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Having shot a roll of black and white film it now needs to be processed to create the negatives. At this point your film is still light sensitive so should not be exposed to light.
Processing your own film can be highly satisfying and cost effective. It is also easy to learn. The most common method for hand processing film is undertaken by using a Daylight Processing Tank. This piece of kit needs the film to be loaded on to a ‘spiral’ or ‘reel’, in the dark, and then enclosed in a light tight co...
When photographic material is exposed to light it begins to darken. The more light the material receives, the darker it becomes. This opens up a range of possibilities for making fun, creative and artistic images without a camera.
Making a picture without a camera couldn’t be easier and is a fun activity to try with children. However, for many, exploring and experimenting with different effects of light on photographic /blog/the-luminogram-process/materials can become an art form by itself.
Where to sta...
Filters have long been a popular accessory for photographers and offer a number of different functions or effects. In both analogue and digital photography it is possible to recreate some of these in the darkroom or digital darkroom. However there has always been a benefit to getting it right in camera.
In black & white photography, colour filters in particular are useful as they can control how the colours in a scene are reproduced as greys. Normal black & white films are sensitive to all wavele...
Our Address
ILFORD PHOTO
Ilford Way
Mobberley
Knutsford
Cheshire
WA16 7JL
Directions: Click here for map and directions to the Mobberley site (PDF).
Email: If you can't find the answer that you are looking for in our FAQs pages then please e-mail us - Please note that at this current time, there may be a delay in us responding to your email.
Phone +44 (0)1565 650000
Registered office: HARMAN technology Limited, Whittington Hall, Whittington Road, Worcester, WR5 2ZX, England. Register...
General health and safety advice
This section provides advice to our customers on the safe handling, use and storage of our photochemical solutions, best practice for waste disposal and specific advice to women who are pregnant or breastfeeding a child.
If you are looking for information on the chemical safety of HARMAN photochemistry solutions, please refer to the Safety Data Sheets (known as SDS or MSDS)
24 HOUR OHES emergency line for advice on chemical incidents
Safe working practices
It is essen...
ILFORD photochemical products as sold
These SDSs relate to the products in the form that is actually sold. The structure and content of these SDSs are designed to meet regulatory requirements.
They are provided in 11 European languages. There are separate versions for the USA (in English only) and Canada (in English and French).
Please select the version that is appropriate to your needs and location from the list below.
***Please note: Safety Data Sheets are in the process of being updated, and...
Mounting your Prints
Even the most stunning print can look better when it has been properly mounted. Mounted prints are also better protected as they are kept flat with the image separated from the immediate surroundings by unobtrusive margins.
There are no hard and fast rules about mounting prints; the most suitable results will depend on individual preference, the nature of the image, the intended use and other circumstances.
It is recommended that only boards and other materials intended for the p...
What is the luminogram process?
The Luminogram process is light, directed onto photo paper in the darkroom. About as basic as ‘photography’ can get. It has been with us for a long while. László Moholy-Nagy (1895-1946) started using it in 1922, while Gottfried Jäger described it as "the result of pure light design; the rudimentary expression of an interaction of light and photosensitive material… a kind of self-representation of light."
And yet it has always seemed to sit on the sideline...
A lifelong hobby
One of my lifelong hobbies is photography. I have been taking photographs since I was about 10 years old when I was given an old Kodak folding pocket camera that had belonged to an uncle, Bertrand Perrett, who was a professional photographer and painter in England. I learned to develop and print black-and-white film at school when I was a teenager back in the 1970s.
The Slower Pace
When digital photography came along I moved to that medium, but recently I’ve come back to film aga...
How I work
I believe in self-learning, and I’m always up for something new to explore.
I adhere to a strict code of conduct and don’t believe in photoshop, or do much if any post processing. It has to be an exceptional day for me to crop an image.
I use Ilford’s Delta 400 for most of my work and use XP2 Super when I need my results fast.
Changing times
I was born in 1988, which meant that I got a first class ticket to experience the world converting from analogue to digital during m...