I Got this Picture' series.
Image Title
River Of Light
TECHNICAL INFO
Film Used
ILFORD FP4 Plus
Format
120/617
Camera
Linhof Technorama 617s III
Lens
Schneider 250mm Tele-Xenar
Exposure time
1 second
Other equipment
Gitzo Explorer Tripod, Lee 100 red filter
Location
Ober Goms, Geschinen, Valais, Switzerland
F...
I Instantly Fell In Love
My photography journey began while I was studying graphic design. My course tutor handed me a camera & a roll of ILFORD HP5+, and sent me out, with no real brief, to ‘take some pictures’. Armed with a macro lens I roamed around the cities’ botanical gardens and became lost in a close-up world of symmetrical patterns, found in the plant life. When I returned, with my roll of film, to the photography department darkroom, I instantly fell in love with the process and the res...
It was the perfect film to learn with
I’ve always loved shooting portraits, and the first medium format film I used was ILFORD HP5+, shooting portraits in high school with the Rolleiflex TLR that I still use today. It was the perfect film to learn with — forgiving and rewarding. When I started directing music videos in my 20s, I brought that Rollei to set to take press photos between set ups. Around the same time, I was working as Ava DuVernay’s director’s assistant on the Netflix series When They ...
On the Language of Photographs
A photograph is so much more than just a photograph; it holds an entire language within it. Each photograph captures a unique world that exists only in that moment, preserving the memories of the people in it, and the experiences of the photographer pressing the shutter. Today, I want to reflect on my own work and how my favourite images have defined me as an artist. What messages do they share with the world? How have the tools I’ve used to create them shaped their unique ...
The lessons I’ve learnt
I would like to start this blog by stating that I consider myself a relatively inexperienced photographer. I’ve been taking film photos for around eight years and have only ever done so as a hobby. However, something I have spent many of those eight years doing is experimenting with double exposures. In this blog I’d like to share some of the lessons I’ve learnt in that time.
If you have any questions
I could talk about double exposure for hours and go into a huge amount o...
Say Hello
Few people feel comfortable striking up a conversation with a person they haven’t previously met. I refrain from using the word “stranger” because the way I see it, we’re all fellow humans, potential acquaintances, possible friends. And who says they’re any stranger than I am? After all, I’m the one going up to people I meet in public asking to make their portrait. A camera in hand really is a magical device that allows us to meet almost anyone, anywhere. To approach them. Say hello. ...
We're thrilled to launch our brand new 'Community Focus' series! In this series, we shine a spotlight on community darkrooms around the world, celebrating their contributions and exploring the stories behind these spaces. Our first interview in the series features Newport Film Lab from South Wales, a darkroom that began as a passion project and has since grown into something truly special.
Section 1 - Background
Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started...