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  • 26th July 2016 ILFORD Photo (HARMAN technology Ltd) are delighted to introduce 'ILFORD inspires’, a series of events aimed at broadening the appeal of black and white film photography to a wider audience. The first of these events takes place on August 4th in Philadelphia, PA and features an insight into and showcase of the incredible work of artist, educator and master printer Chuck Kelton. Chuck’s feature talk will describe his experiences working with some of the most iconic photographers of...
  • 8th April 2014 Further expanding its capabilities and services, California based ILFORD LAB US now offers Silver Gelatin Prints from digital files with a specially commissioned Fuji Frontier digital laser printer optimized for printing black and white images. This ILFORD LAB US printing service draws on 130 years of ILFORD PHOTO expertise, producing the finest quality Silver Gelatin black and white prints; achieved using traditional ILFORD black and white chemistry and genuine ILFORD silver gelatin photog...
  • 4th December 2013 BORN, ESTABLISHED, DEVELOPED! … A NEW ILFORD MULTIGRADE FIBRE BASE FAMILY ILFORD PHOTO announce a new range of variable contrast Baryta Fibre Base papers, a completely new and improved MULTIGRADE FB and a new COOLTONE FB paper to complement the existing MULTIGRADE FB WARMTONE. For 20 years the best selling ILFORD MULTIGRADE IV FB paper has been the product of choice for creative photographers and printers the world over. BORN following extensive R&D, significant improvements hav...
  • 19th November 2013 Buy fabulous real silver gelatin black and white framed wall art photographs from the new House of ILFORD on-line store House of ILFORD is a new and exciting addition to the services available from the well-established ILFORD LAB DIRECT photographic process and print service based at the HARMAN factory in Mobberley, England. HARMAN technology Limited is the company behind the famous and iconic ILFORD brand of black and white photographic products. The House of ILFORD is the pl...
  • Film and single use cameras How long after exposing can I leave my film before processing? For best results, we always advise processing soon after exposure although in practice most films can be left for several months. One exception is ILFORD PANF Plus, we would always advise processing this film as soon as possible and certainly within 3 months of the film being exposed. How do I account for film reciprocity during long exposures? This information can be found in the Film Reciprocity Failure Compensa...
  • The first stage of making a darkroom print is to determine the exposure time. If you have already created a contact sheet of your negatives, and they appear correctly exposed, then you should have a rough idea of the necessary exposure (provided you haven’t moved the enlarger head or aperture setting after exposing the contact sheet). Note: If you change the degree of enlargement you will also need to adjust the exposure. Some enlargers have scales printed on their columns to make this easier. Another...
  • Silver halide has been used in photographic film and paper for over 150 years and remains a vital ingredient found in all high-quality products. Silver halide crystals in gelatin form part of an emulsion which is used to coat the paper or film. On exposure to light (i.e. in a camera or darkroom), the crystals react turning into silver and forming the image. Silver halide prints There are many ways to produce black & white prints with options varying in quality. Traditional black & white silver ha...
  • ILFORD PHOTO offer an extensive range of black & white photographic paper. A photographer's choice of paper is a subjective decision based on personal tastes and preferences. It can also be impacted by the type of images you shoot and the final look you want to achieve. Papers all have different characteristics and purposes and so this guide will walk you through the terminology and choices available to help you pick the perfect paper for your darkroom printing. Base: Resin coated versus Fibre base...
  • Man of science I love alternative photographic techniques like dry plates and brushed on emulsions. I am a darkroom fanatic – always exploring new ways to mash up digital with traditional analog techniques. I love all kinds of print processes – cyanotypes, salts, van dykes to name a few. I shoot all formats right from 35mm half frames up to 8×10 large format. I am also an avid camera collector but prefer to be a user rather than an admirer of my cameras. I currently use a Nikon F3, Leica M-A, Hasse...
  • Self-portraiture as Catharsis My photography is a form of therapy, a personal, emotional and sometimes turbulent struggle with the complexity of emotions. I feel my life and art have become intertwined and to bury this mental state deep within would only allow it to thrive but through my use of photography, I am offered a sense of catharsis. My self-depictions manifest within the same four walls, my bedroom. The room I believe is the keeper of my trapped and repressed emotions. This often heavily constr...

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