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Concrete Jungle At the crack of dawn, the sleepless vagrant remains glued to the stone of the pavement. A long road with no intersection, apha indlela ayibuzwa kwabaphambili. As the light creeps into the skyline, all a city dweller sees is blood and grime. With so much dog shit in the streets, beggars are still scrapping for bones to chew. A muffled groan & moaning of a trapped miner, buskers are constantly offbeat & in a permanent state of gloom and cynicism. The nostalgic aroma of the communityâ€...

Pain or Peace There are some moments in a man's life that are truly capable of changing him in the depths of his being. Whether through pain or peace, sadness or joy. For a photographer like me, the feelings that arose in my heart over the years also became part of my photographic language. 13 Years Old On February 9, 2020, my younger brother, Pedro Henrique, passed away while battling cancer. He was only 13 years old. At first I felt that I had lost all my motivation as a photographer and as an individu...

The Greatest Gift In 1984, at age of 10 my foster parents, to whom I was never close, gave me a camera. It is the greatest gift they gave to me. Since then, I have photographed the world to make sense of it and my place in it. Now, forty years later, I respect photography to the extent it should be respected. It has become an integrated part of who I am, it has shaped me into what I am and I have shaped it - we are one and I would arguably feel nothing in life without this powerful mechanism. I come from a...

Oh, crap! What have I done? Let’s see.  I committed to do a solo photography show, with twenty-seven images.  All twenty-seven are 4x5 black and white negatives, so they need to be darkroom printed.  And those will be 20x24 prints.  Yeah, and I need to have them matted and framed.  The icing on the cake?  I have just under three months to do this. Yep, this is going to be an interesting project.  But let’s back up to the beginning. The Event It was April 2023, three years after the pand...

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Use Of Elegant Black and White Since 2014, Angélique Boissière has been exploring film photography through medium format, which she likes for its square framing, and thus to get reacquainted with an art that calls to her from her teenage years. With a classical artistic background nurtured through her practice of dance and her affinity for Impressionist and Romantic imagery, the feminine nude came up as an obviousness, given the immutable place it takes in the western Art History. It is with the same aim...

Same as ours The reportage tells of a journey in the regions of Northern India, starting from the borders with Pakistan to the banks of the Ganges river, in Varanasi. The story traveled on trains, buses, planes and tuc tuc. The roads were all dusty and bumpy but the people met were all clear and sunny. The glances reveal details of everyday life: people working, eating, sleeping, children going to school. Their daily life is the same as ours, but at the same time very different. If you step off the well-tr...

FILM AND DOCUMENTARY FAMILY PHOTOGRAPHY Only in 2022, I bought my first film camera - a Minolta X700. Right from the first film I was absolutely in love with shooting analog. Working as a documentary family photographer I am drawn to the honest and unfiltered truth of family life. For me, analog photography and documentary family photography converge, weaving elements of rawness and unadulterated truth. There are no hundreds of images, meticulously sifted through for the best; no embellishment through hour...

We are guessing you are as excited as we are about this week's 'How I Got This Picture' interview with Amir Amiri. Discover how Amir creates this phenomenal long exposure dance shots. Image Title Reverie TECHNICAL INFO FILM USED Kentmere Pan 100 Format 35mm Camera Canon A1 Lens 50mm f1.8 Exposure Time Between 10 to 12 seconds Other Equipment 2 studio flashes and one tripod FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? I was trying to make som...

I Instantly Fell In Love My photography journey began while I was studying graphic design. My course tutor handed me a camera & a roll of ILFORD HP5+, and sent me out, with no real brief, to ‘take some pictures’. Armed with a macro lens I roamed around the cities’ botanical gardens and became lost in a close-up world of symmetrical patterns, found in the plant life. When I returned, with my roll of film, to the photography department darkroom, I instantly fell in love with the process and the res...