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This is a story about serendipity, generosity, community, and several rolls of Ilford FP4 film. It begins in April 2020, during our first Covid-19 lockdown when a request from a sibling for an old family photo led me to dig around in my messy 35mm archive. I discovered quite a few forgotten negatives and slides from my life during the 1970’s, when I was young and single. They had been randomly stored and dragged around in house moves whilst I focussed on marriage, motherhood and a career in Social Work. E...
Who are you? What’s your job title HARMAN technology and how long have you worked here?
My name is Hannah Gross and I am one of the newest members of the team at HARMAN Technology. I started working here two months ago, and my job title is ‘Digital Marketing Assistant’.
HP5 +
Tell us a little about your day to day role.
As I have been here for such a small amount of time, I am still learning and getting used to my day to day role. I work within a small team, mainly helping and assisting where n...
Community Grant Shortlist
We received hundreds of applicants for the grant and choosing just 5 for you to vote on is always difficult.
Please ensure that you read all of the submissions before casting your vote for your favourite.
FLATS Teen Summer Camp - Jessi Bowman
We are looking to launch a free summer camp for teens, using our community darkroom to introduce young students to the magic of analog photography. Our goal is to remove financial barriers and create an accessible space where they can le...
Part 1: We’re Going to Be Friends
My story with Ilford SFX began as many stories do: an impulsive act. I saw it while standing in line at my favorite camera store. Small boxes stacked neatly in a bin. Pattern and repetition. White, black, and purple. Great marketing at work.
In hyper-cut scenes that would make Edgar Wright jealous, ten boxes of 120 film were in two rows in front of the clerk. He peered across the counter at me. He looked at the two rows of film and raised his eyebrows as if he was get...
A Different View
After the success of last year’s competition we again opened up entries to students from around the world.
There were hundreds of prints entered, all shot on our ILFORD or Kentmere black and white films and printed in the darkroom by the students. The high quality of teaching from lecturers and educators was reflected by the difficulty that the judges had in choosing the winning image for this year’s theme of ‘A Different View’.
Winner!
As always, choosing the winner was not e...
By Early Afternoon
In 1997, while on assignment in Thailand, someone told me that one of the Thai borders with Cambodia was open and letting some people pass by. As a freelance journalist, I realized the opportunity and as soon as I finished my assignment, investigated the possibility of going to Cambodia.
I knew that the UN Peace-Keeping Forces were in Cambodia and the Pol Pot army had mostly surrendered. But that was about it. It took me about two days to decide and prepare myself to go to Cambodia. W...
Introducing our 75th In Focus interview and our analogue community grant winner, Federico Pestilli. Pestilli was born in Rome and became interested in documentary-style of photography, focusing on irony that unites people, places and symbols with each other.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Heritage - Arianna - Cocullo, Italy - Pentax 67, 135mm lens - HP5+
This is an image of Arianna, a snake handler from the town of Cocul...
Perhaps best known for working at The Darkroom Lab, this week we talked to Trev Lee about his film photography.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
ILFORD FP4+
One of my all time favorite shots on ILFORD film was captured on FP4 Plus 125 with a Nikon FM3A and Ultron 40mm. It is a shot I have taken before on HP5+ a couple months prior - I love the texture of the tree which is framed by the squiggly lines of a a bicycle rack bu...
Same as ours
The reportage tells of a journey in the regions of Northern India, starting from the borders with Pakistan to the banks of the Ganges river, in Varanasi. The story traveled on trains, buses, planes and tuc tuc. The roads were all dusty and bumpy but the people met were all clear and sunny. The glances reveal details of everyday life: people working, eating, sleeping, children going to school. Their daily life is the same as ours, but at the same time very different. If you step off the well-tr...
I Instantly Fell In Love
My photography journey began while I was studying graphic design. My course tutor handed me a camera & a roll of ILFORD HP5+, and sent me out, with no real brief, to ‘take some pictures’. Armed with a macro lens I roamed around the cities’ botanical gardens and became lost in a close-up world of symmetrical patterns, found in the plant life. When I returned, with my roll of film, to the photography department darkroom, I instantly fell in love with the process and the res...