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#printedinthedark was the perfect theme for all our darkroom enthusiasts for this week's #ilfordphoto #fridayfavourites. You are all extremely talented and, we can see the passion in your prints. Take a look at a few of our favourites this week: @PlymouthDarkro1. Taken with a Ihagee Duplex on FP4+, then onto you FB Classic. #Fridayfavourites #printedinthedark   @sbills15. Prints from last Sunday's Darkroom session. Printed on ILFORD's MGFB Classic 11x14 paper and toned i...

Daniel Elbaz generously shares insights into his creative journey and how he conceived the idea of "12 Ways to...", for our 'How I Got This Picture' series. IMAGE TITLE 12 ways to … Technical Info Film Used ILFORD HP5+ Format 120 Camera Hasselblad 503cw Lens Planar 80mm Exposure Time 1/125s at f16 Other Equipment Elinchrom Studio flash Location Paris, FRANCE Firstly, tell us the story behind this image. What inspired you to shoot it? I have been passionate about black and white phot...

My First Child I got pregnant with my first child in early 2020. Our 12 week scan took place three days before the announcement of the first lockdown in the UK. I spent the majority of that pregnancy in isolation, with no face to face appointments with any health professionals and barely any contact with friends and family beyond WhatsApp or the occasional video call. This New Chapter To make matters worse, I fell at home at around 30 weeks pregnant and broke my left wrist. I spent the best part of 1...

Inheritance The thing nobody really tells you about when it comes to inheriting a legacy is the weight of it, and what follows the inevitable acceptance of it. My late grandfather Hendrikus Goris was an avid film photographer in his early 20’s - much like myself. I recently had the privilege of scanning and archiving some incredible images from his earlier years, 30+ rolls of film documenting family life with some rather editorial styled portraits sprinkled in. Most of them were shot on ILFORD film in ...

Oh, crap! What have I done? Let’s see.  I committed to do a solo photography show, with twenty-seven images.  All twenty-seven are 4x5 black and white negatives, so they need to be darkroom printed.  And those will be 20x24 prints.  Yeah, and I need to have them matted and framed.  The icing on the cake?  I have just under three months to do this. Yep, this is going to be an interesting project.  But let’s back up to the beginning. The Event It was April 2023, three years after the pand...

Perhaps best known for working at The Darkroom Lab, this week we talked to Trev Lee about his film photography. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? ILFORD FP4+ One of my all time favorite shots on ILFORD film was captured on FP4 Plus 125 with a Nikon FM3A and Ultron 40mm. It is a shot I have taken before on HP5+ a couple months prior - I love the texture of the tree which is framed by the squiggly lines of a a bicycle rack bu...

Featuring ILFORD PANF PLUS, the slowest film in our collection, with beautiful high contrast and smooth grain, today's #shotwithpanf Friday favourites was always going to give us a selection of stunning images to choose from. @TassieFilm #ilfordphoto #shotwithpanf Camera: 1952 Leica IIIf Lens: 1958 Leitz 13.5cm Hektor Film: bulk loaded 135 Pan F+;Exposure: One of several Bulb Exposures between 2-4 minutes @ f/11. Development: ID-11 1+3 20C/17.5m 1825 harp by John Egan, Dublin, Ireland   @for...

So, from the official ILFORD Photo website: It’s wide exposure latitude makes it a great choice for beginners, those returning to film as well as the more experienced professional users. With wide exposure latitude, ILFORD says that you can meter HP5+ from 400 to 3200 ISO1. Great, it's like you have it all in one roll, which is exactly why I love this thing so much. It can handle sunny days and midnight shots, of course, depending on which ISO you tell your camera (or hand-held light meter) you have th...

In our latest 'How I Got This Picture' interview with Ross McDaniel, find out what led him to try something different to capture Arches National Park. Image Title Monolith TECHNICAL INFO FILM USED Kentmere Pan 400 FORMAT 35mm CAMERA Nikon F5 LENS Laowa 15mm F4 EXPOSURE TIME 30 minutes at f/4 Other Equipment Tripod, Remote shutter release LOCATION Balanced Rock, Arches National Park, Utah, United States, Earth FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? ...

Discover how Zach Nichols created this stunning long exposure shot in our 'How I Got This Picture' interview. We have noticed, if it's not a double exposure, your next favourite has to be nighttime long exposures. IMAGE TITLE Fire Tower Starlapse TECHNICAL INFO FILM USED ILFORD HP5+ FORMAT 4x5 CAMERA Chamonix LENS Nikon 90mm f/4.5 Nikkor-SW EXPOSURE TIME 45 – 50 minutes OTHER EQUIPMENT 1 Can of Atmosphere LOCATION Just outside Hot Springs, South Dakota. FIRSTLY, TELL US THE STORY...