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Zone focusing is arguably one of the quickest and most effective methods of focusing your camera. With a little forethought, practice and pre-visualisation of your shot, it's a method that can reduce problems like shutter lag. Ensure your images are sharp every time. And help you take photos more surreptitiously.
It doesn't rely on automation and, in most cases can be put into practice before you've brought the camera to your eye. I believe it's a core skill and a method that everyone who takes photograp...
Where the Hasselblad love started
long, long time ago, I can still remember how—
Hang on, let me start again…
When I were a lad, mankind did something utterly astonishing: men walked on the moon.
For a 13-year-old science geek, staying up till <mumble> o’clock in the morning to watch this historic event was possibly the most exciting thing that’s ever happened to me.
For a 13-year-old budding photographer, the cameras that Neil Armstrong and Buzz Aldrin were wielding held a strong...
A little background
I was born and raised in Caracas, Venezuela. My chosen field of study was production engineering, but was I taking photography classes in the evenings and began working for a super cool magazine called Urbe, which is a bit like what Vice is in the UK now. I quickly became the chief photographer shooting all kinds of amazing and interesting people, and it was then that I knew that this is what I wanted to do with my life. Looking back it was quite an interesting time - I’d be learnin...
A former life . . .
Before my life as a photographer I worked in Social Services for many years advocating and caring for adults with severe intellectual and psychical disabilities. It was an aim of mine after completing my photography studies to somehow incorporate my former work with my new creative profession.
A film connection
Shortly after going freelance I was contacted by a Diversional Therapist from a Sydney hospital who had a client with a Traumatic Brain Injury who, before a tragic accident som...
Sharing my skills
I’ve recently started working as a lecturer on BTEC and HND photography courses at Swindon College. A job which I’m enjoying immensely. Teaching was something I’d never considered before, until I started helping friends who were studying on the same BA Photography course as me. I enjoyed helping them but most of all I enjoyed seeing them understand and use the skills that I’d shown them.
I now teach mainly 16 – 20-year-olds, which is enormously satisfying. Watching thei...
An appreciation of Ilford FP4
The greatest pleasures can be taken from the simplest of things. An appreciation of something old that gets passed by while everyone tries to keep up with the crowd or the relentless progression of technology. For me Ilford’s FP4 is one of those little pleasures.
The RAF
I was a photographer in the Royal Air Force from 1986 -1995. At my RAF unit we had little choice of film stock. It was FP4 and HP5 for black and white. Being stationed at a headquarters unit mean...
Nolton Haven
Technical info
Film Used FP4+
Format 35mm
Camera Nikon F2
Lens 20mm F3.5 AI. 25A red & 2stop ND filters.
Exposure time 30seconds
Other equipment Manfrotto tripod, Weston Lightmeter.
Location
Nolton Haven is a small narrow bay on the Pembrokeshire coast in West Wales. It sits between the two much larger beaches of Druidstone and Newgale. Its characteristic feature are its two almost near symmetrical headlands.
Firstly, tell us the...
Road trip?
This Spring three friends and I piled ourselves and a months worth of gear into a 29 foot RV, and hauled it, and 4 snowmobiles into the Chugach mountain range near Valdez, Alaska.
During one month we drove roughly 10,000 miles, shot 30 rolls of film, broke 2 snow machines, destroyed a few pairs of skis, and between the four of us broke the world record for hotdogs consumed (unconfirmed). It was challenging at times, but if we’d wanted an easy trip we would never have come this far north...
Going digital
If we go back to 2002 a close photographic friend convinced me (against my better judgement) that film was a thing of the past, and that to hold my own in the professional photographic world I had to go digital. Eventually I succumbed to his argument and traded in my Leica film cameras (I had 4) and started on the dizzy road to digital photography.
In those days some fifteen years ago I thought it would be just like changing film brands: OK it may take a bit of getting used to a different ...