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My Darkroom
I have always liked the quote of the master printer Ansel Adams “Photography is like music, the negative is the score and the print is its performance”.
Every performance is different. That’s so true, the prints I do now I are often different from the ones I did a few years ago. Better technique, more experience perhaps, but more likely my mood and interpretation of the image has changed.
Good advice
When I was starting my photographic practice I used to buy my ILFORD materials...
Toby Van de Velde takes centre stage this week as the 29th interview in our In Focus series. He was nominated by John Whitmore back in September who described him as 'Constantly producing wonderful analogue images.'
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
This is a tricky one to answer. Narrowing it down is nigh on impossible.
This is a recent favourite from a couple of months ago, shot on Kentmere Pan 400, shot in my Billora Bell...
A chronic case of GAS
To cut a long story short. In a previous life, i.e. before kids, I suffered a chronic case of GAS (Gear Acquisition Syndrome) and ended up as the proud owner of a Richard Ritter 7x17” Ultra Large Format View Camera. As every GAS sufferer believes, buying your way out of limited talent is the only path to follow. The plan was to produce stunning panoramic negatives for Platinum/Palladium contact printing. The combination of huge negatives, old school contact printing and expensive em...
I'm fairly sure that this week's interviewee doesn't need an introduction. Walter Rothwell is a multi award winning photographer and co founder of Street Photography International Collective. His website and Instagram feed are filled with striking street and documentary images from around the world.
Section 1 Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
This image is from a documentary I made in a leprosy hospital in Bangladesh. I was 19 when I start...
We're heading back to October last year when Arkadiy Shlein nominated Oleg Kasko to take part in this series after following his Instagram feed. Oleg is a photographer and passionate darkroom printer and advocate from the Ukraine.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
I like this one because when you look at the photo you see a boat surrounded by white like milk, water. Although in fact it was taken at night. I decided I would leav...
Even when you have a love of film and traditional darkroom practices, there’s always room for alternative photo process experimentation as ecological photo-artist Josie Purcell knows well.
OVERVIEW
I am a photographer, but trying to explain that I specialise in photographic processes that may not include a camera has led me to describing myself a photographic artist.
My passion for photography began in secondary school. There was a darkroom in the art class, but it was never used; it acted like a bea...
In this blog article, Kit Young provides insight into his latest book, Where the Rain Clouds Gather (OD Books) , which was made entirely from scanning hand-made silver gelatin prints.
The Concept
At times the past year has raced past in a haze. Streets have emptied and we have retreated to our cocoons. Cooped up. Waiting for the storm raging outside to subside. The images in Where the Rain Clouds Gather, my second publication, appear as if from a dream state. Moments in time, brought to life in the dark...
One of the things that we're enjoying about this series is that it lets us find out more about the photographers that you follow and are interested in. This week's interviewee Chris Garner, was nominated by Joseph Patrick, who in turn was nominated by Laura E Partain. Who's nomination came from Sandy Phimester.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
My favorite image I have made so far would have to be this image. I made it while I ...
A chance encounter
We started to make this work roughly ten years ago, after a chance encounter on a photo sharing platform. This led to a mutual appreciation of each other's work and we found that we both saw the potential of the landscape to resonate with inner experience and make it visible.
We were both using a camera called a Holga. An incredibly simple plastic medium format camera known for its low quality lens which produces a very dreamy aesthetic, frequently including lens flares and vignetting...