Search results for: 'do people'

Window Cleaners shot on ILFORD XP2S An unknown language When I started in photography I was always put off from film, by the balance (in my mind anyway), between the effort and time taken out of my workflow in developing, and the rolling cost. As well as my dependence and already intimate comprehension of digital systems. Film was an unknown language, and not one I was prepared to learn at the time. Expanding my understanding Recently however I have been looking for different ways to expand my und...

Images with feeling The most attractive element of analogue is its delicacy. The analogue process has remained so ingrained into my practice, I can't imagine working in any other way. Seeking images which stir a feeling within and seeing that image through each stage of the process to finally create a hand-made darkroom print. The print may not be perfect, I do not tirelessly work on test strips creating a technically perfect image, I never leave the confines of the darkroom to inspect the print once it...

An experiment in chemical possibilities When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy.  If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...

The first time around... I enjoy photography especially black and white.. I've taken a wide variety of subjects and images over the years including sport, travel, documentary and landscape. I learnt with 35mm film cameras before moving to 645 medium format and then digital. For B&W I learnt to develop and print whilst at school and this has continued ever since with a darkroom constructed in my loft. This was decommissioned in 2007 when I started shooting digital and I eventually took a sabbatical from...

Underbank Old Road   Technical info   Film Used  Ilford HP5 Format  35mm Camera Rollei B35 Lens  40mm Triotar Exposure time   1 minute 30 sec at f11 Other equipment Manfrotto Art 055 tripod, Gossan Lunasix F light meter. Location. Underbank Old Road, Holmfirth, West Yorkshire.     Firstly, tell us the story behind this image. What inspired you to shoot it? I used to shoot a lot of Night photographs, in fact I wrote a book about it in 2001 (Nigh...

For the love of it all I’ve always had a love affair with black and white photography. I don’t know if it stems from the excitement of watching my first print emerge under the glow of a safelight, or that using texture and shape can make a barren scene look beautiful. Maybe it’s both. They say love makes you a better person. I think the same goes for the relationship between film and photographers. Trust & Understanding There’s a certain level of trust and understanding that goes on betwee...

You had a fairly wide choice of shots with our latest #ilfordphoto #fridayfavourites black and white film theme of #urban. These are our favourites. @calor_gas_terry FP4+ & some shiny stuff = ? #fridayfavourites #urban @ILFORDPhoto   @debrawilsonsays Street food cooked and eaten on the street at the Lau Pa Sat Festival Market Singapore #fridayfavourites #urban #ishootfilm @Egilgaare #urban Stavanger with #ilfordhp5. #fridayfavourites @ILFORDPhoto   adibmufty  ‪?: Hass...

Violin Technical info Film Used:  ILFORD HP5 plus 400  Format 120 (6*6) Camera Hasselblad 503CW  Lens: Planar 80mm f/2,8 CF lens and Makro Planar T* CF 120mm f/4  Exposure time Double exposure (f/5,6 1/30s) Location: Petrozavodsk (Russia) Tell us the story behind Violin. What inspired you to shoot it? I have been working with the Karelian State Philharmonic for many years. The Philharmonic invites world famous musicians for concerts and festivals, and I shoot portraits of those musicians fo...

An honest representation Two souls one vessel is a documentary project focusing on capturing the lives of drag queens, trying to tell their stories and create an honest representation of who they are in and out of drag, this series includes male, female and transgender drag queens. Attracted to the surface glamour of the world of drag queens, I’ve explored the performance and behind the scenes to show the emotion and reality. Alfie-Ordinary Altering perspectives Thinking about the project and th...

Thank you In 2018, we invited the global analogue film photography community to take part in our latest film users survey. The survey, which attracted 2100 participants when it was last conducted in 2014, grew to over 6,800 participants from 100 countries this time around.  This was largely due to the help received from the fantastic film community in sharing it far and wide on social media, blogs and forums, so thank you. While many of the results are in line with the growth seen since the re-emergenc...