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My Approach It was during a group exhibition that I discovered the practice of cyanotype. The Espace Liberté Gallery located in Crest in the south of France is a contemporary art space open to all graphic and plastic disciplines. The theme proposed by Au Jour le Jour was an ephemeris where 31 chosen artists (painters, illustrators, photographers, plastic artists) had to illustrate 12 randomly selected dates with their art. Two constraints were imposed: a maximum size of 20cm on each side and the same sell...

My name is Jason Avery and I am an analogue landscape photographer based in East Anglia England. I have been working with film for a few years now, learning my craft as an artist. One of the many reasons why I decided to choose film instead of digital as a medium for my work was the darkroom experience. I have heard the quote “The darkroom is a magical place” over and over again and I can safely say that that is totally true. I have been hooked since the moment I developed my first print in my tiny dark...

Finnish Darkroom Association In Finland during the early 2000's, as elsewhere, analog photography practice was pushed aside by digital photography. The 2010's saw a rapid decline in the use of darkroom techniques by artists and the almost total disappearance of professional darkrooms and film labs. In 2016, with five other female photography artists all specialising in analogue photography and darkroom work. We founded the Finnish Darkroom Association. The original idea came from photography artist ...

Shawn Pridgen is our 59th In Focus interview. A documentary photographer who owns a small business that focuses on the racial equality, Shawn actively contributes his work to local nonprofits, activist organizations and corporate entities whose mission statements align with his own. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I haven't shot it yet.... Just in case anyone doesn’t know who you are or what you do can you give us the over...

This is a story about serendipity, generosity, community, and several rolls of Ilford FP4 film. It begins in April 2020, during our first Covid-19 lockdown when a request from a sibling for an old family photo led me to dig around in my messy 35mm archive. I discovered quite a few forgotten negatives and slides from my life during the 1970’s, when I was young and single. They had been randomly stored and dragged around in house moves whilst I focussed on marriage, motherhood and a career in Social Work. E...

My love of black and white photography started back in college processing and printing images. The film of choice being FP4. and printing fibre based prints. In the beginning as a photographer most of my work was B/W. Spending much time in the dark room printing. Unfortunately time was something that was running out. As a professional you have the the funds but you don’t have the time. So I moved away from printing for a while and concentrated on shooting. Another-day-in-the-office One thing I learne...

Waves Of raw Emotion The pandemic hit me in the same sudden and devastating way as most people I knew. Without warning, the world as we knew it came to a screeching halt and there was nothing anyone could do about it. During the first few weeks my friends and I rode waves of raw emotion. We cooked extravagant dinners and drank way too much wine. We cried, laughed until we started crying again, and tried to make light of a dark situation that we were convinced would be over soon. And on it went, day after d...

The theme for this weeks #ilfordphoto #fridayfavourites was #developedbyme. There is no better feeling than knowing you developed it yourself, truly a game changer. Have a look at this weeks submissions. @TassieFilm Replying to @ILFORDPhoto #ilfordphoto #fridayfavourites #developedbyme Leica IIIf (1952); Leitz 3.5cm Elmar f/3.5 (1939, un-coated); Ilford FP4 Plus 35mm black & white negative; Exp: 2-4 sec @ f/9; ID-11 1 + 3 20C/22m. #Tasmania #MountFieldNationalPark #Wilderness #Waterfall #blackandwhi...

Community Grant Shortlist We received hundreds of applicants for the grant and choosing just 5 for you to vote on is always difficult. Please ensure that you read all of the submissions before casting your vote for your favourite. FLATS Teen Summer Camp - Jessi Bowman We are looking to launch a free summer camp for teens, using our community darkroom to introduce young students to the magic of analog photography. Our goal is to remove financial barriers and create an accessible space where they can le...

For our 12th Behind The Film interview, we speak to Jonathan Osborn who is one of our scientists here at ILFORD. Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is Jonathan Osborn and I am a Scientist at Harman.  I am currently in my 25th year working at ILFORD.  (Where did that time go!) Tell us a little about your day to day role. Predominantly I have worked on the photographic paper side as the lead scientist on the development of the fantastic new ...