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  • "I have yet to see — much less produce — a colour photograph that fulfils my concepts of the objectives of art." Ansel Adams. The Tetons and Snake River (1942) Photograph by Ansel AdamsPhotograph by Ansel Adam© The Ansel Adams Publishings. Collection Center for Creative Photography Rights Trust Some of the greatest and most iconic photographs ever taken have been in black & white. Masters such as Ansel Adams, Cartier Bresson, Sir Don McCullin, Mary Ellen Mark and Sebastiao Salgado to name j...
  • My name is Charles, I do film concert photography since September 2014. I chose analog over digital because I like to do things with my hands instead of using a computer. I mostly use HP5+ film (pushed to 1600 ISO) which I find very powerful in difficult light conditions, it’s a good compromise between precision, grain, and dynamic range. Concert photography is easy and difficult at the same time. It’s easy to take a picture of a charismatic singer on stage, but is this enough to have a great photo...
  • Zone focusing is arguably one of the quickest and most effective methods of focusing your camera. With a little forethought, practice and pre-visualisation of your shot, it's a method that can reduce problems like shutter lag. Ensure your images are sharp every time. And help you take photos more surreptitiously. It doesn't rely on automation and, in most cases can be put into practice before you've brought the camera to your eye. I believe it's a core skill and a method that everyone who takes photograp...
  •   Earlier this year we agreed to take part in @EMULSIVEfilm community interviews and these are the results. Over to you #EMULSIVE Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE. As with the first, the premise is simple: we collect questions from you, the film photography community, package them up and then work with the interview subject to get them answered and published. Well, we’...
  • Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.  This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine. Si...
  • In the summer of 2017 my friends, novice climbers, asked me to climb Elbrus with them. This is the highest mountain peak in Russia and Europe. The idea sounded great, especially because I have loved mountains since my childhood. But my campaign plan immediately included a large-format camera, with which I have been travelling for many years (mostly, of course, by car with a camera in the trunk). For a while I wondered if I should take a big camera with me too. Would it be better to take a Hasselblad? But...
  • We recently had the pleasure of turning the tables on one of the stalwarts of the film photography community when we asked Em if he'd be the first of our interviews in the 'Lockdown Sessions'.  We're so glad that he agreed. What made you set up Emulsive.org and what were your initial plans for it? My-first-roll...-Of-35mm-film-Fuji-Superia-X-TRA-400-by-EMULSIVE EMULSIVE started as an idea in early 2015. I thought I should put up a blog where I could post a few photos and blog about stuff that I'd lea...
  • For the second of our Lockdown Session interviews we cornered another well known face in the film community, Hamish Gill. (We're just glad he could fit us into his hectic schedule)! Section 1 - The Beginning Share your favourite image / print shot on ILFORD film and tell us what it means to you? Image by Hamish Gill shot on HP5+ That’s a tricky question. The above image is the one that immediately came to mind. I don’t darkroom print myself, but I did print at a workshop at AG Photographic a few ...
  • If you've ever held any interest in skateboarding then we're sure that you'll recognise Joe Brook, our third victim interviewee for the Lockdown Sessions.  Joe also featured in one of our 1st ILFORD Inspires videos. (You can find the link in his bio below). SECTION 1 - THE BEGINNING Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is my favorite photo of 2019. I was on a skate trip with the Spitfire team and we were warming up at a skate park. A local t...
  • We've been following Dan Rubin's photography for a while now so were really pleased when he agreed to take part in our Lockdown Sessions. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?   Shinagawa Station, Tokyo, 2016. Ilford HP5+ @ 400, Leica M6, Summicron-M 50/2 (Scanned by Canadian Film Lab) This was my first full day in Tokyo, on my first visit to Japan in 2016. The memory of wandering through the station during rush hour...

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