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The Greatest Gift
In 1984, at age of 10 my foster parents, to whom I was never close, gave me a camera. It is the greatest gift they gave to me. Since then, I have photographed the world to make sense of it and my place in it. Now, forty years later, I respect photography to the extent it should be respected. It has become an integrated part of who I am, it has shaped me into what I am and I have shaped it - we are one and I would arguably feel nothing in life without this powerful mechanism. I come from a...
Inheritance
The thing nobody really tells you about when it comes to inheriting a legacy is the weight of it, and what follows the inevitable acceptance of it. My late grandfather Hendrikus Goris was an avid film photographer in his early 20’s - much like myself. I recently had the privilege of scanning and archiving some incredible images from his earlier years, 30+ rolls of film documenting family life with some rather editorial styled portraits sprinkled in. Most of them were shot on ILFORD film in ...
Oh, crap! What have I done?
Let’s see. I committed to do a solo photography show, with twenty-seven images. All twenty-seven are 4x5 black and white negatives, so they need to be darkroom printed. And those will be 20x24 prints. Yeah, and I need to have them matted and framed. The icing on the cake? I have just under three months to do this.
Yep, this is going to be an interesting project. But let’s back up to the beginning.
The Event
It was April 2023, three years after the pand...
Film: ILFORD Delta 100 - Camera: Minolta X-370s - Cemitério dos Prazeres, Lisbon.
Hatching
The story of my involvement with film photography is also a story of rebirth. I was first born and raised in Brazil, in an arid and hot region known by the motto “land of light”, but I was then born again under my current name, Laura, just a few months before moving to Lisbon, Portugal. As any transgender person should know, having your new identity accepted by previous family members, acquaintances, can be an...
Same as ours
The reportage tells of a journey in the regions of Northern India, starting from the borders with Pakistan to the banks of the Ganges river, in Varanasi. The story traveled on trains, buses, planes and tuc tuc. The roads were all dusty and bumpy but the people met were all clear and sunny. The glances reveal details of everyday life: people working, eating, sleeping, children going to school. Their daily life is the same as ours, but at the same time very different. If you step off the well-tr...
“You learned the Mr. Miyagi way”
Hi, Carlos here, my story with film photography started in the mid 90’s. I learned from one of my neighbours, a former engineer that dropped his career to become a professional fashion photographer He had a nice studio, he was very technical and made me learn all the technicalities before I could even take photos. It was not much fun at first as I was a teenager eager to get out and just shoot photos. Well, my first assignment was to read The Zen in the Art of Archery...
I Instantly Fell In Love
My photography journey began while I was studying graphic design. My course tutor handed me a camera & a roll of ILFORD HP5+, and sent me out, with no real brief, to ‘take some pictures’. Armed with a macro lens I roamed around the cities’ botanical gardens and became lost in a close-up world of symmetrical patterns, found in the plant life. When I returned, with my roll of film, to the photography department darkroom, I instantly fell in love with the process and the res...
It was the perfect film to learn with
I’ve always loved shooting portraits, and the first medium format film I used was ILFORD HP5+, shooting portraits in high school with the Rolleiflex TLR that I still use today. It was the perfect film to learn with — forgiving and rewarding. When I started directing music videos in my 20s, I brought that Rollei to set to take press photos between set ups. Around the same time, I was working as Ava DuVernay’s director’s assistant on the Netflix series When They ...
So, from the official ILFORD Photo website:
It’s wide exposure latitude makes it a great choice for beginners, those returning to film as well as the more experienced professional users.
With wide exposure latitude, ILFORD says that you can meter HP5+ from 400 to 3200 ISO1. Great, it's like you have it all in one roll, which is exactly why I love this thing so much. It can handle sunny days and midnight shots, of course, depending on which ISO you tell your camera (or hand-held light meter) you have th...
Happy Accidents
For most people in the film community, double exposures are accidents. Happy accidents, sometimes, for sure, but accidents nonetheless. Of course, some people do film swaps, I've done a few and embraced the chaos of the results, but I never got an image out of a film swap that I truly loved. And yet there's something eminently compelling about double exposures.
ILFORD FP4+
Photosynthesis
Five years ago I started a project entitled Photosynthesis that used double exposures as a way to ...