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A seemingly simple theme of #buildingsonfilm for our #ilfordphoto #fridayfavourites this week, but one with lots of room for creativity. There were some really interesting shots shared, making our job of choosing just five(ish)  all the more difficult. photaubThe lone survivor of the Woolsey fire. Paramount Ranch ⛪️ Olympus OM-1 {35mm - Ilford HP5 Plus} #ilfordphoto #fridayfavourites #buildingsonfilm   @richardhall Shrewsbury Buttermarket (Nikon F4, Vivitar Series One 19-35mm, Ilford FP...

One of the things that we're regularly told by the film and darkroom community is how you love hearing about the human side of our business. In this series of 'Behind the Film' interviews we're going to help you to find out a little more about the faces behind the film. Introduction Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is James Cooper, and I am employed as a Scientist Grade 2 in the TQM/R&D department at HARMAN Technology. I Joined in Nove...

Another great week for #ilfordphoto #fridayfavourites with plenty of great #ffheight images to choose from. Thank you to everyone who shared with us on Twitter and Instagram. These are our favourites this week my7views The Crane Houses in Cologne, by Hadi Teherani.(Taken with Olympus OM-1 on Ilford Delta 100.)#fridayfavourites #ffheight @dmbloor Looking (or locking) down. Near Etruria Industrial Museum in Stoke-on-Trent. Canon EOS 5 (that is film not D !) on #ilfordphoto #Delta400 for this week's #f...

Reflections on the Materiality of Film, with PANF Plus in the Montana Snow Snow is a beautiful subject for ILFORD PANF Plus. Thankfully my quiet mountain town of Bozeman, Montana, USA—has lots of snow, and I have lots of PANF film. As snow can be such an intricate and momentary subject, it makes an appropriate subject for reflecting on the material and time-conscious process of creating an analog image. I recently returned to film photography after a ten-year hiatus. I’ve been delighted to again...

There were so many people asking how this has been captured when we shared it on our Instagram feed so, we caught up with the photographer Guido Macorini and asked him. Image title: Amariana Technical info Film Used  IFORD Delta 100 Format 120 Camera    Rolleicord III K3b Lens Schneider Xenar 75mm Exposure time 1/4s Other equipment Tripod, orange filter, spot light meter Location: Verzegnis Lake,  in the north eastern Italian Alps. Firstly, tell us the story behind ...

One of the aspects that took me perhaps the longest to understand about black and white film photography - but, which turned out to have the most impact on my visual style – is that exposure is simply not real in any meaningful way. “Correct” exposure is incredibly subjective, especially true for high contrast lighting conditions where either the shadows or highlights can be exposed for in order to achieve a dramatic scene. I think there is a greater expectation for colour film to be a representati...

Today in our 8th Behind the Film interview we talk to Mike Bain. One of our longer serving team members, Mike started in our tech team and now looks after North America. He has probably forgotten more about film photography and darkroom printing than some of us will ever learn! Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is Mike Bain and I am the Harman technology rep for North America. I have been with the company for 33 years. Mexico City, Me...

A well know part of the film photography community, especially on Twitter where she goes by @justgispy  We were thrilled when Margaret Fitzgerald agreed to be the subject of this week's In Focus interview. Section 1 Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I can't really say that any one photo I've taken over the years is my favourite, but this one is very memorable. Rolleiflex-TLR,-Ilford-HP5--Church-of-St.-Philibert,-Tournus,-Burgundy I...

Time to go green? As the threat of the climate crisis grows each day - we must strive for sustainability in all aspects of life. But when standing atop a cliff shakily clutching your 5x4 camera, or working under the red light of your local darkroom - sustainability can seem like a distant concern, reserved for those in stuffy offices or holding placards outside of parliament. As analogue photography has always been eager to embrace innovation in the face of change - is it time to go green? My name is...

It’s after 5 on a Sunday in December and I’m deep into the 11th frame of my camera and cup number 6 of a house blend of coffee. I’ve put off writing this piece for  long enough. I’m grateful to ILFORD for reaching out and as a long time user of HP5 Plus, this is a milestone that I’m excited to share with my children, family and friends. A thirst for life My name is James aka @dirtykics and I’ve toyed with cameras for the better part of my 20’s into my 30’s, until a difficult point in my ...