Search results for: '5 to power in'

Spirit of the mountain Spirit of the Mountains ©Darnell Wu Technical info： Film Used：ILFORD HP5 PLUS 400 Format：4 x 10 inch Camera ：CHAMONIX 4*10 N2 Lens ：SINARON S 72° f=300mm Exposure time：1/2S Other equipment：COKIN red filter with SEKONIC 508 light meter with tripod. Location：Minya Konka, Yaha nek, Sichuan Range Firstly, tell us the story behind this image. What inspired you to shoot it? I was still in the first year of high school when I shot this and needed to ask for...

I had just stepped out of the subway station when my cell phone rang. It was my father. “I saw on the news that there are protesters gathering in Manhattan over the grand jury decision. Be careful getting home.”  “OK, Dad. Thanks for letting me know. I’ll be careful.” I put my phone back in my pocket, reached for my cameras and felt the weight of them on my neck as I slipped their straps over my head. I adjusted my camera bag on my hip, turned the collar up on my old green army jacket, and took ...

I don’t know about you, but I have a “box of shame”. It’s where I keep all the photographic odds and ends of kit that I never use, but can’t bring myself to throw away. Well I’ve always felt it would come in handy one day, and it seems that day has come! This story really gets going when I decided I wanted to do something fun with my Konica Pop*, an 80’s classic point and click camera I picked up in a charity shop a few years ago. Odds and Ends By utilising some of these long-neglected items...

Turning your negatives into positives Reversal processing enables black and white transparencies to be produced directly from high quality films such as PAN F Plus, FP4 Plus and DELTA 100 PROFESSIONAL How it works It starts with the development of the negative image. This leaves the unused silver halide untouched, but it is not fixed, as it will be used later to form the positive image. After the negative image has been developed, it is totally bleached away using an acid bleach. This leaves the remainin...

In the summer of 2017 my friends, novice climbers, asked me to climb Elbrus with them. This is the highest mountain peak in Russia and Europe. The idea sounded great, especially because I have loved mountains since my childhood. But my campaign plan immediately included a large-format camera, with which I have been travelling for many years (mostly, of course, by car with a camera in the trunk). For a while I wondered if I should take a big camera with me too. Would it be better to take a Hasselblad? But...

A belated happy new year to you all.  We let you settle back in to the year and gave you some time to get out and about with your cameras before setting our first #ilfordphoto #fridayfavourites them of the year which was #shotin2020. Thank you to everybody that shared with us., both for this them and in general on our social channels. We really do enjoy seeing what you create with our products. @TimGander Salisbury Plain - Jan 2020. #IlfordDelta400, Ilfotec DD-X #ilfordphoto #fridayfavourites #shoti...

For the second of our Lockdown Session interviews we cornered another well known face in the film community, Hamish Gill. (We're just glad he could fit us into his hectic schedule)! Section 1 - The Beginning Share your favourite image / print shot on ILFORD film and tell us what it means to you? Image by Hamish Gill shot on HP5+ That’s a tricky question. The above image is the one that immediately came to mind. I don’t darkroom print myself, but I did print at a workshop at AG Photographic a few ...

Inherent bias Photography has long been used strategically as a tool and method of capturing and sharing slices of truth, small morsels of reality, inherently containing the bias of the photographer. By making decisions about what to shoot, how to shoot, what to edit, how to edit, and what to share with the viewer, photographers have historically held a unique position of being able to weaponize the art of photography by crafting and even manipulating truths. In the United States of America specifically, p...

An empowering project Sirkhane Darkroom is a mobile analog photography workshop for refugee, local and vulnerable children on the Turkish, Syrian and Iraqi border in Mardin City. It’s an empowering project that brings together children from different backgrounds through photography. It’s also a project that shows the world photos taken by non-adult photographers, photographs from the eyes of children. The Workshops The Sirkhane Darkroom program consists of several workshops. In the first works...

For interview number 18 in our Lockdown Sessions / In Focus series we are delighted to introduce you to Shima Rastin, a passionate film photographer from Iran. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? © Shima Rastin, Ilford FP4, Hasselblad 501C, Lavasan, Iran If we have not confronted the Covid-19 pandemic, and this question was asked before this era, it was probably a hard choice to make. Although, now that I experienced such an idiosyncrat...