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Film and single use cameras
How long after exposing can I leave my film before processing?
For best results, we always advise processing soon after exposure although in practice most films can be left for several months. One exception is ILFORD PANF Plus, we would always advise processing this film as soon as possible and certainly within 3 months of the film being exposed.
How do I account for film reciprocity during long exposures?
This information can be found in the Film Reciprocity Failure Compensa...
Processing your own film can speed up your workflow and give you quicker access to your negatives. It is also typically more cost effective and best of all there is nothing like the sense of satisfaction you will gain by taking control over the full end-to-end process of your photography.
While trying it for the first time might be a daunting prospect, fear not. Below is our guide on what equipment, chemistry and method would be suitable for anyone new to processing films. For more detail, you can downlo...
Why print?
When you can get excellent prints from your black & white negatives by sending them off to commercial processing laboratories, why make your own?
For many photographers, making a photographic print is as much a part of the process as shooting the image itself. For a start, it is a creative process that is both enjoyable and fulfilling and, much like the role of a post processing tools such as Photoshop or Lightroom in any digital workflow, (although much more fun) a darkroom provides film...
Having shot a roll of black and white film it now needs to be processed to create the negatives. At this point your film is still light sensitive so should not be exposed to light.
Processing your own film can be highly satisfying and cost effective. It is also easy to learn. The most common method for hand processing film is undertaken by using a Daylight Processing Tank. This piece of kit needs the film to be loaded on to a ‘spiral’ or ‘reel’, in the dark, and then enclosed in a light tight co...
Mounting your Prints
Even the most stunning print can look better when it has been properly mounted. Mounted prints are also better protected as they are kept flat with the image separated from the immediate surroundings by unobtrusive margins.
There are no hard and fast rules about mounting prints; the most suitable results will depend on individual preference, the nature of the image, the intended use and other circumstances.
It is recommended that only boards and other materials intended for the p...
How I work
I believe in self-learning, and I’m always up for something new to explore.
I adhere to a strict code of conduct and don’t believe in photoshop, or do much if any post processing. It has to be an exceptional day for me to crop an image.
I use Ilford’s Delta 400 for most of my work and use XP2 Super when I need my results fast.
Changing times
I was born in 1988, which meant that I got a first class ticket to experience the world converting from analogue to digital during m...
Introduction
I’ve been a photographer for 35 years since I was 11 in fact when I first loaded my Zenith 11 with film and set off for a walk into the wilds of South Yorkshire. 20 years later I turned professional and as soon as digital became a viable option I traded in my Nikon F90x and Mamiya 645 pro for a Nikon digital kit. Digital was for me always a triumph of convenience over real quality in those early years and not much else. It wasn’t until Canon brought out the 5D series that I found myself ...
Wow, what a fantastic response to this week's #ilfordfridayfavourites theme.
We've struggled to choose from the great images that you shared this week, in our Gallery as well as on Instagram, Twitter, and Facebook but choose we have done and our favourites are shown below.
@CrunchySpaces Night Crossing | Ilford XP2 #ilfordfridayfavourites #believeinfilm
@Stig_Ofthedump #ilfordfridayfavourites @ILFORDPhoto HP5+ shot on Minolta XD7 #light at West Kirby #Wirral
thevegasrealtor#ilfordfridayf...
Where the Hasselblad love started
long, long time ago, I can still remember how—
Hang on, let me start again…
When I were a lad, mankind did something utterly astonishing: men walked on the moon.
For a 13-year-old science geek, staying up till <mumble> o’clock in the morning to watch this historic event was possibly the most exciting thing that’s ever happened to me.
For a 13-year-old budding photographer, the cameras that Neil Armstrong and Buzz Aldrin were wielding held a strong...
It is my opinion that some photographers mistakenly regard ILFORD HP5 PLUS and its predecessors to be a somewhat cheaper, lower quality response to Kodak’s Tri-X. I hope to demonstrate in this review that this assumption simply isn’t the case.
There’s much more to HP5 PLUS than meets the eye – something that regular shooters of this film will be more than aware of (you folks can leave now, nothing new here).
For those of you who haven’t shot this film before, this review will give you my tak...