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Processing your own film can speed up your workflow and give you quicker access to your negatives. It is also typically more cost effective and best of all there is nothing like the sense of satisfaction you will gain by taking control over the full end-to-end process of your photography. While trying it for the first time might be a daunting prospect, fear not. Below is our guide on what equipment, chemistry and method would be suitable for anyone new to processing films. For more detail, you can downlo...

Having shot a roll of black and white film it now needs to be processed to create the negatives. At this point your film is still light sensitive so should not be exposed to light. Processing your own film can be highly satisfying and cost effective. It is also easy to learn. The most common method for hand processing film is undertaken by using a Daylight Processing Tank. This piece of kit needs the film to be loaded on to a ‘spiral’ or ‘reel’, in the dark, and then enclosed in a light tight co...

When photographic material is exposed to light it begins to darken. The more light the material receives, the darker it becomes. This opens up a range of possibilities for making fun, creative and artistic images without a camera. Making a picture without a camera couldn’t be easier and is a fun activity to try with children. However, for many, exploring and experimenting with different effects of light on photographic /blog/the-luminogram-process/materials can become an art form by itself. Where to sta...

How I work I believe in self-learning, and I’m always up for something new to explore. I adhere to a strict code of conduct and don’t believe in photoshop, or do much if any post processing. It has to be an exceptional day for me to crop an image. I use Ilford’s Delta 400 for most of my work and use XP2 Super when I need my results fast. Changing times I was born in 1988, which meant that I got a first class ticket to experience the world converting from analogue to digital during m...

One of the best things about film photography is that the creative process doesn't end in the camera. Processing your images in a darkroom is not only great fun, but it also allows you to exercise complete creative control over the final look of your image. We cover some of the essentials needed to set up a darkroom in our beginner's guide and have also developed a series of short animations which cover essential darkroom equipment, darkroom safety tips as well as how an enlarger works. Below, we cov...

The Start I had previously experimented with photography, but nothing too technical. To my astonishment, I managed to capture some really good images and the bride and groom loved them. Using the positive feedback I received from them, I kept hold of the camera and began to research techniques. I began with my pet dogs (many photographers favourite models), then moved on to young family members and babies, then to asking friends if they could travel to a location with me and let me shoot them. Taki...

Drama of the Highlands Natalie Oberg tells us the story behind this beautiful. 'Drama of the Highlands image ©NatalieOberg_Scotland_201604_Glencoe Technical info Film Used: Ilford FP4 Plus Format:           6x6 Camera: Rolleiflex 2.8D Lens: Carl Zeiss Planar 2.8 Exposure time: 1/125 sec at f/8   Location Glen Coe, Scotland             Firstly, tell us the story behind this image. What inspired you to shoot it? ...

Sharing my skills I’ve recently started working as a lecturer on BTEC and HND photography courses at Swindon College. A job which I’m enjoying immensely.  Teaching was something I’d never considered before, until I started helping friends who were studying on the same BA Photography course as me.  I enjoyed helping them but most of all I enjoyed seeing them understand and use the skills that I’d shown them. I now teach mainly 16 – 20-year-olds, which is enormously satisfying. Watching thei...

Going digital If we go back to 2002 a close photographic friend convinced me (against my better judgement) that film was a thing of the past, and that to hold my own in the professional photographic world I had to go digital. Eventually I succumbed to his argument and traded in my Leica film cameras (I had 4) and started on the dizzy road to digital photography. In those days some fifteen years ago I thought it would be just like changing film brands: OK it may take a bit of getting used to a different ...

A medium for the moment  I always travel with my 35mm SLR and a stack of Ilford HP5 and Ilford FP4 film. I definitely prefer the look and process of shooting film when traveling and photographing on the street and I find my small SLR with it’s 50mm lens is small and inconspicuous enough to capture intimate street portraits. Shooting everything on the same 50mm lens and film medium gives my work a consistent look and feel. I have always found shooting film slows down my process, it forces me to think mor...