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  • A belated happy new year to you all.  We let you settle back in to the year and gave you some time to get out and about with your cameras before setting our first #ilfordphoto #fridayfavourites them of the year which was #shotin2020. Thank you to everybody that shared with us., both for this them and in general on our social channels. We really do enjoy seeing what you create with our products. @TimGander Salisbury Plain - Jan 2020. #IlfordDelta400, Ilfotec DD-X #ilfordphoto #fridayfavourites #shoti...
  • An empowering project Sirkhane Darkroom is a mobile analog photography workshop for refugee, local and vulnerable children on the Turkish, Syrian and Iraqi border in Mardin City. It’s an empowering project that brings together children from different backgrounds through photography. It’s also a project that shows the world photos taken by non-adult photographers, photographs from the eyes of children. The Workshops The Sirkhane Darkroom program consists of several workshops. In the first works...
  • It's been over 6 months since we launched our first Lockdown Session and in that time we've spoken to many fantastic photographers and darkroom printers. Continuing in that vein, we're thrilled to share this week's In Focus interview with Nashville based, music and portrait photographer Laura E Partain. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you. This photograph is now about 5 years old and I’ve shot many, many images on Ilford films since. Howeve...
  • A bit of history I am now 51 years old and have been faithfully using ILFORD film since first being handed an ILFORD Sport 120 roll film camera from my father. He had used it during National Service in the army in the 1950s and I used it from age 8 onwards and which is what I learnt with. Throughout my professional photography career over the last 18 years, I have regularly used ILFORD film - HP5 Plus, FP4, Delta 100, 400 and 3200 and XP2 Super. Subsequent cameras have ranged from the ILFORD Sport to 35 mm...
  • Growing pains The downtown skyline of Oakland, CA sky looks different now. Everyday new cranes tower over the city, stacking up floors of new condominiums and office buildings in the blink of an eye. The constant construction sounds echo the town’s growing pains, all the while a movement of artists from the soil work to maintain and preserve the heart, soul, and true voice of this beautiful city. As you travel downtown on 18th st towards Telegraph Ave, you will catch a stunning new photo mural on the sid...
  • One of the things that we're regularly told by the film and darkroom community is how you love hearing about the human side of our business. In this series of 'Behind the Film' interviews we're going to help you to find out a little more about the faces behind the film. Introduction Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is James Cooper, and I am employed as a Scientist Grade 2 in the TQM/R&D department at HARMAN Technology. I Joined in Nove...
  • THE ILFORD PHOTO ANNUAL ULF SHEET FILM ORDERING WINDOW FOR 2021 IS NOW OPEN! For the 16th consecutive year, we're giving photographers the opportunity to order selected custom sizes of ILFORD sheet film and other specialist products without the constraints of the usual minimum order quantity. We know many of you look forward to this and, despite the delays caused by COVID-19, we remain committed to running this campaign. ULF photographers have until Friday 20th August 2021 to place their orders with...
  • Time to go green? As the threat of the climate crisis grows each day - we must strive for sustainability in all aspects of life. But when standing atop a cliff shakily clutching your 5x4 camera, or working under the red light of your local darkroom - sustainability can seem like a distant concern, reserved for those in stuffy offices or holding placards outside of parliament. As analogue photography has always been eager to embrace innovation in the face of change - is it time to go green? My name is...
  • As a child I fell in love with the magic of the darkroom and of making Gelatin Silver prints. Watching a print develop fascinated me. In high school I had access to a darkroom working with 620 film (2.25 X 3.25 inch roll film.) and, consequently, I studied photography at Rochester Institute of Technology, School of Photography & Syracuse University School of Journalism. Studying with art-photographer Minor White opened my eyes to using photography as an art form. Minor helped me see beyond the objective...
  • My Approach It was during a group exhibition that I discovered the practice of cyanotype. The Espace Liberté Gallery located in Crest in the south of France is a contemporary art space open to all graphic and plastic disciplines. The theme proposed by Au Jour le Jour was an ephemeris where 31 chosen artists (painters, illustrators, photographers, plastic artists) had to illustrate 12 randomly selected dates with their art. Two constraints were imposed: a maximum size of 20cm on each side and the same sell...

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