Search results for: 'option'

A regular contributor to conversations on film and analogue photography and always happy to share her knowledge and support other photographers. This week's In Focus interview is with Paula Smith. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? One of my favourite images. This was taken in New Zealand on a crisp sunny winter’s day. The light was beautiful and I loved how it picked up the chicken wire on the jetty. It brings back great memo...

Finnish Darkroom Association In Finland during the early 2000's, as elsewhere, analog photography practice was pushed aside by digital photography. The 2010's saw a rapid decline in the use of darkroom techniques by artists and the almost total disappearance of professional darkrooms and film labs. In 2016, with five other female photography artists all specialising in analogue photography and darkroom work. We founded the Finnish Darkroom Association. The original idea came from photography artist ...

Decisions. Some are small. Some are life-changing. We make them subconsciously. We make them intentionally. But either way we choose a path. There’s always an upside and always a downside. Most importantly, we look for promise in the upside, and we try and glean some value from the downside, but we can never escape the moment of decision. Ilford-FP4-Plus-Leica-M7-90mm-Leitz-Canada-Elmarit Seize the opportunity In the fall of 2019, I had to decide whether to say yes to a guy’s trip to Wyoming with ...

I have not ever owned a digital still photography camera; therefore, my entire life as a photographer centers on 25 years of loading & unloading film cameras, processing & developing film while embracing a love that taught me how to listen to the harmonious sounds of a darkroom. My volition to stay with film does not have anything to do with being against or disliking digital & everything to do with loving the process of film ever since I was a teenager. At the age of 44, this is a tangible pro...

Our Ultra Large Format (ULF) campaign is back for the 17th year in a row. For the 17th consecutive year, we're giving photographers the opportunity to order selected custom sizes of ILFORD sheet film and other specialist products without the constraints of the usual minimum order quantity. We know many of you look forward to this and, despite the delays caused by COVID-19, we remain committed to running this campaign. ULF photographers have until Friday 19th August 2022 to place their orders with pa...

Monika Danos is our 60th In Focus interview. When not taking care of daily life, her love for trees and gardens means that she can be found chasing shadows with her pinhole camera, or printing in the darkroom. Patterns and lines that are created by light and shadow influence her style of work. Photography and the cyanotype prints gives Monika the opportunity to share what she see's in nature and in her daily life. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us wh...

Introducing our 61st In Focus interview with Torz Dallison. Torz started shooting when she was a teenager, but it wasn't until she started developing and printing that she became hooked. Through her work, Torz explores life's traditions and connections which reflects on her own personal stories and events. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? The Robin - 2019 This is the central image to my project The Robin. I began the proje...

Perhaps best known for his role in the Netflix show The last Kingdom, we talked to James Northcote about his film photography for our 64th In Focus interview this week. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is a shot I took during the final season of the Last Kingdom. After Season 2 I started tying a point and shoot on the inside of my costume so that I’d always have a camera with me wherever I was. It didn’t matter if I w...

Shooting 35mm film Sprockets with Kentmere 400 and a medium format TLR Including sprockets in scans is nothing new but has increased in popularity recently. While the inclusion of sprockets showing the film name looks great, as the photographic emulsion covers the full 35mm width of the film in your cassette, it is actually possible to expose your image beyond the standard 24x36mm frame and cover the entire sprocket area with your image. I thought I’d give this a try with my TLR, so read on below to f...

"Wait, are you shooting film?" That's the usual question I get at an event I shoot. I started shooting sports at the same time that I even started taking photos at all. My plan was to be a documentary filmmaker, travel the world with a backpack and sleep on random couches and see how far $20 could get me. I was in an MMA gym filming and during breaks, I would randomly take a photo here and there, for no other reason than boredom. I wasn't ever going to be a photographer, who cares? Jake Paul - Cano...