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Inherent bias Photography has long been used strategically as a tool and method of capturing and sharing slices of truth, small morsels of reality, inherently containing the bias of the photographer. By making decisions about what to shoot, how to shoot, what to edit, how to edit, and what to share with the viewer, photographers have historically held a unique position of being able to weaponize the art of photography by crafting and even manipulating truths. In the United States of America specifically, p...

I don't think it will be long before we need to change the title of this series! We really hope that you are enjoying finding out more about some of the members of our community. This week, for our 11th interview, we have Simon King. He is probably best know for is street photography and teaches short course on it at UAL. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I really find it difficult choosing favourites, so I have to give a bi...

When we set you this week's #ilfordphoto #fridayfavourites theme of #nighttime we were expecting the majority of the images to be on our faster films, however, we were pleasantly surprised by the amount of you choosing to shoot some of our slower speed films in low light conditions too. @JohnScarbro1 Junction Box. @ILFORDPhoto FP4+ Minolta 505si #believeinfilm #filmphotography #blackandwhitephotography #analogphotography #ilfordphoto #fridayfavourites #nighttime #ishootfilm charlotte_gilliatt My fav...

We've really enjoyed this series and finding our more about some of the members in our community.  Although we are moving out of Lockdown now we will be keeping it running, just in a slightly different format, so keep an eye out for the changes in the coming weeks. This week we spoke to Robbie Jeffers who was nominated a few weeks ago by Ray Barbee. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? It’s difficult for me to narrow ...

In our 14th and possibly final Lockdown Session (before we move to a new format), we are bringing you Kit Young who was nominated by Ashley Carr back in week 9. We've followed Kit for a while on Instagram. He's a fantastic darkroom printer and is always happy to share how get gets to the finished prints from his negatives. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? There are a lot, so I’ll pick this relatively recent print o...

We taking a closer look at Brett Hillyard this week who was nominated by Robbie Jeffers in our Lockdown Sessions back in week 12. BACKGROUND Share your favourite image / print shot on ILFORD film and tell us what it means to you? One of my favorite images over the last couple weeks is from a portrait session I had with Jeff Yokoyama. He goes by“Yoki” and his retail store “YokiShop” is located in Newport Beach. His shop is filled with eclectic art and cool custom clothes that he designs in the bac...

For interview number 18 in our Lockdown Sessions / In Focus series we are delighted to introduce you to Shima Rastin, a passionate film photographer from Iran. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? © Shima Rastin, Ilford FP4, Hasselblad 501C, Lavasan, Iran If we have not confronted the Covid-19 pandemic, and this question was asked before this era, it was probably a hard choice to make. Although, now that I experienced such an idiosyncrat...

Earlier this year my go-to black and white film of choice had its priced hiked astronomically, making it an un-affordable option for my daily choice. I set about exploring some different options, which included revisiting HP5 (a film, I must confess heretically that I have never gelled with), pushing FP4 to 400, Foma 400 and 200 pushed, and - the film for this short piece - ILFORD’s XP2. I might not have even reached for a roll of XP2 had I not discovered the experiments of another analogue photogr...

Image title : Tombstone Technical info Film Used         FP4+ @ 125                 Format 4x5 Camera            Chamonix 45F-2           Lens Rodenstock Sironar-N 150mm f5.6 Exposure time   ⅛ sec Other equipment Feisol CT3442 Tripod legs, Acratech Ultimate ball head, Pentax digital spot meter Location Big Elbow Pass in Kananaskis Country in Southern Alberta, Canada Firstly, tell us the story behind this image. What inspired you to shoot ...

Interview 23 is with Michael Weitzman. A film photographer, darkroom teacher and alternate and experimental process enthusiast. Michael was nominated back in June by Brett Hillyard. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? Northern Line. This photograph shouldn’t have happened, but I wanted to shoot in extreme conditions. It was 5 or 10 below zero with 15 - 20 MPH wind off the Missouri River in Great Falls Montana dead of winter. I came up to ...