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Reflections on the Materiality of Film, with PANF Plus in the Montana Snow
Snow is a beautiful subject for ILFORD PANF Plus. Thankfully my quiet mountain town of Bozeman, Montana, USA—has lots of snow, and I have lots of PANF film. As snow can be such an intricate and momentary subject, it makes an appropriate subject for reflecting on the material and time-conscious process of creating an analog image.
I recently returned to film photography after a ten-year hiatus. I’ve been delighted to again...
After sharing a few of his images in the past, we felt we wanted to know more about Nicolas de Bouville, so he became interview number 42 in this series. We have to confess to a bit of camera envy over his collection!
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
It’s so hard to pick one image only. If I think about one of the last series I did, I really like this picture of Alejandro. I’m used to photograph Alejandro in a very differe...
I like to press the shutter and I take a lot of black and white photos simply because I like it. These black and whites I take on Ilford materials. My favorite negative is xp2 super, I also use Delta 100 and 3200, but rarely.
Why ILFORD XP2 Super?
I am a hydro engineer by profession - I traveled a lot, spent a lot of time away from home, so carrying a tank, chemicals, thermometer, bottles, containers, etc. with me was a bit troublesome. Never I needed to organize my home dark-room. But actually, now I sta...
The beauty inside
I am not someone that has been stared at and called beautiful by strangers. People do not look at me and see me as who I am. First glances always lead to a double take and a look of disgust, anger and confusion. When people see me, they don’t attempt to change their perspective and see the beauty inside of me. This kind of experience, existing in a world that doesn’t believe that you have the right to do so, shows up in a lot of my work. Most of my life I have been told that the world...
My better half
When my friend, who knows little about cameras, presented me with the 35mm Olympus Pen FT, it was a total surprise. Quite literally as a gift, but moreover, the camera’s function was what was most surprising. When I picked up the Pen FT for the first time, I observed how light the compact camera was. I immediately put my eye to the viewfinder and was confused. I silently thought to myself, “This is so weird…” I had never encountered a viewfinder that wasn’t horizontal. I had to lea...
One of the aspects that took me perhaps the longest to understand about black and white film photography - but, which turned out to have the most impact on my visual style – is that exposure is simply not real in any meaningful way. “Correct” exposure is incredibly subjective, especially true for high contrast lighting conditions where either the shadows or highlights can be exposed for in order to achieve a dramatic scene.
I think there is a greater expectation for colour film to be a representati...
Since we started sharing these Behind the Film interviews with you earlier this year, we have spoken to people from all different parts of our business. All are part of the team responsible for creating and manufacturing the products that you love. Today we talk to Matty, who works within our research and development department.
Who are you? What’s your job title HARMAN technology and how long have you worked here?
My name’s Matty, I’m a 4th year product development scientist apprentice and I’ve b...
A regular contributor to the film and analogue community and always helpful and encouraging to other photographers out there. This week's In Focus interview is with "photographer” Morag Perkins who, "just takes pictures".
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
I’ve chosen this one because it’s represents a process that has been very special to me recently.
Over the last 2 or 3 years I’ve found a way to use photography to ...
We first met Lucy Ridges a few years ago virtually via social media and then in person at The Photography Show and have always admired her work. Her #MyFilmStory video gave us a bit more of a view into who she is and why she shoots film and this In Focus interview builds on that.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
This is one of my favourite shots from my most recent project, Water’s Edge, released earlier this year. It’s an...
3700 ANALOGUE STILL IMAGES TO MAKE A 3 MINUTE VIDEO
Much before the concept for Better Man music-video took shape, its inception had started with the purchase of a Nikon F5 camera body. Arguably the fastest SLR ever made. One of the main features of this immaculate beast is an automatic film advancement system that can fire at an astonishing speed of 8 frames per second. - Accurately and continuously. That means it is nearly as fast as an early 20th Century “motion picture” camera (silent-era movies we...