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Photographic Paper FAQ's Which paper product is best/suitable for photograms.  All of our ILFORD photographic papers will easily produce photograms, so the choice will depend on which surface finish you prefer and whether or not you want fibre or resin coated. Resin coated paper is lower cost, easy to process and dry flat and would be a good choice for starting out. Does reciprocity affect paper? Paper products are designed for much longer exposure times than film and are less sensitive to reciprocity...

Mounting your Prints Even the most stunning print can look better when it has been properly mounted. Mounted prints are also better protected as they are kept flat with the image separated from the immediate surroundings by unobtrusive margins. There are no hard and fast rules about mounting prints; the most suitable results will depend on individual preference, the nature of the image, the intended use and other circumstances. It is recommended that only boards and other materials intended for the p...

In late 2019, we invited the global analogue film photography community to take part in our latest survey. This time we focused specifically on darkroom printing. The survey ran for 1 month and had an incredible 5,439 responses from 87 countries around the world.  A huge thank you to everyone who took the time to offer your insights and share the survey for us. Why darkroom printing? We have seen sustained and continuous growth in film for a number of years. However, darkroom printing has not yet cap...

We recently had the pleasure of turning the tables on one of the stalwarts of the film photography community when we asked Em if he'd be the first of our interviews in the 'Lockdown Sessions'.  We're so glad that he agreed. What made you set up Emulsive.org and what were your initial plans for it? My-first-roll...-Of-35mm-film-Fuji-Superia-X-TRA-400-by-EMULSIVE EMULSIVE started as an idea in early 2015. I thought I should put up a blog where I could post a few photos and blog about stuff that I'd lea...

We are lucky here that so many of our staff are passionate about our products not just because they are proud of the brand but also because they use them themselves. Just like our 6th Behind The Film interviewee Mari. Who are you? What’s your job title HARMAN technology and how long have you worked here? I’m Mari Slater-Parry, I’ve been a research scientist at HARMAN since October 2018. I was originally employed on a fixed term grant through the INNOVATE UK scheme, before becoming a permanent member...

Our 57th In Focus interview is with Simon Smars from Stockholm who is a professional fine art photographer. Simon works exclusively with limited edition handmade black and white silver gelatin fiber prints, using traditional darkroom techniques. He creates a mixture of minimalistic scapes paired with a melancholic somber, with scenes often stripped to its bare essence. SECTION 1 - BACKGROUND Share your favourite image / print shot on ILFORD Film and tell us what it means to you? C I G (1: f.13 · 10-sto...

Kentmere films now available in 120 format HARMAN technology Ltd are pleased to announce that from December 1st, 2022, Kentmere Pan 100 and Kentmere Pan 400 films will be available in 120 format. Kentmere Pan 100 is a medium speed, ISO 100 panchromatic black & white film with fine grain and good sharpness. It has a broad tonal range with ‘medium’ contrast and a wide,  forgiving exposure latitude. Compared to Kentmere PAN 400, this film is slower with finer grain, and a touch more contrast. ...

We are heading to R&D to speak to Calvin Carey, our 13th Behind the Film interview. Calvin is a Physicist here at HARMAN Technology. Find out more about what his role entails. Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is Calvin Carey, and I work as a Physicist here at HARMAN. I started in 2019. Tell us a little about your day to day role. My day-to-day work is hugely varied, depending on which projects in R&D (research and development) or m...

For our 68th In Focus interview, we speak to landscape photographer Bill Brooks. Bill enjoys photographing the landscape. He is particularly interested in how it has been affected by those who have gone before us and how it impacts the lives of those who occupy it today. His work is influenced by painters and writers as well as other photographers. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? A recent favourite is Sullington Yew, from my ...

The Nod The rope is thick and heavy, and coated with resin applied to heat it up and make it sticky. The cowboy wraps this bullrope around his right hand and ties himself in. A thin leather glove protects him from burning his hand if the rope slips. He settles himself on the back of the 1500 pound Brahman bucking bull named Spooky Lukey, and Spooky Lukey hasn’t been ridden yet this season, or last year for that matter. When he’s set, he gives The Nod. The Nod starts off one of the greatest sequences in...