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  • After sharing a few of his images in the past, we felt we wanted to know more about Nicolas de Bouville, so he became interview number 42 in this series. We have to confess to a bit of camera envy over his collection! Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It’s so hard to pick one image only. If I think about one of the last series I did, I really like this picture of Alejandro. I’m used to photograph Alejandro in a very differe...
  • There were so many people asking how this has been captured when we shared it on our Instagram feed so, we caught up with the photographer Guido Macorini and asked him. Image title: Amariana Technical info Film Used  IFORD Delta 100 Format 120 Camera    Rolleicord III K3b Lens Schneider Xenar 75mm Exposure time 1/4s Other equipment Tripod, orange filter, spot light meter Location: Verzegnis Lake,  in the north eastern Italian Alps. Firstly, tell us the story behind ...
  • This week's #ilfordphoto #fridayfavourites theme of #alienfilm was inspired events 50 years ago when by Apollo XI landed the 1st human on the moon. We thought this was a tough one but you obviously disagreed! @DBloomsday This #ilfordphoto #fridayfavourites #alienfilm shot was printed from a 35mm HP5 negative and a mystery moon neg from @Palaeoboy   @Virgil_Roger #ilfordphoto #fridayfavourites #alienfilm in the Egyptian deserts 3/3 #panF at iso 50   ps_alpine_photo Spearhead glaci...
  • Cabin Fever Tired of COVID 'cabin fever'  I needed to get out shooting so I concocted  a mission to shoot a total of 36 acceptable shots in a 2 day time frame.  Day one would be 12 6x6's and the second would be 35mm for 24 shots... fingers crossed. I decided to shoot b&w film.  This would not have been my choice a few years ago but the plethora of  digital imagery has turned me off to the point where I'm re appreciating the disciplined 'analogue' mind set. I just flat out love and respect the w...
  • We hope that you are enjoying learning more about some of the film shooters that we have working here at HARMAN. This week's interviewee (our 5th) is our MarComms Manager Matt Parry. We think he has a bit of GAS (gear acquisition syndrome) what do you think? Who are you? What is your job title at HARMAN technology and how long have you worked here? My name is Matt Parry and I’ve been the Marketing Communications Manager at HARMAN technology since June 2016. Tell us a little about your day-to-day role. ...
  • The beauty inside I am not someone that has been stared at and called beautiful by strangers. People do not look at me and see me as who I am. First glances always lead to a double take and a look of disgust, anger and confusion. When people see me, they don’t attempt to change their perspective and see the beauty inside of me. This kind of experience, existing in a world that doesn’t believe that you have the right to do so, shows up in a lot of my work. Most of my life I have been told that the world...
  • My better half When my friend, who knows little about cameras, presented me with the 35mm Olympus Pen FT, it was a total surprise. Quite literally as a gift, but moreover, the camera’s function was what was most surprising. When I picked up the Pen FT for the first time, I observed how light the compact camera was. I immediately put my eye to the viewfinder and was confused. I silently thought to myself, “This is so weird…” I had never encountered a viewfinder that wasn’t horizontal. I had to lea...
  • SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I have many beautiful prints from an Ilford negative. One Ilford film that always interests me is the Ortho 80. Being less sensitive in the reds it renders reds as dark or sometimes black giving interesting results. This is a print of a light switch in my home. The light was casting an interesting shadow across the wall. The black area is a shadow from a picture frame. It’s so simple but I jus...
  • Light and Details Black and white photography is a huge component of my process. The timeless quality that is perceived through its tones is something that has drawn me to photography since I was a young kid. Photographing in monochrome not only simplifies the image but, I think helps draw the viewers eye around the images to things more important, like light and details often missed in the distraction of colour photographs. When I started out photographing, I was mostly documenting my close friends and...
  • We are lucky here that so many of our staff are passionate about our products not just because they are proud of the brand but also because they use them themselves. Just like our 6th Behind The Film interviewee Mari. Who are you? What’s your job title HARMAN technology and how long have you worked here? I’m Mari Slater-Parry, I’ve been a research scientist at HARMAN since October 2018. I was originally employed on a fixed term grant through the INNOVATE UK scheme, before becoming a permanent member...

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